336 pages, Paperback
First published May 1,1984
Buried Child is truly one of the most outstanding plays ever created. It not only showcases remarkable storytelling but also won the highly prestigious Pulitzer Prize, which is a testament to its quality and significance.
Another play that left a lasting impression on me was one that had something to do with Hollywood. In this play, a rather extraordinary event took place. Someone broke through the back wall, and as a result, the shadow of a cartoon was left behind.
This particular scene taught me a profound lesson. It showed that plays have the power to create vivid and powerful images, even if those images may seem unrealistic in our everyday world. Through the use of such imaginative and creative elements, plays can transport us to different realms and make us experience emotions and ideas in ways that we might not have thought possible.
These two plays, Buried Child and the one related to Hollywood, have both contributed to my understanding and appreciation of the art of theater. They have shown me the limitless possibilities that exist within the medium and have inspired me to look at plays with a more open and discerning eye.
IMO, Sam Shepard is the best American playwright of 'my time.' I had the aspiration of becoming an actor with the firm belief that I needed to be in one of his plays (alongside a Coen Bros film). However, upon reflection, I realize that I still haven't had the opportunity to be in one of his works. Although I have worked on 'Fool for Love' several times during scene studies, it's not the same as being in a full production. 'Buried Child,' 'Curse of the Starving Class,' and 'True West' are just some of the great American dramas he has written.
Here's a side note: I once served him a glass of red zinfandel while working as a bar back in Manhattan. He seemed nice enough, but was rather quiet. I also suspected that he might have been drunk. Sadly, he has passed away. RIP, Sam Shepard.