Culture #5

Exzession

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Ein in sich abgeschlossener SF-Abenteuerroman vom britischen Bestsellerautor und Meister der exotischen Space Opera: Eine riesige schwarze Kugel taucht eines Tages im Weltraum auf, offenbar tausend Milliarden Jahre alt, also älter als unser Universum. Doch wie ist das möglich? "Der beste, fähigste und ideenreichste Autor Englands!" Time Out

655 pages, Paperback

First published January 1,1996

About the author

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Iain M. Banks is a pseudonym of Iain Banks which he used to publish his Science Fiction.

Banks's father was an officer in the Admiralty and his mother was once a professional ice skater. Iain Banks was educated at the University of Stirling where he studied English Literature, Philosophy and Psychology. He moved to London and lived in the south of England until 1988 when he returned to Scotland, living in Edinburgh and then Fife.

Banks met his wife Annie in London, before the release of his first book. They married in Hawaii in 1992. However, he announced in early 2007 that, after 25 years together, they had separated. He lived most recently in North Queensferry, a town on the north side of the Firth of Forth near the Forth Bridge and the Forth Road Bridge.

As with his friend Ken MacLeod (another Scottish writer of technical and social science fiction) a strong awareness of left-wing history shows in his writings. The argument that an economy of abundance renders anarchy and adhocracy viable (or even inevitable) attracts many as an interesting potential experiment, were it ever to become testable. He was a signatory to the Declaration of Calton Hill, which calls for Scottish independence.

In late 2004, Banks was a prominent member of a group of British politicians and media figures who campaigned to have Prime Minister Tony Blair impeached following the 2003 invasion of Iraq. In protest he cut up his passport and posted it to 10 Downing Street. In an interview in Socialist Review he claimed he did this after he "abandoned the idea of crashing my Land Rover through the gates of Fife dockyard, after spotting the guys armed with machine guns." He related his concerns about the invasion of Iraq in his book Raw Spirit, and the principal protagonist (Alban McGill) in the novel The Steep Approach to Garbadale confronts another character with arguments in a similar vein.

Interviewed on Mark Lawson's BBC Four series, first broadcast in the UK on 14 November 2006, Banks explained why his novels are published under two different names. His parents wished to name him Iain Menzies Banks but his father made a mistake when registering the birth and he was officially registered as Iain Banks. Despite this he continued to use his unofficial middle name and it was as Iain M. Banks that he submitted The Wasp Factory for publication. However, his editor asked if he would mind dropping the 'M' as it appeared "too fussy". The editor was also concerned about possible confusion with Rosie M. Banks, a minor character in some of P.G. Wodehouse's Jeeves novels who is a romantic novelist. After his first three mainstream novels his publishers agreed to publish his first SF novel, Consider Phlebas. To distinguish between the mainstream and SF novels, Banks suggested the return of the 'M', although at one stage he considered John B. Macallan as his SF pseudonym, the name deriving from his favourite whiskies: Johnnie Walker Black Label and The Macallan single malt.

His latest book was a science fiction (SF) novel in the Culture series, called The Hydrogen Sonata, published in 2012.

Author Iain M. Banks revealed in April 2013 that he had late-stage cancer. He died the following June.

The Scottish writer posted a message on his official website saying his next novel The Quarry, due to be published later this year*, would be his last.

*The Quarry was published in June 2013.

Community Reviews

Rating(3.8 / 5.0, 100 votes)
5 stars
26(26%)
4 stars
31(31%)
3 stars
43(43%)
2 stars
0(0%)
1 stars
0(0%)
100 reviews All reviews
July 15,2025
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This is by far the culture novel that I like the least.

It's really a pity because I have been truly enjoying this series up until now.

The story in this particular novel just didn't grip me as much as the others. The characters didn't seem as vivid or engaging, and the plot felt a bit flat.

I was disappointed because I had such high expectations based on the previous installments.

However, I'm still hopeful that the next book in the series will bring back the magic and excitement that I've come to love.

Maybe this was just a bit of a lull in an otherwise great series. I'll definitely be giving the next one a chance.
July 15,2025
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Apabullante desde la generalidad pero no desde el detalle, que además resulta borroso a veces. It presents a grand and imposing picture on the whole, yet lacks clarity and precision in the details, which can sometimes be rather模糊.


Género. Ciencia-Ficción. The genre is Science Fiction.


