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FROM THE DUST RETURNED, is told largely through the eyes of Timothy, a ten year old boy who is raised in a haunted house on the hill above Green Town, Illinois (the setting of both DANDELION WINE and SOMETHING WICKED THIS WAY COMES). He is the foundling son of the Elliot Family, who might be vampires, sorcerers, ghosts, or any combination of the three (and more). An outsider by birth (he is found on the doorstep by the Elliots, who initially assume he may be an offering from the town to keep them away), Timothy struggles with a desire to be a part of The Family, while also realizing his mortality is essential to helping them preserve their own strange magic. Though he often spends evenings in the attic conversing with his mummified Many Times Grandmere, and horseplays with his bat-winged Uncle Einar, his closest relationship is with Cecy, the novel’s other main character, an immortal teenage girl who spends most of her life asleep, astral projecting into the minds of others. This book is, for me, the perfect Halloween book and I’ve now read it probably six times. Its lyrical writing and enchanting tone manages to capture the whimsicality and caramel apple sweetness of Halloween without losing the darkness and somber undertones of autumn and a holiday so centered around death. Bradbury’s best work is characterized by his unrepentant love for weirdness and his sincere belief in a world where one can be a monster, but still be human, and a human who loves monsters, while still being scared of them. And though Evil is real in FROM THE DUST RETURNED (as it most certainly is in EXORCISM and STICKS) and must ultimately be defeated by Cecy in what basically amounts to a telepathic sniper shot, it is mortal and myopic, threatening in its ignorance of the complexity that renders vampires as emotionally vulnerable as little boys, and makes us all seek something eternal in a very temporal world.