The Bonesetter's Daughter

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Ruth Young and her widowed mother, LuLing, have always had a tumultuous relationship. Now, before she succumbs to forgetfulness, LuLing gives Ruth some of her writings, which reveal a side of LuLing that Ruth has never known. . . .

In a remote mountain village where ghosts and tradition rule, LuLing grows up in the care of her mute Precious Auntie as the family endures a curse laid upon a relative known as the bonesetter. When headstrong LuLing rejects the marriage proposal of the coffinmaker, a shocking series of events are set in motion–all of which lead back to Ruth and LuLing in modern San Francisco. The truth that Ruth learns from her mother’s past will forever change her perception of family, love, and forgiveness.

387 pages, Paperback

First published February 19,2001

About the author

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Amy Tan (Chinese: 譚恩美; pinyin: Tán Ēnměi; born February 19, 1952) is an American writer whose novels include The Joy Luck Club, The Kitchen God's Wife, The Hundred Secret Senses, The Bonesetter's Daughter, Saving Fish From Drowing, and The Valley of Amazement. She is the author of two memoirs, The Opposite of Fate and Where the Past Begins. Her two children's books are The Chinese Siamese Cat and The Moon Lady. She is also the co-screenwriter of the film adaptation of The Joy Luck, the librettist of the opera The Bonesetter's Daughter, and the creative consultant to the PBS animated series Sagwa the Chinese Chinese Cat.

Tan is an instructor with MasterClass on writing, memory and imagination. She is featured in the American Masters documentary Amy Tan: Unintended Memoir. She was inducted into the American Academy of Arts and Letters and recently received the National Humanities Medal. She serves on the board of American Bird Conservancy.

Her forthcoming book The Backyard Bird Chronicles began as a journal in 2016, when she turned to nature for calm. She also began taking drawing classes with John Muir Laws (The Laws Guide to Nature Journaling and Drawing, and The Laws Guide to Drawing Birds). During the pandemic shutdown, she drew birds only in her backyard, documenting behaviors she found puzzling. Over time she identified 64 species of birds that have visited her backyard in Marin County. By 2022, she had more than nine journals of sketches and notes, which her editor at Knopf suggested she publish. The book, which will be released in April 2024, has already received high praise:

“Much of great writing comes from great interest, and in The Backyard Bird Chronicles, Amy Tan shows us how the world fascinates her, especially the birds. The result is both unexpected and spectacular.”
—Ann Patchett, author of These Precious Days

“What an enchanting and illuminating book! How lucky for us that Amy Tan has turned her genius, her deep empathy and insight, her keen eye for what is telling, to birds. Every page of these chronicles radiates warm curiosity, wonder, and delight.”
—Jennifer Ackerman, The Genius of Birds

“This is one of the most infectious and convincing books about nature I've read. For the bird-watcher, the would-be bird-watcher, or for the bird-watching skeptic, this offers great delight and unexpected intrigue. Through Tan's ecstatic eyes, what could be a dry treatise on ornithological happenings becomes something far more fun and much more profound. It's really a book about seeing.”
—Dave Eggers, author of Ungrateful Mammals

“Anybody even mildly interested in birds, or thinking about getting interested in birds (which are, after all, the indicator genus for the health of the planet), will want this book perched on their shelf, if only for the gift of Amy Tan's eye and the example she gives us of how to pay attention. What a treasure.”
—Robert Hass, Pulitzer Prize-Winning author of Summer Snow: New Poems

“Backyard Bird Chronicles is fun reading. It shows how we can become engaged emotionally, literally and artistically with the natural world—to joyfully learn about the most accessible and yet wild animals, the often rare and beautiful birds that choose to come and live near and sometimes with us.”
—Bernd Heinrich, author of Mind of the Raven

“With this book as your guide, embark into the bird world Amy Tan. This is an intimate view, a sort-of love affair with the birds and their behavior, that Amy has come to know over several years. Within the leafy universe of her own backyard, she has quietly beheld, patiently observed, and taken in-depth notations of an extensive array of bird species. In colorful detail, she describes various bird's behavior, while capturing their beauty in exquisitely rendered illustrations. Species include fearsome predators and watchful prey, long distance migrants and hometown residents. Through her unique insight and gift as an author and

Community Reviews

Rating(4.1 / 5.0, 98 votes)
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98 reviews All reviews
July 15,2025
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Amy Tan's writing is truly remarkable.

However, on certain occasions, I encounter difficulties in fully identifying with or sympathizing for her characters.

The reason being that they often come across as insipid and passive.

It's not that they possess an intriguingly complex nature that would draw me in or evoke a sense of pity in an inspiring way.

For instance, in some of her stories, the characters seem to lack the depth and agency that would make them more relatable and engaging.

