SOME SECRETS SURVIVE THE LIGHT OF DAY. OTHERS SHOULD STAY LOST IN DARKNESS FOREVER. THE FAMILY SAGA THAT BEGAN WITH APRIL SHADOWS CONTINUES! April Taylor wasn't a little girl anymore -- but who was she really? The home she shared with her parents and her older sister, Brenda, may have been filled with turmoil, but it was the only home she knew. Now, with nowhere to go in the wake of losing her mother and father, April had to grow up fast as she embarked on an odyssey of heartbreak and betrayal. It was mere chance that led her to the secluded home of a kindly elderly woman and her deaf teenaged granddaughter, Echo. There, April found a shelter from her mixed-up life, and from the confusion that severed her relationship with Brenda, after an encounter with Brenda's girlfriend, Celia. But when a dangerous couple arrives with greedy intentions, April discovers they will take advantage of her very special friendship with Echo to get what they want. Now, April's survival depends on being true to the one person she's never fully herself.
Books published under the following names - Virginia Andrews, V. Andrews, Virginia C. Andrews & V.C. Endrius. Books since her death ghost written by Andrew Neiderman, but still attributed to the V.C. Andrews name
Virginia Cleo Andrews (born Cleo Virginia Andrews) was born June 6, 1923 in Portsmouth, Virginia. The youngest child and the only daughter of William Henry Andrews, a career navy man who opened a tool-and-die business after retirement, and Lillian Lilnora Parker Andrews, a telephone operator. She spent her happy childhood years in Portsmouth, Virginia, living briefly in Rochester, New York. The Andrews family returned to Portsmouth while Virginia was in high school.
While a teenager, Virginia suffered a tragic accident, falling down the stairs at her school and incurred severe back injuries. Arthritis and a failed spinal surgical procedure forced her to spend most of her life on crutches or in a wheelchair.
Virginia excelled in school and, at fifteen, won a scholarship for writing a parody of Tennyson's Idylls of the King. She proudly earned her diploma from Woodrow Wilson High School in Portsmouth. After graduation, she nurtured her artistic talent by completing a four-year correspondence art course while living at home with her family.
After William Andrews died in the late 1960s, Virginia helped to support herself and her mother through her extremely successful career as a commercial artist, portrait painter, and fashion illustrator.
Frustrated with the lack of creative satisfaction that her work provided, Virginia sought creative release through writing, which she did in secret. In 1972, she completed her first novel, The Gods of the Green Mountain [sic], a science-fantasy story. It was never published. Between 1972 and 1979, she wrote nine novels and twenty short stories, of which only one was published. "I Slept with My Uncle on My Wedding Night", a short fiction piece, was published in a pulp confession magazine.
Promise gleamed over the horizon for Virginia when she submitted a 290,000-word novel, The Obsessed, to a publishing company. She was told that the story had potential, but needed to be trimmed and spiced up a bit. She drafted a new outline in a single night and added "unspeakable things my mother didn't want me to write about." The ninety-eight-page revision was re-titled Flowers in the Attic and she was paid a $7,500 advance. Her new-generation Gothic novel reached the bestseller lists a mere two weeks after its 1979 paperback publication by Pocket Books.
Petals on the Wind, her sequel to Flowers, was published the next year, earning Virginia a $35,000 advance. The second book remained on the New York Times bestseller list for an unbelievable nineteen weeks (Flowers also returned to the list). These first two novels alone sold over seven million copies in only two years. The third novel of the Dollanganger series, If There Be Thorns, was released in 1981, bringing Virginia a $75,000 advance. It reached No. 2 on many bestseller lists within its first two weeks.
Taking a break from the chronicles of Chris and Cathy Dollanganger, Virginia published her one, and only, stand-alone novel, My Sweet Audrina, in 1982. The book welcomed an immediate success, topping the sales figures of her previous novels. Two years later, a fourth Dollanganger novel was released, Seeds of Yesterday. According to the New York Times, Seeds was the best-selling fiction paperback novel of 1984. Also in 1984, V.C. Andrews was named "Professional Woman of the Year" by the city of Norfolk, Virginia.
Upon Andrews's death in 1986, two final novels—Garden of Shadows and Fallen Hearts—were published. These two novels are considered the last to bear the "V.C. Andrews" name and to be almost completely written by
This has to stop, seriously. When Neiderman first ghostwrote for VCA, he did a decent job. I liked the Cutler series, and he did a good job of finishing up the books that VCA had started but didn't finish for the Dollanganger and Casteel series. The Landry and Logan series, while not the best, were still very decent, and I enjoyed them. However, it all started to go downhill with Orphans. That was not what VCA would have written. I endured the Hudson and DeBeers series with disgust. Broken Wings and Gemini were intolerable.
April wasn't a real heroine. There were no horrible, dark secrets (her father's secret was laughable) and no real family secrets at all. This book focused a lot her stumbling (and unrealistic) explorations of her own sexuality as well as her struggle with weight. It seems as if the ghostwriter is venting his dislike of fat people because April is obsessed about her weight and everyone else makes fun of her, and in this book the struggle continues and is contrived and predictable in many places. (Neiderman shows his fatphobia in a LOT of his books)
The scene where she was in the bath with the young deaf girl was creepy and in appallingly poor taste - it read exactly like the kind of fantasy you'd expect from a sick old man.
It also seems that Neiderman has a problem with deaf characters, as in the Logan series, May was portrayed as weak and fragile and helpless, and the deaf girl in this book is portrayed the same way, in a unfunny and unsympathetic caricature. Disappointing.
... And we STILL don't know if April is straight, gay, or bi. It was just a huge mess for a series that Neiderman claimed was 'groundbreaking' for having a supposedly LGBT+ main character.
one of the best, most loved series/authors of all time. V.C. Andrews books are something so easily recognizable and new books continue to evolve to go with the times and bring in a whole new generation of loving readers
Cringy. I didn’t choose this book, it was leant to me to read and I hadn’t read the first book either so wasn’t fully up to date on what had happened previously but she often referred to her past. I didn’t like it at all really, I found it patronising and the characters shallow and unrealistic. That said I got to the point where I did need to finish it to find out what happened.
Na de dood van haar ouders en de breuk met haar zus komt de 17-jarige April (ik-figuur) in huis bij een oude dame en haar dove kleindochter Echo. Ze voelt zich er thuis en probeert haar evenwicht terug te vinden. Alles verandert als na jaren Echo's moeder met een vriend terugkeert. April wordt door hen gechanteerd en bedreigd waardoor ze opnieuw in een nachtmerrie terecht komt. Dan moet blijken of ze zo zelfstandig is geworden dat ze haar leven in eigen hand kan nemen en schaduwen op afstand kan houden. Een roman die je leest alsof je deelnemer bent aan het verhaal en direct belang hebt bij de afloop. Het boek is het tweede en laatste deel in de 'Schaduw'-serie.
Thankfully Girl in the Shadows was better than its predecessor. Mainly because it cut away most of the old characters and introduced Echo, who is far more interesting. And April grows up a little and stops being horrifically whiny.
i really liked how confident & sure of herself April became in this book. the characters of Rhona & skeeter were interesting. perfect examples of deadbeat users. i hated how devastated Evho became after seeing what type of person her mom really was. i hated how tyler treated April, he really acted like a user who didn’t care. i got worried when MRs weztington got sick. i was scared that she was going to die. I liked the ending a lot. it gave all of the characters a happy but not sappy ending & great start towards a new life.