Dorian Gray est un jeune homme pur et incroyablement beau. Dans l'atelier du peintre qui réalise son portrait, il rencontre lord Henry Wotton, un dandy cynique immédiatement séduit par sa fraîcheur. En contemplant son image sur la toile, Dorian prend subitement conscience que sa beauté n'est qu'éphémère. Il souhaite alors que ce soit le portrait qui accuse les marques du temps et non son visage. Les jours qui suivent, Dorian ne quitte plus lord Henry, qui exerce une influente grandissante sur lui. Une nuit, le jeune homme commet un acte d'une grande cruauté. De retour chez lui, il remarque un léger changement sur le portrait... En bonus : les inédits de GEO. Pour découvrir l'œuvre et son auteur à travers un résumé et une biographie. Pour mieux connaître et comprendre le monde qui nous entoure des enquêtes et des documents riches et passionnants autour des thèmes de l'œuvre. Une nouvelle aventure commence... Dorian Gray subit l'ascendant néfaste d'un homme manipulateur. L'enfance et l'adolescence sont des moments de construction de la personnalité alors ouverte aux influences, et les publicitaires l'ont bien compris. Quelles sont donc leurs recettes pour séduire cette classe d'âge ? Avec son visage d'ange, Dorian est aimé de tous. Il semblerait que la vie ne soit pas aussi facile pour les " gueules cassées ". Aujourd'hui, pour y remédier, nul besoin de signer un pacte avec le diable. La science peut reconstruire un visage et même en greffer un nouveau ! Qui bénéficie de tels progrès ? Comment vivre avec le visage d'un autre ? À travers l'éternelle jeunesse, c'est l'immortalité que cherche Dorian. Cette quête occupe les esprits depuis bien longtemps. Les recherches scientifiques actuelles veulent ouvrir les portes de l'éternité aux vivants. Est-ce possible ?
Oscar Fingal O'Fflahertie Wills Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and his criminal conviction for gross indecency for homosexual acts. Wilde's parents were Anglo-Irish intellectuals in Dublin. In his youth, Wilde learned to speak fluent French and German. At university, he read Greats; he demonstrated himself to be an exceptional classicist, first at Trinity College Dublin, then at Magdalen College, Oxford. He became associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. Wilde tried his hand at various literary activities: he wrote a play, published a book of poems, lectured in the United States and Canada on "The English Renaissance" in art and interior decoration, and then returned to London where he lectured on his American travels and wrote reviews for various periodicals. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). Wilde returned to drama, writing Salome (1891) in French while in Paris, but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Undiscouraged, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London. At the height of his fame and success, while An Ideal Husband (1895) and The Importance of Being Earnest (1895) were still being performed in London, Wilde issued a civil writ against John Sholto Douglas, the 9th Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel hearings unearthed evidence that caused Wilde to drop his charges and led to his own arrest and criminal prosecution for gross indecency with other males. The jury was unable to reach a verdict and so a retrial was ordered. In the second trial Wilde was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison he wrote De Profundis (published posthumously in abridged form in 1905), a long letter that discusses his spiritual journey through his trials and is a dark counterpoint to his earlier philosophy of pleasure. On the day of his release, he caught the overnight steamer to France, never to return to Britain or Ireland. In France and Italy, he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.