Lo que nos cuenta. Dajeil Gelian has been confined in a spaceship for a long time, which has become her home. However, the avatar of the ship warns her that things are about to change. Byr Genar-Hofoen is a diplomat of La Cultura, assigned among the Afrentadores, a warlike and technological civilization. Special Circumstances asks him for help at any price. In the area of the Upper Foliar Eddy, near the star Esperi, something similar to what surprised La Cultura five centuries ago has appeared: an enormous and unknown artifact of a technology that seems to dwarf all the technology known to La Cultura, and which they call Excession. This is the fourth book of the La Cultura series (although some say it is the fifth since there is a previous compilation of the author's stories with some contents related to La Cultura, but not all of them, which poses quite a problem for my psychological rigidity in these matters).


¿Quiere saber más de este libro, sin spoilers? Visite: If you want to know more about this book without spoilers, visit:


http://librosdeolethros.blogspot.com/...

July 15,2025
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This is the 3rd book in the Culture series that I've had the pleasure of reading, and once again, it failed to disappoint.

There were times when I felt completely lost and had no idea what was happening, but strangely enough, it didn't seem to matter much.

The basic premise is that an unknown entity has been discovered somewhere in the known universe. It has done something with the ship that discovered it and set in motion a course of action that could potentially lead to a full-scale galactic war.

That's the big picture, but on a smaller scale, and perhaps influenced by this entity (the Excession named in the title), we have various individuals who are being guided or are heading towards each other and this Excession for a variety of purposes.

I haven't described it very well, but essentially, you have the intimate stories of different people like Genar Hofoen, Dajeil, and Ulver Seich who are brought together. There are also stories of past events, such as Genar Hofoen and Dajeil both becoming pregnant after Hofoen sublimates from male to female and their subsequent falling apart.

The stories of the ships are also quite enjoyable. They are basically animate beings in their own right, and even their names are interesting and fun, like the Sleeper Service, the Fate Amenable to Change, the Honest Mistake, and so on.

The universe of the Culture is one of the most unique worlds I've ever encountered in my reading. The stories and characters are all so interesting, and experiencing this world of SciFi makes reading that genre exciting and engaging once again.

I find it extremely difficult to describe in just a few words. You really have to pick up one of the stories and discover it for yourself. And by the way, Excession is actually the 4th book in the Culture universe/series.

July 15,2025
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So, I found myself in a bit of a quandary with this book. At times, I truly enjoyed it, relishing in the unique ideas and concepts it presented.

However, at other times, it really irritated me. There were just so many narrative threads constantly being tossed into the mix, which unfortunately came at the cost of developing a deep intimacy with any of the characters.

The only exception might be my favorite character in the book, "Sleeper Service". This character had a certain charm and allure that managed to capture my attention.

The book does have a really interesting setting and circumstances. The world that the author has created is full of possibilities and potential.

But for some reason, I just never could get fully pulled in. It felt like my point of view was constantly being ripped away to characters that I was just meeting mid-book.

This made it difficult for me to form a connection with the story and the characters.

It's important to note that this book is much more complex and clever than "Player of Games". And yet, I was completely GLUED to "Player of Games".

Perhaps it's because "Player of Games" had a more straightforward narrative and a stronger focus on character development.

Overall, while this book had its moments, it ultimately failed to fully engage me.
July 15,2025
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The first 10% of the book was rather slow-paced, but once I got past that, the rest of it was truly enthralling. It wasn't the easiest read by any means, as the ships' names were extremely hard to remember. However, despite this minor drawback, I thoroughly enjoyed the overall experience.

On my second read, I found that the ship names were still just as difficult to recall. In fact, I've come to the conclusion that rereading the Culture series is not quite as enjoyable as I had initially expected. There's something about the second time around that just doesn't have the same magic.

Perhaps it's because I already know what's going to happen, or maybe it's because the initial excitement and新鲜感 have worn off. Whatever the reason, I still appreciate the series for its unique concepts and engaging storylines, but I don't think I'll be rereading it as often as I thought I would.

Overall, while the Culture series is definitely worth reading at least once, it may not be the kind of series that you'll want to revisit again and again.
July 15,2025
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The thing about Iain Banks' Culture series of science-fiction books is their quasi-pseudo-sometimes humorous details.

