I have a deep affection for all the plays encompassed within this book. However, my absolute favorite is Picasso. It was during the process of doing makeup and handling the backstage affairs for a production of this play that lasted for a couple of weeks that I truly fell in love with it. I am well aware that perhaps I am intermingling my wonderful memories of working on that particular play with the script itself. Nevertheless, it remains an extremely hilarious and thought-provoking piece. The comical elements within it never fail to bring a smile to my face, while the thought-provoking aspects make me ponder and reflect. It is a play that has left a lasting impression on me and continues to be a source of great enjoyment.

I could dream it forever and still not do it. But when the time arrives for it to be accomplished, God, I long to be prepared for it, to be ready for that moment of convergence between the thing done and the act of doing it, between the thing to be created and its creator. At that instant, I am speaking on behalf of everyone; I am dreaming for the billions yet to come; I am taking on the part of us that cannot be fathomed by God, and allowing it to bleed from the wrist onto the canvas. And it can only be made because I have experienced these emotions: my lust, my greed, my hatred, my happiness. So this is what it's like.

Picasso at the Lapin Agile ~~ Steve Martin

I have a certain affinity for Picasso at the Lapin Agile, yet I don't hold an intense love for it. This is partly due to the fact that I've never witnessed a truly outstanding production of it. Most directors seem to misinterpret the source material. They view this as an edgy play by that wild and crazy guy who had a top 10 hit with King Tut. They conveniently forget that the writer Steve Martin is not the same as the comedian Steve Martin. I often wonder what this concept could have evolved into in the hands of Woody Allen.

Alas, not all the elements here mesh seamlessly. Take the character of Albert Einstein for example. Here, he devolves into a parody of himself. And let's not overlook Picasso. For a man who spent his entire life boasting about his genius to the world, he comes across as uninteresting and one-dimensional, extremely flat.

At the Lapin Agile is undeniably engaging, but it never quite discovers its true voice. Much of what could have been profound and brilliant conversations often get lost beneath the精心crafted dialogue and increasingly surreal events. Martin sets out to explore the nature of genius and creativity, but this exploration becomes muddled by the time a time-traveling Elvis makes an appearance, complete with \\n  blue suede shoes\\n.

At the Lapin Agile is an undeniably well-written and humorous play. The script even manages to make me laugh out loud when I'm reading it. Sadly, the one-sided caricatures of Picasso and Einstein, along with dialogue filled with references that only the over 50 crowd would understand, prevent this from being a great play rather than just a good one.

In the end, At the Lapin Agile is a play where the spokes lack a hub to connect them. Perhaps the script is overly self-aware. I would have expected this script to take risks and push boundaries. The surreal moments seem rather forced, as if they were thrown in to salvage a floundering playwright who isn't entirely certain where to take his script. At the Lapin Agile is an okay script. But I had such high expectations from Steve Martin, and unfortunately, it falls short of being truly remarkable.

This was an extremely interesting play!

I indeed had to read it for class, yet that didn't subtract from the pleasure of reading it.

I adored how the plot contained hints of foreshadowing, which added an element of mystery and anticipation.

Moreover, the characters became increasingly more developed as the play progressed. Their personalities and motives became clearer, making them more engaging and relatable.

There were some suggestive themes present, but this is theatre after all, and it's all about expression. Theatre allows for a wide range of ideas and emotions to be explored, and these themes contributed to the overall depth and complexity of the play.

Overall, it was a great read that I thoroughly enjoyed.

I really enjoyed reading this.

However, I have to admit that I think I do not truly "get" plays.

I'm certain that I read this purely on a superficial level.

This means that I didn't fully engage with the text and understand all the nuances and subtleties that it might have had.

As a result, I feel that I did not appreciate it as I should have.

I think I need to approach plays with a more open and inquisitive mind, and try to understand the context and the intentions of the playwright.

Maybe then I will be able to get more out of reading plays and truly appreciate their beauty and complexity.

Some genuine insights are peppered in with the laughs.

It wouldn't necessarily be something that I would choose to produce. However, the roles of Einstein and Picasso would be great to play.

Among the other plays, "Wasp" is probably the most interesting.

Although "Patter for the Floating Lady" features some interesting monologues.

This description gives us a glimpse into the various plays and the thoughts and preferences of the person sharing these views.

The mention of genuine insights along with the humorous elements shows that there is more depth to these plays than just entertainment.

The idea of playing the roles of Einstein and Picasso adds an element of excitement and challenge.

"Wasp" being considered the most interesting among the others piques our curiosity to know more about this particular play.

And the interesting monologues in "Patter for the Floating Lady" also make it a play worth considering.

Overall, this short passage provides a concise yet engaging overview of the plays and the perspectives of the individual.

I truly relished the book.

It is evident that Steve Martin possesses a profound and solid knowledge of painting. His understanding and insights into the world of art are truly remarkable.

I was especially captivated by the quote uttered by Picasso in the play, "I want to leave the world littered with beauty." What an incredibly noble and inspiring goal that is!

