A rather unique and offbeat comedy unfolds, centering around a fictional encounter between Pablo Picasso and Albert Einstein. Both are in their 20s and find themselves in a small Parisian back-street bar called the Lapine Agile. Set on October 8, 1904, these two great minds are on the brink of revealing their astonishing ideas. Einstein will soon publish his special theory of relativity in 1905, and Picasso will paint the famous Les Demoiselles d'Avignon in 1907. At the Lapin Agile, they engage in a lengthy and thought-provoking debate about the value of genius and talent, all while interacting with a diverse cast of other characters.
Each character in Lapin Agile plays a distinct role. For instance, Schmendiman, an inventor, fancies himself a genius but in reality knows very little. Gaston, an amiable old Frenchman with prostate issues, is reluctant to listen to or believe anything that doesn't revolve around sex or drinking. There is extensive discussion about the major cultural influences of the twentieth century. Picasso embodies art, Einstein represents science, and Schmendiman stands for commercialism.
This was Mr. Martin's first foray into the world of playwriting. While it was well received, I view it more as a piece that offers a great deal of fun for a group of talented character actors rather than a truly serious piece of comedy. I don't find the dialogue particularly hilarious. I feel that a lot of the subtext is lost on today's audience. So, if you decide to stage this show, focus on eliciting the physical laughs that can be achieved.