They may simply go through the motions of the plot without really taking charge of their own destinies or showing any significant growth or transformation.

This can make it challenging for me to form a strong emotional connection with them and truly understand their experiences and motivations.

Nonetheless, I still appreciate the overall beauty and craftsmanship of Amy Tan's writing, even if the characters don't always resonate with me on a personal level.
July 15,2025
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Library hardcover books are an essential part of any library collection. They offer durability and protection to the precious written works that are housed within the library walls.

Hardcover books are typically bound with a sturdy cover made of cardboard or leather, which helps to prevent damage from handling, moisture, and other environmental factors. This makes them ideal for long-term storage and use in a library setting.

In addition to their practical benefits, hardcover books also have an aesthetic appeal. The beautiful covers and bindings can add a touch of elegance and sophistication to the library shelves, making them a pleasure to look at and handle.

Overall, library hardcover books are an important investment for any library. They provide a reliable and long-lasting way to preserve and share knowledge, while also enhancing the beauty and functionality of the library space.
July 15,2025
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The opening chapter of Amy Tan's novel presents the elusive concept of "Truth." Truth is like a shapeshifter, constantly changing and being influenced by memories that are lost, edited, and re-edited over time. As LuLing's memory begins to fade, she writes her story in the beautiful calligraphy she learned as a child, using traditional characters. Her record is for her daughter Ruth, and it includes both her own story and that of Precious Auntie. However, LuLing is already forgetting Precious Auntie's real name, and she wonders why it is so important.


The declaration that almost all that mattered in her life has disappeared, especially losing Precious Auntie's name, jolts the reader. But just as our curiosity is piqued, Tan intervenes with Ruth's story. The narrative switches to third person from Ruth's perspective, and we see LuLing as a querulous, hyper-critical, and fearful mother who fills Ruth's life with superstition, folklore, and ramblings about Precious Auntie's ghost. Ruth is torn between the expectations of Chinese and American culture, and as a child, she resents learning Chinese characters and is embarrassed by her mother's pronunciation of her name.


The narrative of Ruth's life is lightened by Tan's sense of humor. She meets her future partner, Art, at a yoga class and mistakenly assumes he is gay, which allows her to relax and form a comfortable friendship. However, there are also serious consequences to her actions, such as when she tricks her mother into making permissive decisions by pretending to receive messages from Precious Auntie's ghost.


Part II begins with the heading "Heart," which is truly the heart of the book. LuLing's first-person narrative is a startling transition, and we learn about her childhood and Precious Auntie's story of love and tragedy. A different side of LuLing emerges, as we see that she was curious, clever, strong, and willful, just like Precious Auntie. The pages are filled with the sights and scents of the Chinese village household, and the family's business of making ink sticks adds a unique cultural touch.


Amy Tan also uses calligraphy as a tool to convey Chinese culture. It is a connecting thread between Precious Auntie, LuLing, and the rich ambiguities of language. LuLing tries to teach Ruth how to write characters, emphasizing the importance of gathering the free-flowing of the heart. This idea is further explored when Precious Auntie teaches LuLing about the meaning of each stroke in the character for "heart."


Overall, I had mixed feelings about this book. While the modern-day scenes lacked the authenticity of the past, and some of the resolutions in Part III felt contrived, the story was still enjoyable and had many layers of richness. Tan's gift for reproducing the voices of past generations and telling compelling stories shines through, making this a worthwhile read.

July 15,2025
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A first-generation immigrant is truly a unique being. Her past is deeply intertwined with her country of origin, encompassing its myths, culture, legends, and history. Meanwhile, her future is set to be shaped in the foreign land where she now resides. In the case of America, a land that seemingly lacks a past (or one that has been erased by the early white settlers), the immigrant's past never completely fades away. In this land where only the future matters and there is a dearth of myth, the past becomes the only thing she can hold onto.

For the second-generation immigrant in the USA, the past of a country she has only known through her imagination can feel like a heavy burden. She must somehow "belong" to her ethnicity while also being a part of the vibrant, youthful culture without standing out awkwardly. This often leads to friction with her parents, as the old world attempts to maintain its tenuous grip on her.

This is particularly true for immigrants from the East, as myth holds great significance in the Eastern psyche. In this story of a mother and daughter from China, it is this past - a tragic, horrific, yet poignant one - that extends its reach into present-day America and forms the core of the narrative.

Ruth Young, a ghostwriter, lives with her Jewish boyfriend Art and his daughters. Her relationship with her mother LuLing is troubled. LuLing, one of two sisters who moved to the USA from China shortly after the war, is a typical controlling Eastern mother and also sees herself as a perpetual victim. She believes she always gets the short end of the stick. She and her sister GaoLing married brothers, but LuLing's husband died in an accident, leaving her relatively impoverished, while her sister's husband prospered. From this tragedy on, LuLing lives in an extremely unstable world where sanity and security are precarious, and this upbringing also affects Ruth, who builds an impenetrable psychological wall around herself.

