Culture #4

The State of the Art

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This novella chronicles a Culture mission to Earth in the late Seventies, and also serves as a prequel of sorts to Use of Weapons by featuring one of that novel's characters, Diziet Sma. Here, Sma argues for contact with Earth, to try to fix the mess the human species has made of it. Another Culture citizen, Linter, goes native while Li, who is a Star Trek fan, argues that the whole "incontestably neurotic and clinically insane species" should be eradicated with a micro black hole. The ship Arbitrary has ideas, and a sense of humour, of its own.

This limited first edition only includes the novella and no extra collections. It had a print of 400 numbered copies and comes in a slip-case signed by both author and cover artist.

148 pages, Hardcover

First published March 1,1991

Series
Places
earth

About the author

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Iain M. Banks is a pseudonym of Iain Banks which he used to publish his Science Fiction.

Banks's father was an officer in the Admiralty and his mother was once a professional ice skater. Iain Banks was educated at the University of Stirling where he studied English Literature, Philosophy and Psychology. He moved to London and lived in the south of England until 1988 when he returned to Scotland, living in Edinburgh and then Fife.

Banks met his wife Annie in London, before the release of his first book. They married in Hawaii in 1992. However, he announced in early 2007 that, after 25 years together, they had separated. He lived most recently in North Queensferry, a town on the north side of the Firth of Forth near the Forth Bridge and the Forth Road Bridge.

As with his friend Ken MacLeod (another Scottish writer of technical and social science fiction) a strong awareness of left-wing history shows in his writings. The argument that an economy of abundance renders anarchy and adhocracy viable (or even inevitable) attracts many as an interesting potential experiment, were it ever to become testable. He was a signatory to the Declaration of Calton Hill, which calls for Scottish independence.

In late 2004, Banks was a prominent member of a group of British politicians and media figures who campaigned to have Prime Minister Tony Blair impeached following the 2003 invasion of Iraq. In protest he cut up his passport and posted it to 10 Downing Street. In an interview in Socialist Review he claimed he did this after he "abandoned the idea of crashing my Land Rover through the gates of Fife dockyard, after spotting the guys armed with machine guns." He related his concerns about the invasion of Iraq in his book Raw Spirit, and the principal protagonist (Alban McGill) in the novel The Steep Approach to Garbadale confronts another character with arguments in a similar vein.

Interviewed on Mark Lawson's BBC Four series, first broadcast in the UK on 14 November 2006, Banks explained why his novels are published under two different names. His parents wished to name him Iain Menzies Banks but his father made a mistake when registering the birth and he was officially registered as Iain Banks. Despite this he continued to use his unofficial middle name and it was as Iain M. Banks that he submitted The Wasp Factory for publication. However, his editor asked if he would mind dropping the 'M' as it appeared "too fussy". The editor was also concerned about possible confusion with Rosie M. Banks, a minor character in some of P.G. Wodehouse's Jeeves novels who is a romantic novelist. After his first three mainstream novels his publishers agreed to publish his first SF novel, Consider Phlebas. To distinguish between the mainstream and SF novels, Banks suggested the return of the 'M', although at one stage he considered John B. Macallan as his SF pseudonym, the name deriving from his favourite whiskies: Johnnie Walker Black Label and The Macallan single malt.

His latest book was a science fiction (SF) novel in the Culture series, called The Hydrogen Sonata, published in 2012.

Author Iain M. Banks revealed in April 2013 that he had late-stage cancer. He died the following June.

The Scottish writer posted a message on his official website saying his next novel The Quarry, due to be published later this year*, would be his last.

*The Quarry was published in June 2013.

Community Reviews

Rating(3.9 / 5.0, 100 votes)
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100 reviews All reviews
July 15,2025
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The titular novella within this collection serves as a flawless condensation of the rhetoric and dialectic that lies beneath the Culture series. It encapsulates its themes and the very essence of its existence.

It showcases the entertaining staples of the Culture such as wry Ships, fastidious droids, and agents with diverse motivations. It delves into the discussion of policies of non-interference balanced with those of behind-the-scenes intervention; the contrast between "going native" and the so-called "objective" distance; the concept that a natural life and a genuine engagement with living must involve the acceptance that evil will always persist, and as a counterpoint, the idea that systemic evil, encompassing all the -isms, greed, and self-interest, can and should actually be eradicated.

This is heady and at times rather heavy-handed material, forcefully expressed and presented with the typical Banks' panache and wit. It is very well executed.

