The Time of the Uprooted: A Novel

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Gamaliel Friedman is only a child when his family flees Czechoslovakia in 1939 for the relative safety of Hungary. For him, it will be the beginning of a life of rootlessness, disguise, and longing. Five years later, in desperation, Gamaliel’s parents entrust him to a young Christian cabaret singer named Ilonka. With his Jewish identity hidden, Gamaliel survives the war. But in 1956, to escape the stranglehold of communism, he leaves Budapest after painfully parting from Ilonka.

Gamaliel tries, unsuccessfully, to find a place for himself in Europe. After a failed marriage, he moves to New York, where he works as a ghostwriter, living through the lives of others. Eventually he falls in with a group of exiles, including a rabbi––a mystic whose belief in the potential for grace in everyday life powerfully counters Gamaliel’s feelings of loss and dispossession. When Gamaliel is asked to help draw out an elderly, disfigured Hungarian woman who may be his beloved Ilonka, he begins to understand that a real life in the present is possible only if he will reconcile with his past.

320 pages, Paperback

First published January 1,2003

About the author

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Eliezer "Elie" Wiesel was a Romanian-born American writer, professor, political activist, Nobel laureate, and Holocaust survivor. He authored 57 books, written mostly in French and English, including Night, a work based on his experiences as a Jewish prisoner in the Auschwitz and Buchenwald concentration camps.
In his political activities Wiesel became a regular speaker on the subject of the Holocaust and remained a strong defender of human rights during his lifetime. He also advocated for many other causes like the state of Israel and against Hamas and victims of oppression including Soviet and Ethiopian Jews, the apartheid in South Africa, the Bosnian genocide, Sudan, the Kurds and the Armenian genocide, Argentina's Desaparecidos or Nicaragua's Miskito people.
He was a professor of the humanities at Boston University, which created the Elie Wiesel Center for Jewish Studies in his honor. He was involved with Jewish causes and human rights causes and helped establish the United States Holocaust Memorial Museum in Washington, D.C.
Wiesel was awarded various prestigious awards including the Nobel Peace Prize in 1986. He was a founding board member of the New York Human Rights Foundation and remained active in it throughout his life.

Community Reviews

Rating(4 / 5.0, 42 votes)
5 stars
14(33%)
4 stars
13(31%)
3 stars
15(36%)
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42 reviews All reviews
July 14,2025
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From childhood to adulthood, one would expect a more profound and impactful novel from someone who has lived through the persecution and genocide that the Nazis inflicted on the Jews. However, what emerged was a simple and monotonous story, almost like a religious knowledge book, a writing that seems to be a promotional novel about Judaism with quotations from the Talmud. I didn't like it.


The description of the events lacks depth and fails to truly convey the horror and tragedy that the Jews endured during that dark period. It reads more like a dry recitation of facts rather than a vivid and engaging narrative that would draw the reader in and make them feel the emotions of the characters.


Perhaps the author intended to present a different perspective or focus on certain aspects of the Jewish faith and history, but in doing so, they sacrificed the overall quality and appeal of the novel. It is a missed opportunity to tell a powerful and important story in a more compelling way.

July 14,2025
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Uprooted seems to be a recurring theme in the books penned by Mr. Wiesel.

No one comprehends or describes better than he how such uprooting transforms a person.

From the very beginning, I was drawn into this story, and by the end, I was just as deeply touched as I had been when I read Night years ago.

His works, along with his life, serve as a profound inspiration.

They remind us of the human spirit's resilience in the face of adversity and the importance of bearing witness to history.

Mr. Wiesel's ability to convey the pain and suffering of uprooted individuals is both powerful and poignant.

It forces us to confront the harsh realities of the world and to strive for a more just and compassionate future.

His words have the power to move us, to make us think, and to inspire us to take action.

We should all be grateful for his contributions and continue to be inspired by his life and work.
July 14,2025
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I have been absent for a long time, as if I was between 3 and 4 months away.

Well, it is a very good narration. The friendships of the Jews who were brought from elsewhere and found each other in Paris and then went to America are very valuable, but as a novel, it is very fragmented. We cannot fully get to know the main character, and we cannot understand the book he wrote. It is full of romantic and arabesque thoughts about his relationships with women and how he destroyed their lives.

The relationship with Ilonka is the nicest part of the novel, a wonderful story until the end. And the woman in the hospital is also like that. But I don't know what those loves between them are... It detracts a lot from the main story.

However, it is a Jewish song, a really poignant narration about the hearts that will always be in exile.
July 14,2025
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My review published in the San Francisco Chronicle in 2005:

The Time of the Uprooted

By Elie Wiesel, translated by David Hapgood

KNOPF; 300 PAGES; $25

Elie Wiesel has long been a prominent public figure. His ideas and warnings, though of timeless importance, have sometimes seemed too familiar. It's been 20 years since his most famous public moment, when he implored President Reagan not to visit a German cemetery with SS officers' graves. Wiesel's place is always with the victims. He's a camp survivor and a symbol, especially after winning the Nobel Peace Prize in 1986. But in his new novel, "The Time of the Uprooted," his anger takes some by surprise. The protagonist, Gamaliel, a tormented Holocaust survivor, has complex relationships and memories. Wiesel scatters these throughout the book, along with the stories of Gamaliel's friends. The book has its emotional moments, like the scene when Russian troops arrive in Budapest. However, there's a strange lapse near the end with the character of Rebbe Zusya. Despite this, the novel has a deceptive ordinariness and a hypnotic quality, pulling the reader in while also provoking thought. It's a brave and humbling work.

