Naokos Lächeln

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Über den Staffellauf, der Leben heißt
Haruki Murakamis Liebesroman Naokos Lächeln ist ein schöner Kinoabend.

In den Büchern von Haruki Murakami geht es zu wie in den Filmen von Eric Rohmer. Schöne Menschen plaudern in angenehmer Umgebung ununterbrochen über Leben, Sex, Liebe und Tod und haben dabei keine Mühe, die richtigen Worte zu finden. Dabei halten sie sich alle für etwas ganz Besonderes.

Nur der Protagonist Watanabe glaubt, er sei ein Durchschnittsmensch mit Durchschnittsintellekt und Durchschnittskörper und merkt gar nicht, welche abstrusen Charaktere er um sich versammelt. Zum Beispiel Nagasawa, eine Art japanischer Casanova, der Nacht für Nacht losziehen muss, um Mädchen aufzureißen, während die schönste Frau zu Hause auf ihn wartet. Oder seine Kommilitonin Midori, die beide Eltern bis zum Krebstod pflegte und die sich nun nackt vor das Foto ihres Vaters setzt, um ihm zu zeigen, dass sie inzwischen eine Frau geworden ist. Midori würde sich nichts lieber wünschen, als dass Watanabe beim Onanieren an sie denke.

Die schöne Naoko dagegen hat andere Probleme. Freiwillig eingeschlossen in eine Nervenklinik versucht sie, den frühen Tod ihres Freundes Kizuki loszuwerden. Beide sind zusammen aufgewachsen und haben alles gemeinsam gelebt. Es war nie eine Frage gewesen, mit einem anderen Menschen zu leben. Doch plötzlich hatte sich Kizuki umgebracht, und sie war übrig geblieben. Wie einen Staffelstab gibt sie ihr Schicksal an Watanabe weiter, der Naoko liebt und den sie dennoch auf dieselbe Art verlassen wird, wie sie es einst wurde.

Der Leser merkt bei allem sehr schnell, dass zwischen der Entscheidung, beim Onanieren an jemanden zu denken und miteinander das Leben zu verbringen, kein großer Unterschied besteht. Dass es immer nur darum geht, dass man sich in der Welt versichert und jemanden findet, der einem die eigene Existenz abnimmt.

Haruki Murakami, der in Japan Millionenauflagen verkauft, schreibt darüber ein leichtes und gleichzeitig trauriges Buch, todernst und mit einem guten Schuss klugen Kitsches. Aber das hätte man eigentlich nicht anders erwartet. --Jana Hensel

416 pages, Paperback

First published September 4,1987

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About the author

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Haruki Murakami ( 村上春樹) is a Japanese writer. His novels, essays, and short stories have been best-sellers in Japan and internationally, with his work translated into 50 languages and having sold millions of copies outside Japan. He has received numerous awards for his work, including the Gunzo Prize for New Writers, the World Fantasy Award, the Tanizaki Prize, Yomiuri Prize for Literature, the Frank O'Connor International Short Story Award, the Noma Literary Prize, the Franz Kafka Prize, the Kiriyama Prize for Fiction, the Goodreads Choice Awards for Best Fiction, the Jerusalem Prize, and the Princess of Asturias Awards.
Growing up in Ashiya, near Kobe before moving to Tokyo to attend Waseda University, he published his first novel Hear the Wind Sing (1979) after working as the owner of a small jazz bar for seven years. His notable works include the novels Norwegian Wood (1987), The Wind-Up Bird Chronicle (1994–95), Kafka on the Shore (2002) and 1Q84 (2009–10); the last was ranked as the best work of Japan's Heisei era (1989–2019) by the national newspaper Asahi Shimbun's survey of literary experts. His work spans genres including science fiction, fantasy, and crime fiction, and has become known for his use of magical realist elements. His official website cites Raymond Chandler, Kurt Vonnegut and Richard Brautigan as key inspirations to his work, while Murakami himself has named Kazuo Ishiguro, Cormac McCarthy and Dag Solstad as his favourite currently active writers. Murakami has also published five short story collections, including First Person Singular (2020), and non-fiction works including Underground (1997), an oral history of the Tokyo subway sarin attack, and What I Talk About When I Talk About Running (2007), a memoir about his experience as a long distance runner.
His fiction has polarized literary critics and the reading public. He has sometimes been criticised by Japan's literary establishment as un-Japanese, leading to Murakami's recalling that he was a "black sheep in the Japanese literary world". Meanwhile, Murakami has been described by Gary Fisketjon, the editor of Murakami's collection The Elephant Vanishes (1993), as a "truly extraordinary writer", while Steven Poole of The Guardian praised Murakami as "among the world's greatest living novelists" for his oeuvre.