Most of the remaining stories, however, are lackluster and forgettable, or overly strident and not particularly enjoyable. In the case of "A Gift from the Culture", it begins strongly but concludes far too abruptly.

I did, nevertheless, have a fondness for the darkly amusing "Odd Attachment" where a preoccupied alien shepherd - who resembles a moving tree - encounters an explorer from the stars, much to the explorer's extreme misfortune. And there was a touching kindness at the heart of "Descendant" which depicts the relationship between a stranded and increasingly delirious Culture citizen and his sentient suit.
July 15,2025
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There are certain authors whose short fiction I have a greater penchant for than their novels. However, Iain Banks is not among them. While a couple of his short stories are indeed great, I firmly believe that for the most part, he truly shines when he has the maximum literary space to thoroughly explore a story and develop his characters. 'A Gift from the Culture' and 'The State of the Art' are undoubtedly the high points in this collection.


Let's take a closer look at the individual stories.


'Road of Skulls': I rate this one a 2/5. There is nothing particularly special about it.


'A Gift From the Culture': This one gets a 4/5 from me. I really dug it. It had a noir quality to it, told from the perspective of someone who chose to leave the culture for a pre-scarcity society. It's my favorite in the book.


'Odd Attachment': Also a 4/5. It's a pretty humorous encounter with a plant life form.


'Descendant': Another culture story, but I didn't like this one all that much. I give it a 2/5.


'Cleaning Up': A 3/5 for this story about trash disposal gone wrong. As the saying goes, one man's trash...


'The State of the Art': This novella, which is book 4 of The Culture series, takes up about half of the collection. It falls slightly short of being brilliant as it focuses too much on Earth things and not enough on Contact things. Still, it's a solid entry in the series, and it was great to see Sma and Skaffen-Amtiskaw again.


'Scratch': I can only give this a 1/5. Was this some sort of experiment in creating unintelligible poetry from newspaper clippings or something? I think it might be a joke written solely to amuse the author, which is worth a star in and of itself.

July 15,2025
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My husband overheard me muttering to myself about this book being out of print in the US.

He's such a sweetheart that he secretly ordered it for me from the UK. When it arrived, I, in my absentmindedness, somehow assumed I'd ordered it for myself and forgotten about it.

So, I just casually tossed it on the to-read stack without a second thought or any comment. He had to drop some hints and prod a bit before finally admitting that he'd bought it for me as a gift.

He's sweet; I'm a dork. Anyway, moving on.

Every Culture book I've read so far has been better than the last. This one, although actually a short-story collection, includes the fourth installment of the Culture series, a novella called "The State of the Art".

It is both funnier and more heartbreaking than the previous three novels (which are all, to varying degrees, quite funny and heartbreaking). Here, we meet up again with Diziet Sma, the heroine from Use of Weapons.

Her Contact Unit spaceship encounters Earth for the first time and must investigate the planet and decide whether to formally Contact its inhabitants.

I expected this novella to be a lesser installment among the Culture lore. The fact that it's out of print in the US (while the first three novels recently got shiny new reprints) didn't seem like a great sign.

Also, the premise of a mashup between the über-futuristic Culture and 1970's-era Earth sounded rather gimmicky. I hadn't expected Earth to appear at all in this series, other than perhaps in a hazy prehistoric "Earth-that-was" sort of backstory.

Instead, it seemed we would fulfill another tired science fiction trope: the dopey, pugnacious, backward species disdained by the superior aliens. But, as is often the case with Iain M. Banks, there are deeper levels here than I was expecting.

And also, oh, ow, my heartstrings. The other stories in here are hit-or-miss, but that's the nature of short story collections.

The one that will stick in my mind is "Descendant", a strange little story about a man in a sentient spacesuit trekking across a deserted planet. It's somber, gruesome, and eerie.
July 15,2025
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Inicio y final muy reguleros.

The beginning and the end are very regular.

La parte central del libro llegó a engancharme un poco pero nada que ver con los 3 anteriores, por eso la nota.

The central part of the book managed to engage me a little bit but it has nothing to do with the previous three, that's why the rating.

Overall, the book has its pros and cons. The regular beginning and end provide a certain structure, but they may also lack some excitement. The central part, although it caught my attention to some extent, failed to live up to the expectations set by the previous installments.

Perhaps the author could have explored more unique ideas or developed the plot in a more unexpected way.

