Regeneration #2

The Eye in the Door

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It is now 1918, and the setting for volume 2 in the Regeneration Trilogy has shifted from Scotland to an England suffering many shortages. As the war lingers on, pressure to fall in line for both military and civilians alike takes on ugly forms. Billy Prior now works in London as an Intelligence Officer. But his concern is the enemy within now, although a clear definition of the enemy is harder to come by than he might have expected...

0 pages, Audio Cassette

First published January 1,1993

Series
Literary awards

This edition

Format
0 pages, Audio Cassette
Published
November 1, 1996 by Chivers Audio Books
ISBN
9780745127651
ASIN
0745127657
Language
English

About the author

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Pat Barker is an English writer known for her fiction exploring themes of memory, trauma, and survival. She gained prominence with Union Street (1982), a stark portrayal of working-class women's lives, and later achieved critical acclaim with the Regeneration Trilogy (1991–1995), a series blending history and fiction to examine the psychological impact of World War I. The final book, The Ghost Road (1995), won the Booker Prize. In recent years, she has turned to retelling classical myths from a female perspective, beginning with The Silence of the Girls (2018). Barker's work is widely recognized for its direct and unflinching storytelling.

Community Reviews

Rating(3.9 / 5.0, 99 votes)
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99 reviews All reviews
April 17,2025
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I think this novel stands quite well alone in addition to serving as an important second part in the series of three starting with Booker Prize winner "Regeneration". I read it out of sequence (as the last one), and that doesn't seem to matter for comprehension. Each focuses on a different set of characters in the circle of patients of psychiatrist William Rivers, a real man who treated soldiers damaged by their combat experiences in World War 1. The other volumes focus on the recovery of Siegfried Sassoon and Wilfred Owen, prominent gay poets who fought valiantly but wrote verse which stands among the great anti-war literature. This one concentrates on a complex fictional character Billy Prior, treated for what we would today call post-traumatic stress.

Billy's tendency toward manipulation and violence, scary memory gaps, and bisexuality makes him hard to identify with, yet Rivers' compassion and flexible approach to treatment helped move me toward empathy. The theme of Rivers' moral struggles of treating people so they can return to being cannon fodder is less a theme for this tale than the pathologies in society brought out by the war. Billy's work in domestic intelligence puts him in a moral quagmire through alliance with forces that scapegoated pacifists and homosexuals and imputed their collusion with socialist union workers in munitions factories.

The transformations of class discrimination during the social upheavals wrought by the war is another fascinating theme brought out well in the novel. This was brought out by having Billy try to save a childhood friend, a shopkeeper woman falsely convicted of plotting to kill the Prime Minister. The "eye in the door" of the title refers both to horror of being watched in one's cell or room in an asylum, as well as to being spied upon in daily life due to being perceived as a threat to the war effort.
April 17,2025
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Excellent. A moving study of how societal pressure to conform damages individuals. The First World War obviously looms large over the novel, but it’s only one of the factors at play.
April 17,2025
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This review was written in the late nineties (just for myself), and it was buried in amongst my things until today, when I uncovered the journal it was written in. I have transcribed it verbatim from all those years ago (although square brackets indicate some additional information for the sake of readability). It is one of my lost reviews.

It's a feeling I can't quite place, a feeling I can't pinpoint, but I feel The Eye in the Door is a more enjoyable book, although less literary, than Regeneration. Still, I will try here to point out a few elements that stand out in my mind.

First, I love Prior's struggle with the dissociative state. His slipping into fugue states, and the resulting loss of memmory, adds a tinge of fear and menace to the story that makes me more emotionally involved. Second, I enjoy Barker's handling of betrayal in a torn society. Third is the wonderful way in which Barker deals with homosexuality in WWI-era Britain. Fourth, and maybe the most important, is the imagery of WWI warfare. When we hear Manning's story of the soldier slipping into the mud of a foxhole, it makes me feel weak and privileged in my relatively safe late 20th Century society.

This book challenges me, and I love being challenged.
April 17,2025
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Didn’t enjoy this second instalment as much as the first, tho it’s very well written. Story and concept was a bit stranger this time and the ending didn’t land, tho I’m VERY intrigued about part three now.
April 17,2025
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This was a brilliant sequel to Regeneration and continues the story of Billy Prior, a fascinating character from the first novel. Taking place at the end of WW1, The Eye in the Door follows Prior as he deals with the psychological effects of the war including instances of memory loss.

As in Regeneration, Pat Barker takes real events from history and weaves them into the narrative to create a detailed context for Billy's struggles e.g. as a bisexual man in a country where he has hide his attraction to men, and attitudes towards mental health issues.

There were occasional moments where these real events felt a bit forced into narrative but for the most part they were a crucial part of the fictional story. The interactions between Billy and Dr Rivers, and with his intimate partners, were where the real strength of the book was for me as it gave a real insight into Billy's mind and touched on so many important and interesting themes.

April 17,2025
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Mac is in Wandsworth. A radical pacifist who worked to sabotage the production of munitions, he has been betrayed and caught.

'I didn't believe it. The sergeant in Liverpool told me it was you, I mean, he mentioned your name. He was standing on my scrotum at the time, so, as you can imagine, it had a certain ring to it. I still didn't believe it, but the more I thought about it the more I thought, yes.' Mac was speaking intently, and yet almost indifferently, as if he didn't care whether Prior listened or not. Perhaps speaking at all was merely a way of salving his pride, of distracting Prior's attention while the all-important business of devouring the chocolate went on. 'And then I thought, he told you. Do you remember in the cattle shed I asked you what you'd have done if you'd found a deserter in Hettie's scullery and you said, "I'd turn him in. What else could I do?" And then I remembered a story I heard, about a man who found a snake half dead and nursed it back to life. He fed it, took care of it. And then he let it go. And the next time they met it bit him. And this was a very poisonous snake, he ... knew he was going to die. And with his last gasp, he said, "But why? I saved you, I fed you, I nursed you. Why did you bite me?" And the snake said, "But you knew I was a snake."

In war time nurturing men are expected to turn into snakes. It is a violence against their nature, that can only be managed by disassociation.

And here's another of those quirky ironies that expose the absurdity: while there is carnage in Picardy, people in London are more interested in who is sleeping with whom and who is being blackmailed.

I see from other reviews that some folks have trouble relating to the characters here, find them too artificial, too obviously fictional. It may have to do with Barker's multi-perspective approach, perhaps. We move from Prior to Manning to Rivers and back, never snuggling in close to any of them. That's fine by me. Their nightmares are disturbing enough, no desire to coorie up.

Barker has a wonderful ear for dialogue.

I shall have to leave the final book in the trilogy until the next time I visit the Ancient Parents, as they are collected in a large fat hardback that I will not carry away. Oops. I mean the three parts of the trilogy of course, not the APs. The pitfalls of sentence structure.
April 17,2025
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The problem with buying the trilogy version of books (rather than the three individually) is that you feel compelled to read them all.

If you are interested in man-love (some of it fairly explicit) and stories revolving around sexual repression and the first world war, this is for you.

The only good thing about this piece of tosh is that it took me 2 days to read, likely helping me achieve my 2016 Goodreads book target.

AVOID THIS CRAP.
April 17,2025
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Beautifully written and thoroughly researched as always with Pat Barker. She immerses the reader completely in the book's world. One of my favourite authors.
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