Community Reviews

Rating(4.1 / 5.0, 99 votes)
5 stars
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99 reviews All reviews
April 26,2025
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“I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it -- to be fed so much love I couldn't take any more. Just once. ”



During this reading of Haruki Murakami's Norwegian Wood, I felt more in sync with Toru and, consequently, even more reflective and melancholy than last time. Not that those feelings weren't always present. However, I spent a lot of time thinking about Toru's juggling act with life/relationships and whether it, or any juggling act we perform, really has any meaning. A sense of loss is painted over nearly every page. All is seemingly all doomed to dissolve as soon as it begins. So yeah, I liked this better on a second reading. 4.5 stars.

Original review:
By this point, I've read several Haruki Murakami books. I've really come to appreciate not only his use of language and the meditative quality he evokes, but also the sense of the surreal. Frankly, I like the convoluted twists and turns, the improbable histories and even the talking cats. One of his earlier novels, Norwegian Wood is well-written and has a fairly straightforward plot. It also had that reflective quality I like. So I knew I was reading Murakami, but I wanted the protagonist to look up into the sky and see two moons or have some other reality bleed into our own reality. Was it good? Yes, it's Murakami. This might even be a novel that's preferable to some readers. However, later novels like 1Q84 and The Windup Bird Chronicle appeal to me more.
April 26,2025
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I once had a girl, or should I say, she once had me...
She showed me her room, isn't it good, Norwegian wood?

She asked me to stay and she told me to sit anywhere,
So I looked around and I noticed there wasn't a chair.

I sat on a rug, biding my time, drinking her wine
We talked until two and then she said, "It's time for bed"

She told me she worked in the morning and started to laugh.
I told her I didn't and crawled off to sleep in the bath

And when I awoke, I was alone, this bird had flown
So I lit a fire, isn't it good, Norwegian wood.


-tThe Beatles

Haruki Murakami’s novel Norwegian Wood is a love story: on author’s own confession, “a straight, simple story” quite unlike the type of fiction he is well known for. Murakami claims the novel was a challenge to him, a test of his capability to write a “straight” story; many of his fans see it as a betrayal of what his works had stood for until then. Not having read any of Murakami’s works so far, I had the advantage of approaching it with an unprejudiced mind. And I found that while the story was straight, it was anything but simple.

The novel is one bunch of impressions. The prose is sensual, even voluptuous: descriptions of landscapes and weather are done in long and loving detail. There is very little exploration of inner mental states, other than as broad description of emotions, even though we are listening to only one voice throughout the book. It is rather like stream of consciousness turned outward.

I have been trying to do a traditional review of this book for quite some time now, but have been finding it impossible. So I will give you my impressions of reading the book.

Reading Norwegian Wood (for me) is like sitting on the porch at twilight during a rare break in the rains during the monsoon, watching the golden rays of the dying sun light up the rain-drenched earth, and filling your lungs with the smell of the rain.

Reading Norwegian Wood is like waking up on a winter morning, opening the window and getting hit in the face by an invigorating blast of icy East Wind.

Reading Norwegian Wood is like staying up late, listening to the harmonious cacophony of drums at our local temple festival, inhaling the aroma of the burning lamp wicks and incense.

Highly recommended.
April 26,2025
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The curse continues!