Despite these shortcomings, the book still has some redeeming qualities. It may appeal to readers who enjoy a more traditional narrative style and are willing to overlook the lack of innovation.

However, for those who are looking for something truly outstanding and different, this book may not be the best choice.

July 15,2025
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The fourth "Culture" book is, in fact, a compilation of short stories. While they all have a science-fiction foundation, most of them aren't even explicitly about the Culture. However, that doesn't necessarily mean it's a bad thing, as almost everything in this collection is great.


"Road of Skulls" is more of a descriptive piece, focusing on a carriage traveling along a road made of skulls. It has a clever little twist at the end.


"A Gift from the Culture" tells the story of a person from the Culture attempting to live outside of it. It's a great little story that contains some interesting thoughts about fate.


"Odd Attachment" features an intelligent alien plant meeting a human being. It's a gruesome yet enjoyable story.


"Descendant" follows a man and his intelligent space suit as they try to trek across a desolate planet to safety. There's an element of "The Martian" to it, but really, the story is about the confusion between the personalities of the man and the suit.


"Cleaning Up" presents the idea of mysterious alien artefacts falling to Earth, only to discover that they are just pieces of rubbish. It's a lovely concept.


"Piece" is a strange entry that isn't strictly sci-fi or even fiction. Instead, it's a discussion on religion, which I thought was rather good.


"The State of the Art" is a novella that takes up a significant portion of the book. It tells the story of Sma from "Use of Weapons" as she narrates a Culture mission to Earth in the 1970s. It's an excellent story where the Culture characters analyze humanity and decide what to do with it. Their perspective feels real, and I admire the way Banks imagined how superior aliens might view us. It's a wonderful story all about humanity.


"Scratch" is a stream of consciousness about international issues with little punctuation. I didn't like this one, but fortunately, it's only a few pages long.


Overall, I thought this was a good collection, although there were a few stories that I would have been happy to omit if I were in charge of compiling it.
July 15,2025
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A small collection of short stories related to the Culture has been presented. The title story is centered around Diziet Sma's summary of her data collection mission to Earth. There are a couple of extremely strange stories within it that really made me wonder about how the author comes up with such stuff. It's quite astonishing. I didn't feel an immediate urgency to come back for more. As a result, I took far too long to drive through this rather quick read. I believe I'll engage with one more culture novel and then might need to take a break. This collection has its own charm and peculiarities, but perhaps I need a bit of a respite after this. Maybe the next novel will offer something even more captivating and unique.

July 15,2025
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Oh, how pages fly when you read sci-fi!

Each book I've read of Mr. Banks these last months has been truly rewarding. There is a constant and exciting stream of new and imaginative ideas. On one hand, there are profound social analyses on the grandest levels, and on the other hand, there are the tiniest and most fascinating high-tech objects in the daily lives of those in the Culture. There are also constant playful jokes, interesting metaphors, and engaging dialogue.

The State of the Art is a collection of short stories. Most short stories are like a Hobbesian idea; they are interesting, brutish, and short. In the last story of the book, which is significantly longer, the Culture, a very advanced society, observes Earth and ponders whether they should interfere. The pros are that they could help earthlings "develop" and prevent them from killing themselves. However, the cons are that they would be interfering with societal development by applying their own moral frame of reference, which conflicts with their own concept of freedom. This is a complex issue as the relation with this concept is already difficult within their own society where humans live together with sentient machines that are a million times smarter than them. As the members of the observation crew discuss among themselves and with their sentient spaceship what they should do, a love-story unfolds, which further sharpens these moral questions about freedom vs determinism, absolute/universal vs relative moral truths, and so on.

These books are definitely worth your time! They offer a rich and thought-provoking exploration of various themes and ideas that will keep you engaged from start to finish.
July 15,2025
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The book is, in fact, a collection that combines short stories and a novella.

The latter, along with one or perhaps two of the stories, is set within the universe of Culture, while the rest are not. It seems only fair that this should be clearly indicated to the reader prior to purchasing the book.

Having said that, certain stories and the eponymous novella are truly excellent. However, overall, I can't shake off the sense of the book being a bit of a "hodgepodge." There are some transcendental stories, others that seem experimental, and still others where it appears that Iain M. Banks isn't taking himself seriously... or perhaps us readers.

Please don't misunderstand me. Iain M. Banks's talent shines through in every sentence, and of course, I don't regret reading this work. Although, in truth, it can't really be considered - except maybe by the editors - as the fourth book in the Culture series.
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