I derived much more pleasure from the other aspects of the book. The dysfunctional family, the hospital cover-up, the volunteering, and the stars of Hollywood were all far more engaging than the romance between Ann and Malcolm. Since I didn't view this novel as a pure romance, I didn't think that the "hero and heroine" had to end up together at all costs. But I guess it was that kind of a book after all! ;))
There are a few more things that I found annoying. Firstly, why does the author introduce the whole issue of the hospital cover-up, with the doctors acting unethically and the mistreated woman filing a lawsuit, only to leave it unresolved? This was one of the most interesting elements of the book, yet there was no resolution whatsoever. Ann, being a journalist with journalistic instincts, should have wanted to get to the bottom of the story. Instead, she just leaves everything as it is and runs back to LA. It makes one think that she is just a "parasitic star chaser" who only cares about Hollywood and not about real-world issues.
Secondly, why are the "matriarchs" in these novels always fixating on the "Jewishness"? For example, grandma asking her "is he Jewish"? In chick-lit novels where the heroines are not Jewish, one never reads about mothers/grandmothers asking "is he Christian!?!?! He better be Christian!" (or any other religion). This seems a bit one-sided and perhaps a bit of a stereotype.