One star plot. Five star themes. I’m not sure how to rate the quality of the writing itself. It’s weak with moments of poignancy and introspection.
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I had a terrible reading month. I hope this book turns the tide.
April 26,2025
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Είναι το πρώτο βιβλίο που διαβάζω του Μουρακάμι. Είχα διαβάσει διάφορες κριτικές για το συγκεκριμένο βιβλίο και ήξερα οτι ανήκει στην κατηγορία εκείνων που είτε σου αρέσει είτε όχι. Από τις πρώτες σελίδες κατάλαβα θα το λάτρευα. Δεν το άφησα σχεδόν καθόλου. Η ζωή του ήρωα που αγαπά την μοναξιά, το διάβασμα και είναι διαφορετικός από τους υπόλοιπους φοιτητές στην εστία του πανεπιστημίου στο Τόκυο. Μου άρεσε ο τρόπος γραφής του, οι συχνές αναφορές του για τα συναισθήματα, την μοναξιά, την θλίψη και ο νεανικός του έρωτας με την Ναόκο. Απίστευτες είναι οι περιγραφές της φύσης, λες και είσαι εκεί και βλέπεις ο ίδιος το τοπίο. Φυσικά, υπάρχουν πολλά νοήματα όπως και πολλές μουσικές αναφορές σε τραγούδια της εποχής τότε. Επίσης, ο τρόπος ζωής και σκέψης των Ιαπώνων.
Το τέλος είναι γραμμένο με τέτοιο τρόπο που αναγνώστης μπορεί να το ερμηνεύσει όπως εκείνος νομίζει.
Σίγουρα θα διαβάσω και κάποιο άλλο του βιβλίο.
April 26,2025
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Nonostante alcune cose non mi abbiano convinto al 100%, Norwegian wood è un romanzo talmente intimo, malinconico e desolante che è impossibile rimanere indifferenti durante la lettura.

Tema centrale è l’elaborazione del lutto e la depressione che questo genera, quindi non è un romanzo particolarmente leggero. Ma proprio per questo secondo me sarà capace di smuovervi qualcosa dentro. Davvero consigliato!
April 26,2025
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Norwegian Wood begins with Toru Watanabe, a 37 year old man traveling to Hamburg. After hearing the 'Norwegian Wood' by Beatles, he is overcome with nostalgia and begins musing about his teenage years.

At the age of 17, Kizuki, his best friend, decides to end his life leaving behind Toru and his girlfriend, Naoko, broken. Toru and Naoko bond after his death and Toru tries to offer emotional support to Naoko, falling in love with her in the process. But the death of Kizuki, whom Naoko loved ever since they were kids, sends her life in a downward spiral as she tries to come to terms with the incident. Her breakdown leads to her admission in a sanatorium.

Toru joins the University while keeping in touch with Naoko. He visits her occasionally, holding out hope for her recovery in hopes of starting a relationship with her. During his visit, he meets a musician Reiko and the three of them bond. Meanwhile, as life gets tough to deal with, Toru isolates himself from the world. He ends up meeting Midori who’s a fierce, independent and carefree girl. He is drawn to her and ends up falling in love with her.

Toru struggles with his feelings for Naoko while she struggles to deal with the death of Kizuki. Toru is torn between the two girls in his life. He tries his best to help Naoko get better while she keeps slipping away. Naoko represents the dark side, the hopelessness, and pain while Midori exhibits light side; she's a warm and soothing presence in the despairing life of Toru. His complex relationship with both the girls is depicted beautifully.

The writing was simply beautiful. The narration was very intimate and vivid. It drew me in right from the start and made me feel all sorts of emotions that the protagonist was going through. The author used the instances from his own life during student days which gives it an autobiographical feel, but that was not his intention. It’s not just a love story, though there are references to love throughout the novel. It’s a coming of age story with themes such as life and death, communication, isolation, mental illness, politics etc.

I loved all the characters. They were realistic and perfectly flawed which made me fall in love with them. I found Midori, Storm Trooper, Nagasawa and Reiko especially interesting. There are so many beautiful lines in this book that moved me while reading. Also, there are a lot of graphic adult scenes. I felt kind of weird about the last scene between Toru and Reiko, but it didn’t change my overall opinion about the story.

I enjoyed this book immensely. I’d recommend it to anyone who likes a nice coming-of-age story.
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