This is the fifth one I have read, originally released in 1996. (I don't read that fast, to be honest.) Excession is probably one of the deepest, most confusing, and most complex novels I've ever come across from him, and that includes his more contemporary works as well.

I started reading him in the very early 1990s, beginning with the seminal Wasp Factory. Over the years, I slowly made my way through his extensive body of work. After he passed away, I set myself the task of reading all of his works, both the sci-fi and the more contemporary ones. His death was such a shame. One thing I've never forgiven myself for was when he did a signing in my hometown of Chepstow. I missed it, and that upsets me greatly.

Excession: Think of 2001 by Arthur C Clarke and the black monolith that the book deals with. In the Culture, an Excession is an anomaly, unexplainable and of great curiosity to the Culture, so there are some similarities between the two books. It's an incredibly confusing book, weighing in at over 450 pages, with many different characters, different time spans, some really obscure spaceship names (Iain really had a massive imagination), different subplots, and plots within plots, and so on. I found it got quite heavy towards the final conclusion (of what the Excession actually was), but the writing is flawless, and the character development is pretty good (although it can be confusing to work out who is who, especially towards the end). All of these aspects of the novel are what one would expect from the abstract mind of the late Iain Banks.

I do recommend it if you want your brain to be challenged and are into sci-fi. The great thing about the Culture series of novels is that they are essentially all stand-alone, so you don't have to read them in any particular order, which is a positive aspect of the series. If you want your mind to be completely overworked and are into sci-fi and abstractions, then give it a try. I think the best aspect was the names of the spaceships. That was a really unique invention by the author. Sometimes they were quite humorous too. I'll give it a 4, mainly because of the entirely confusing ending. I'm still thinking about it now.
July 15,2025
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I've been delving into the books of Iain M. Banks for a little over a year now. Excession marked my fourth exploration into the captivating world of the Culture, his envisioned ultimate Utopia. Previously, I was thoroughly impressed by both Consider Phlebas and The Player of Games. However, Matter left me somewhat underwhelmed.

I discovered that Excession tended to lean more towards the qualities of Matter rather than meeting the standards set by the other two. Similar to Matter, it features an ensemble cast of characters, along with grandiose ideas that were absent in the earlier books, as well as cunning and subtle plot-lines and shifts. Undoubtedly, its scope is truly impressive. Nevertheless, its complexity at times hampers the flow of the story.

Perhaps the main criticism is that the large cast of characters and the various plot-lines, especially the sub-plots, are not managed with the level of care and subtlety that one would expect from Banks. I'm beginning to form the opinion that he excels at writing smaller casts of characters from a single perspective, as seen in The Player of Games, rather than attempting to create a huge, all-encompassing spectacle from the outset.

That doesn't mean the book isn't remarkable. It most certainly is. Its scope and ideas left as much of an impression on me as any space opera I've read in quite some time. Its issues simply stem from Banks' desire to make this a multi-faceted masterpiece, which, in my experience, falls just a bit short of his earlier achievements.
July 15,2025
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Upon a second reading of this extensive and often uneven Culture novel, I find myself upgrading my rating from three to four stars.

My initial encounters with these books have been rather diverse. It's either been a case of being completely astounded, as with "Player of Games" and "Look to Windward," or a situation where I think I might have enjoyed it but wasn't entirely sure, like in "Phlebas," "Use of Weapons," and "Excession."

In the case of all those books that initially received a 3-star rating in the second category, I've since bumped them up to 4 stars and found them much more enjoyable on the second go.

Although I still have 3 Culture books that I haven't read at all yet, I have a hunch that "Excession" will prove to be the most peculiar and mind-boggling. There's an abundance of events happening in this book, and it jumps around among numerous characters, making it difficult to determine what one should truly care about, at least during the first reading.

Rereading it, I still sense that it's a bit of a chaotic read, but I was truly able to value the sheer craziness of the story. I absolutely love reading about civilizations on the verge of tearing themselves apart over an artifact that's simply sitting there, existing.

And the first time around, I'm not certain if I fully grasped the character of the Sleeper Service and its avatar Amorphia, but this time I was profoundly touched by its confession of its motivations and how deeply human it felt, considering the character is a kilometers-long spaceship.

If you're new to the Culture series, by all means, do not begin here. Start with "Player of Games," which I would argue is easily the most accessible entry point of the series. And if you enjoy that one, prepare for a wild journey because these books are an absolute trip.

4/5
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