Steve Kettmann, a former Chronicle reporter, lives in Berlin.

http://sfgate.com/cgi-bin/article.cgi...

This article appeared on page F - 2 of the San Francisco Chronicle.
July 14,2025
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I truly desired to assign a higher rating to this. In fact, I dedicated far more time to reading it than I probably ought to have.

However, to my disappointment, neither the characters nor the story managed to captivate me as I had initially anticipated.

The characters seemed rather one-dimensional, lacking the depth and complexity that would have made them truly engaging.

Similarly, the story failed to build the necessary tension and excitement to keep me hooked from beginning to end.

Despite my initial enthusiasm, I found myself constantly struggling to maintain my interest as I plowed through the pages.

Perhaps with a bit more development and refinement, this could have been a much more enjoyable read. But as it stands, it simply did not meet my expectations.
July 14,2025
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Then I began to laugh in order to conquer my fear.

"I'm not scared of pain," I informed them.

"I only revere the God of Abraham, Isaac, and Jacob. But you, you don't fear Him, and that will come at a high price for you, I'm telling you."

However, one thing is definite, and that is I never ceased laughing. Because I knew for whom I was enduring suffering.

Did they know why they were causing me to suffer? I said to myself that in this life, sometimes we have to decide between laughing and making others laugh. Well, I made my choice.

One ⭐ dropped: I felt ridiculed; and that is something I have never developed an understanding for. But 4 ⭐s hid their sparkle in the pain behind my eyes when Mendel left me the light in his "laughter".
July 14,2025
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Not his best. Probably rather indifferent, in a literary sense.

This statement seems to suggest that the work in question is not of the highest quality. It may lack the depth, creativity, or skill that one would expect from a truly outstanding piece of literature.

When we say something is "not his best," we are comparing it to other works by the same author that we consider to be superior. It could be that this particular work falls short in terms of plot, character development, language use, or overall impact.

The description "probably rather indifferent" implies a certain lack of enthusiasm or engagement on the part of the reader. The work may not have elicited strong emotions or made a lasting impression.

In a literary context, being indifferent can be a significant drawback. A great work of literature has the power to transport us to different worlds, make us empathize with the characters, and challenge our perspectives. If a work fails to do this, it may be forgettable and ultimately not very fulfilling.

However, it's important to note that everyone's literary tastes are different. What one person considers indifferent, another may find enjoyable or even profound. The assessment of a work's quality is subjective and can vary depending on individual preferences, cultural background, and personal experiences.

In conclusion, while the statement "Not his best. Probably rather indifferent, in a literary sense" may suggest that the work is not up to par, it's always worth exploring and forming our own opinions. We may discover hidden gems or find that a work that initially seemed indifferent grows on us with further reading and reflection.

July 14,2025
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I have a friend who is currently enrolled in an "Exiles in Literature" class, and this particular book is one of the required readings.

The protagonist, Gamaliel Friedman, flees Czechoslovakia to escape the terrifying onslaught of Nazis who are sweeping through the Jewish community. To enhance his odds of survival, his family entrusts him to a young and gracious cabaret singer named Ilonka, who cares for him as if he were her own. After numerous stops and starts across Europe, he finally settles in New York City, thousands of miles across the Atlantic. Here, he attempts to piece together the fragmented remnants of his life.

In New York, Gamaliel discovers a measure of comfort within a small group of exiles who themselves grapple with the sorts of difficulties that are characteristic of a "stateless" existence. When one of his closest friends in the group, Bolek, utilizes his rhetorical skills to secure him a job as a ghostwriter, Gamaliel embarks on a life that begins to resemble normality. However, although he views this as a financially rewarding career move, the very essence of it personifies his unrepresented existence.

This book delves into a wide array of issues regarding the post-war life of the refugee. Nevertheless, its most poignant analysis lies in the long-term consequences of being unclaimed and the self-loathing that it elicits. Relationships abound in Gamaliel's life, yet his emotional capabilities are stunted by his past. The details of his life are divulged in a taciturn manner, as if the reader were one of his lovers. Consequently, the plot oscillates back and forth in time, enabling interpretations to shift throughout the book. All of this is set against the backdrop of a book he is writing, which he regards as his magnum opus.

I award this book a high 3 stars for several reasons. One is the inclusion of the book mentioned above and the overly existential and dramatic nature of the protagonist. Additionally, I am aware that this criticism is influenced by my own privilege. Had I endured his experiences, perhaps I too would extract every mundane aspect of my day for some existential significance. In defense of the author, I believe it was Elie Wiesel's intention to present a product of unwantedness and the accompanying personality flaws.

The nested stories from the individual characters are deeply moving and shed light on the repercussions rather than just the events themselves. I will most definitely be reading Wiesel's autobiographical trilogy.
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