370 pages, Paperback
First published January 1,1981
Rating: 3.5 stars. To briefly describe this book, it's similar to The Chosen in terms of friendships, family, and the search for answers, yet it's far more tragic and ambiguous. The plot has its meandering moments. There are numerous pages dedicated to Gershon traveling to random locations or reciting prayers, with not enough dialogue or distinct events. However, that ending truly packs a punch. I found myself in tears.
"Gershon Loran sat in the light and shade amid the yellow jasmine and purple bougainvillaea and the red and white roses of Jakob Keter's Jerusalem gardens, waiting."
**Spoiler review** My heart is aching. Arthur. I'll admit that I didn't fully grasp the moral of this book. I believe it centered around guilt and responsibility regarding the Jews' role in the bombing of Hiroshima, and whether the sins of our parents or forefathers (the "giants") will drown us or give rise to a new generation that will mend, create, and destroy something of its own. Every era experiences this same guilt, and it's an inescapable fact of life. By the end of the book, Gershon reaches the conclusion that he need not suppress his potential out of guilt. He'll simply have to "wait" and observe how his achievements impact the world, much like how Arthur's parents' brilliant inventions led to destruction. I truly appreciate how the book ends on such an open-ended note of Gershon "waiting" as it not only captures the tone of the entire story but also emphasizes the reality that this is how life operates: some questions remain unanswered, so we must wait and trust that answers will emerge in the future.
Of course, I cried profusely over Arthur. I was relieved that he sent a letter to his parents, indicating that he had found peace with them and within himself. He achieved this peace not by going to the place where he wallowed in guilt (Hiroshima) but by traveling elsewhere (thanks to Gershon's coercion) and realizing that there is still beauty in the world. It's极其sad that Arthur dies just after finding that peace and joins his brother in death (something he dreaded at the beginning), but at least there's a sense of catharsis? *sobs uncontrollably*
Bottom line, this is a cerebral book whose morals can be somewhat obscure at times. However, the ambiguity is precisely what compelled me to dig deep and piece together this book like a puzzle. It may not be the easiest read initially, but I believe the author intended for the reader to search for answers in the same way that Gershon and Arthur did, and for that, I can have respect.
**Residual thoughts/criticisms** - The middle section dragged on a great deal. It was excellent at the start and end, but there were many dull details about the war. It reminded me very much of Steinbeck's For Whom the Bells Toll, which I wasn't overly fond of. - The prose had a stream-of-consciousness feel. Characters would ask a question and then answer it themselves. There were numerous long paragraphs, even when it came to dialogue. - The visions were extremely confusing, but perhaps I'll understand them upon a re-read?