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Of Blessed Memory.
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A 100-year epic of a Jewish family in America, told by Sara, who in the year 2005 finds herself drawn into the tumultuous lives of her ancestors. From her great-grandmother Sarah Solomon through to her grandmother Salome and her mother Sally, Sara also gives her own story.
305 pages, Paperback
First published January 1,1998
This edition
- Format
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305 pages, Paperback
- Published
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January 1, 1998 by Bloomsbury Publishing PLC
- ISBN
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9780747539186
- ASIN
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0747539189
- Language
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English
About the author
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Erica Jong—novelist, poet, and essayist—has consistently used her craft to help provide women with a powerful and rational voice in forging a feminist consciousness. She has published 21 books, including eight novels, six volumes of poetry, six books of non-fiction and numerous articles in magazines and newspapers such as the New York Times, the Sunday Times of London, Elle, Vogue, and the New York Times Book Review.
In her groundbreaking first novel, Fear of Flying (which has sold twenty-six million copies in more than forty languages), she introduced Isadora Wing, who also plays a central part in three subsequent novels—How to Save Your Own Life, Parachutes and Kisses, and Any Woman's Blues. In her three historical novels—Fanny, Shylock's Daughter, and Sappho's Leap—she demonstrates her mastery of eighteenth-century British literature, the verses of Shakespeare, and ancient Greek lyric, respectively. A memoir of her life as a writer, Seducing the Demon: Writing for My Life, came out in March 2006. It was a national bestseller in the US and many other countries. Erica's latest book, Sugar in My Bowl, is an anthology of women writing about sex, has been recently released in paperback.
Erica Jong was honored with the United Nations Award for Excellence in Literature. She has also received Poetry magazine's Bess Hokin Prize, also won by W.S. Merwin and Sylvia Plath. In France, she received the Deauville Award for Literary Excellence and in Italy, she received the Sigmund Freud Award for Literature. The City University of New York awarded Ms. Jong an honorary PhD at the College of Staten Island.
Her works have appeared all over the world and are as popular in Eastern Europe, Japan, China, and other Asian countries as they have been in the United States and Western Europe. She has lectured, taught and read her work all over the world.
A graduate of Barnard College and Columbia University's Graduate Faculties where she received her M.A. in 18th Century English Literature, Erica Jong also attended Columbia's graduate writing program where she studied poetry with Stanley Kunitz and Mark Strand. In 2007, continuing her long-standing relationship with the university, a large collection of Erica's archival material was acquired by Columbia University's Rare Book & Manuscript Library, where it will be available to graduate and undergraduate students. Ms. Jong plans to teach master classes at Columbia and also advise the Rare Book Library on the acquisition of other women writers' archives.
Calling herself “a defrocked academic,” Ms. Jong has partly returned to her roots as a scholar. She has taught at Ben Gurion University in Israel, Bennington College in the US, Breadloaf Writers' Conference in Vermont and many other distinguished writing programs and universities. She loves to teach and lecture, though her skill in these areas has sometimes crowded her writing projects. “As long as I am communicating the gift of literature, I'm happy,” Jong says. A poet at heart, Ms. Jong believes that words can save the world.
In her groundbreaking first novel, Fear of Flying (which has sold twenty-six million copies in more than forty languages), she introduced Isadora Wing, who also plays a central part in three subsequent novels—How to Save Your Own Life, Parachutes and Kisses, and Any Woman's Blues. In her three historical novels—Fanny, Shylock's Daughter, and Sappho's Leap—she demonstrates her mastery of eighteenth-century British literature, the verses of Shakespeare, and ancient Greek lyric, respectively. A memoir of her life as a writer, Seducing the Demon: Writing for My Life, came out in March 2006. It was a national bestseller in the US and many other countries. Erica's latest book, Sugar in My Bowl, is an anthology of women writing about sex, has been recently released in paperback.
Erica Jong was honored with the United Nations Award for Excellence in Literature. She has also received Poetry magazine's Bess Hokin Prize, also won by W.S. Merwin and Sylvia Plath. In France, she received the Deauville Award for Literary Excellence and in Italy, she received the Sigmund Freud Award for Literature. The City University of New York awarded Ms. Jong an honorary PhD at the College of Staten Island.
Her works have appeared all over the world and are as popular in Eastern Europe, Japan, China, and other Asian countries as they have been in the United States and Western Europe. She has lectured, taught and read her work all over the world.
A graduate of Barnard College and Columbia University's Graduate Faculties where she received her M.A. in 18th Century English Literature, Erica Jong also attended Columbia's graduate writing program where she studied poetry with Stanley Kunitz and Mark Strand. In 2007, continuing her long-standing relationship with the university, a large collection of Erica's archival material was acquired by Columbia University's Rare Book & Manuscript Library, where it will be available to graduate and undergraduate students. Ms. Jong plans to teach master classes at Columbia and also advise the Rare Book Library on the acquisition of other women writers' archives.
Calling herself “a defrocked academic,” Ms. Jong has partly returned to her roots as a scholar. She has taught at Ben Gurion University in Israel, Bennington College in the US, Breadloaf Writers' Conference in Vermont and many other distinguished writing programs and universities. She loves to teach and lecture, though her skill in these areas has sometimes crowded her writing projects. “As long as I am communicating the gift of literature, I'm happy,” Jong says. A poet at heart, Ms. Jong believes that words can save the world.
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5 reviews All reviews
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Viel me in het begin enorm mee. Alleen jammer dat ze zich af en toe verplicht voelde er nog eens een ritsloos nummertje tussen te voegen. Ik had gedacht (gehoopt) dat ze stilaan op een leeftijd was dat ze daarover was. Daarna bleek het terugvallen op brieven en dagboekfragmenten geen goed idee. Met als dieptepunt een (uiteraard gefingeerd) interview uit Rolling Stone! Het is een boek over moeders en dochters en dus behoor ik eigenlijk niet tot de doelgroep, maar vooral de hoofdstukken gewijd aan het zogezegde popidool (volgens de chronologie eigenlijk Erica Jongs generatie, maar zijzelf is meer te herkennen in de moeder van het idool, die moeder is immers... een schrijfster) zijn extremely boring!
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I’ve read a lot of Erica Jong, ever since I was in college, but I never heard of this one until it appeared in a Little Free Library near me and I brought it hime to read aloud to Rona. It’s ambitious and odd, typical Jong and a complete departure from her earlier work, all at the same time. I may keep it to lend out, because my public library doesn’t have it. Perhaps it’s too Jewish for her literary audience and too pornographic for her Jewish audience and that’s why it’s fallen down the memory hole. Not a great book, but unique and therefore worth reading.
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An ambitious story of mother-daughter relationships as seen through the eyes of several generations of a Jewish American family. An absorbing thought-provoking read.
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This could have been a great multigenerational historical fiction. This could have been a window into the lives of Jewish women. This could have been hot. This could have been deep.
It was a little bit of too many things to truly hold together.I enjoyed most of it, but I wish I could have edited it into something fabulous.
It was a little bit of too many things to truly hold together.I enjoyed most of it, but I wish I could have edited it into something fabulous.
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