Every August twelfth, Ruth is afflicted by a strange illness that causes her to lose her voice for a week. This began when she moved in with her boyfriend. As the novel begins, it is the ninth anniversary of this peculiar condition. But this year, something is different - she discovers a manuscript written by her mother in Chinese: the story of her past. With LuLing feared to be gradually slipping into dementia, Ruth must decipher this to uncover her past before she loses her present and future.

The tale of a young orphan in a Chinese village, the daughter of a traditional "bone doctor" who treats orthopaedic ailments with medicines made from "dragon bones," proves to be the salvation of both LuLing and Ruth. Spanning the twilight years of the Kuomintang era, the Japanese invasion, and the Second World War, this tragic history provides Ruth with a window - a picture window through which she witnesses her origin and roots, all the way back to the Peking Man. As we reach the end, we see a transformed protagonist who no longer loses her voice but instead chooses silence.

***

Similar to The Kitchen God's Wife, this is a story of generations: from mother to daughter to daughter. The characterisation is excellent (especially that of LuLing), and the second part, LuLing's recollection of her Chinese past, is engagingly written. The book is also highly readable.

However, is it great literature? I would argue no. Having read Amy Tan's other novel mentioned above, I found this one to be thematically similar. I have a feeling that any future novel by her that focuses on these same themes might be difficult for me to finish.
July 15,2025
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Like most of Tan's books, this novel centers on mother-daughter relationships that span several generations.

It is a captivating tale about uncovering the truth regarding our past and ourselves. Ruth's mother, LuLing, who is in the early stages of Alzheimer's, meticulously writes down the "Things I Know Are True" and the "Things I Must Not Forget" - leaving them for her daughter to discover.

These serve as the means through which Ruth unearths the secrets and truths concealed in her mother's past. This is truly a remarkable book - perhaps a bit sluggish in the beginning, but outstanding overall.

Definitely take the time to read the "Conversation with Amy Tan" in which her friend Molly Giles interviews her (at the end of the novel). This addition makes the book even more personal and, without a doubt, even more wonderful. It provides valuable insights into the author's mind and the inspiration behind the story, enhancing the reader's appreciation and understanding of the novel.

July 15,2025
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I was truly and incredibly touched by this book.

As I stand on the brink of entering a new decade of my life, the way in which the past intersects with the present and future has become a matter that has led to a great deal of reflection.

Tan's novel follows a similar line of thought. It delves into the lineage of women, exploring how the past shapes our present. However, it also shows that it is possible to find clarity, grace, and forgiveness.

It touches upon various themes such as multi-culturism, aging, memory, the definition of self, guilt, love, family, and their many different forms.

This is an absolutely stunning and perceptive novel that has left my heart feeling completely full. It has made me think deeply about my own life and the relationships that have shaped me.

I highly recommend this book to anyone who is looking for a thought-provoking and emotionally engaging read.
July 15,2025
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The novel centers around the lives of two Chinese American women, namely Ruth Young and her mother, LuLing.

Ruth is a first-generation Chinese American, having been born and raised in the United States. Her mother, LuLing, on the other hand, is an immigrant from China.

Ruth stumbles upon a hidden manuscript penned by her mother. This manuscript holds LuLing's life story and the tale of Precious Auntie, a woman who had a profound impact on her life back in China. As Ruth delves into reading and translating her mother's manuscript, she uncovers valuable insights into her family's history, rich cultural traditions, and the numerous challenges her mother confronted as an immigrant.

Tan skillfully weaves together these two narratives. Initially, the story appears a bit sluggish when it delves into Ruth's "arduous" American life. However, as more of her mother's past is revealed, the pace quickens. It is well-written and thought-provoking. The history of China during WWII and the exploration of Chinese culture are truly captivating. Overall, it is a good read that I would recommend.

3 ⭐️ ⭐️ ⭐️
July 15,2025
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[4.5 stars, really:]

Because I'm such a sucker for this kind of thing. Mothers and daughters have always been a fascinating topic for me. Their relationships are complex, filled with love, conflicts, and countless memories. The life stories of mothers and daughters can be both heartwarming and thought-provoking.

And then there's the humor of bad grammar. It may seem strange, but it has a charm of its own. The misspelled words, the incorrect grammar, and the funny misunderstandings can bring a smile to your face.

You know, this kind of thing just gets to me. It's like a warm blanket on a cold day, or a good book that you can't put down. It makes me feel good inside, and it reminds me of the simple pleasures in life.

So, if you're looking for a good read that combines the beauty of mother-daughter relationships with the humor of bad grammar, then this is the book for you. I highly recommend it!
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