It makes one think about the power of art to bring beauty and inspiration into our lives.

Steve Martin's exploration of this theme in the book is both thought-provoking and engaging.

It has made me view art in a whole new light and has deepened my appreciation for the beauty that it can create.

The book is not only a great read for art enthusiasts but also for anyone who is interested in exploring the deeper meaning and purpose of art in our lives.

I have an intense love for Steve Martin's writing. His fiction is truly something that I adore. However, when it comes to plays as a storytelling format, perhaps I just don't quite understand them.

Why do plays have to be so peculiarly quirky?

Seriously, can anyone provide an answer to this question for me? It seems that there are two main types of plays. On one hand, there are those that tell a story about real life, and I have a great appreciation for these. They draw me in and make me feel connected to the characters and their experiences. On the other hand, there are those plays that venture into this strange, overly artsy-fartsy territory. In these plays, the characters often seem to be talking to themselves, and the stage and props are manipulated in such a way that they become metaphors of some sort. And quite frankly, I just don't get it. I struggle to understand the deeper meaning and significance behind these elements.

Picasso at the Lapin Agile came to Seattle when I was in high school. It was such an exciting event. However, I faced a big problem. I couldn't find anyone to drive me up to see it. At that time, I was really disappointed. I had been looking forward to seeing this fantastic play come to life. But due to the lack of transportation, I missed this opportunity.

Even now, I'm still bitter that I haven't seen it. It's like a regret that lingers in my heart. I often think about what it would have been like if I could have seen that play. Maybe it would have had a profound impact on my perception of art and theater.

Every time I hear about Picasso at the Lapin Agile, that sense of bitterness resurfaces. I know that I missed out on something truly special. But I also hope that one day, I will have another chance to experience this amazing play and make up for that lost opportunity.

Like any super play, there have been some truly terrible productions of Picasso at the Lapin Agile.

These flawed interpretations may have failed to capture the essence and genius of the original work. However, despite these disappointments, I still have an unwavering love for reading that play.

The story and characters within Picasso at the Lapin Agile hold a certain charm and allure that keep me coming back for more.

Similarly, Patter for the Floating Lady, although it may seem weird and has its fair share of flaws, also contains some really beautiful moments.

These moments of beauty and inspiration are like precious gems hidden within the chaos of the play.

They have the power to move and touch the audience, leaving a lasting impression.

Despite their imperfections, both of these plays have a unique quality that makes them worth exploring and experiencing.

Whether it's the captivating story of Picasso at the Lapin Agile or the unexpected beauty within Patter for the Floating Lady, they each offer something special to those who are willing to give them a chance.

Two of the four plays presented here can be considered as throw-aways.

The play WASP does have some hilarious moments, yet it is likely to be regarded as a failure overall.

Fortunately, the titular play, which centers around an encounter between Einstein, Picasso, and a few friends at a bar, is not only highly entertaining but also clever in the most excellent ways.

It is advisable to read the first play and the first section of WASP, skip the remaining parts, and then walk away with a more favorable impression of Banjo Boy.

This way, one can focus on the highlights and gain a more enjoyable and fulfilling experience from the collection of plays.

By selectively engaging with the material, readers can make the most of their time and appreciate the cleverness and humor that is present in certain aspects of the works.

Overall, while some of the plays may not meet expectations, there are still gems to be discovered within this collection.

I have an absolute adoration for Steve Martin. His writing has this remarkable ability to make me burst into uncontrollable laughter. But it's not just the humor that吸引 me. He also has a unique way of thoughtfully and profoundly conveying the significance of art.

One of my all-time favorite lines of dialogue from "Picasso at the Lapin Agile" is when Freddy says: "He means that in the twentieth century, no political movement will be as glorious as the movement of the line across the paper, the note across the staff, or the idea across the mind." This line truly encapsulates the essence and power of art. It emphasizes how art has the potential to be a force that transcends politics and leaves a lasting impact. The movement of a line on paper, a note on a staff, or an idea in the mind can create something beautiful, inspiring, and revolutionary. It shows that art has the ability to touch our souls and make us see the world in a different light. Steve Martin's work, both in his writing and in this play, serves as a reminder of the importance of art in our lives.

I absolutely adored "Picasso at the Lapin-Agile." It was an absolute delight, being witty, funny, smart, and thought-provoking all at once. The play had a charm that was truly captivating.

However, the rest of the collection seemed to be a bit more like skits or comedy routines that were perhaps very specific to the live performers. While they might have had their own merits, they didn't quite have the same impact on me as "Picasso at the Lapin-Agile."

I'm not entirely certain that I would go out of my way to see the others. But I would most definitely love to see "Picasso at the Lapin" performed more often. It left such a lasting impression on me that I can't wait to experience it again.

Overall, my experience with this collection was a mixed bag, but "Picasso at the Lapin-Agile" was truly a standout and a must-see for anyone who appreciates great theater.