Community Reviews

Rating(4 / 5.0, 100 votes)
5 stars
31(31%)
4 stars
33(33%)
3 stars
36(36%)
2 stars
0(0%)
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100 reviews
April 26,2025
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Leer relatos de un maestro de la Ciencia Ficción siempre es un buen plan. En esta recopilación me ha sorprendido el mal rollo que transmiten muchas de las historias. No es una lectura esperanzadora precisamente. Creo que casi me ha gustado más que Crónicas Marcianas. Me ha transmitido más cosas.
April 26,2025
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Definitely more fantasy than SF. Venus is still wet, ferpeetsake, in 1950. Not as lame as the Martian Chronicles but still.

Otoh, Bradbury is a poet and psychologist (at heart) and so the language and themes of the stories are marvelous. Better than I remembered.

Fans of Neil Gaiman (weird worlds and beautiful writing) and Terry Pratchett (knife-sharp observations of humans, and of gods, and of other aliens...) are missing a treat unless they go back and read the original master. Now, it doesn't have to be this collection. You could choose October Country, or Dandelion Wine, or a 'Best of' collection. But do read something (in addition to Fahrenheit 451) by him.
April 26,2025
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Siguiendo el estilo de 'Crónicas Marcianas', Ray Bradbury recopila varios de sus relatos, ya publicados en diversas revistas, todos ellos conteniendo historias con elementos en común, para formar una novela. Aunque bien es cierto que 'El Hombre Ilustrado' no tiene la cohesión de 'Crónicas Marcianas' ni alcanza los niveles de calidad de ésta.

El libro empieza a raíz del encuentro de un personaje con el Hombre Ilustrado, una especie de fenómeno de feria que tiene todo su cuerpo tatuado; pero se trata de tatuajes muy especiales, ya que cada dibujo refiere una historia del futuro. A pesar de que el Hombre Ilustrado avisa reiteradamente a este personaje del peligro que conlleva estar a su lado, decide acampar con él. Y es que está fascinado con las ilustraciones que decoran su piel. A partir de aquí se van desplegando cada uno de los dieciocho relatos, cada uno de ellos asociado a una ilustración distinta.

Todos los cuentos contienen esa poesía inherente a las historias de Bradbury, en los que impera el carácter literario y de fábula más que el científico. Bradbury nunca se ha preocupado de la parte científica de sus libros, algo que le han achacado algunos de sus colegas en múltiples ocasiones. Pero a él no le preocupan detalles del tipo de si la luna sale por tal o cual lado, a él lo que le importa es contar historias.

En 'El Hombre Ilustrado' se dan la mano diversos géneros, fantásticos, ciencia ficción y terror. Entre los que más me han gustado se encuentran 'Caleidoscopio', que cuenta la caída de varios astronautas hacia la atmósfera. 'Los desterrados', homenaje a los grandes maestros de lo sobrenatural, que narra lo que les sucede cuando sus libros son destruidos. 'El zorro y el bosque', donde es posible viajar al pasado para huir de la guerras del futuro. 'Marionetas S.A.', cuento que narra la posibilidad de hacer una copia de ti mismo para salir de ciertos apuros. 'La hora cero', relato inquietante donde los niños de la Tierra son utilizados para invadirnos. 'El cohete', donde priman los sueños por encima de cualquier cosa, en donde el protagonista le hace a su familia un regalo fabuloso. Pero realmente todos los cuentos tienen algo memorable. No cabe duda, Ray Bradbury fue un visionario.
April 26,2025
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When the fuzzy bootie slippers and knit shawls come out, so do the Ray Bradbury books...

As someone who could have made a living as a tattooed lady in a sideshow a hundred years ago, I am completely enamored of this short story collection's structure: one tale for each drawing on the titular Illustrated Man. In tattoo culture (whatever than means), people like me who have a lot of ink are sometimes called "tattoo collectors", and I thought a lot about that expression as the Illustrated Man shifted in his sleep, showing the reader his collection of stories. I know not all tattoo collectors do this, but all my tattoos have a story. So far, they've stayed put...

The playroom of a smart-house that eats the parents, the writers and characters of fantastic stories living in exile on another planet, a couple facing the end of the world together quietly, a failed planetary invasion, a father taking his family on a trip unlike any other... In those stories, Bradbury explores the idea of technology disconnecting us from our lives, that in our very last moments only love will truly matter, that forgiveness is a greater power than oppression, that without imagination, we are nothing, and that we should remember to cherish those who care for us. And even if those themes weren't powerful, the incandescent, dreamy prose and occasional bite of acidic humor is enough to make this bittersweet collection a treasure. The ones that truly stood out were "The Other Foot", "The Rocket Man", "The Last Night of the World", "The Exiles" and "The Rocket", but there was not one bad story in this book.

The is a definite Cold War anxiety in those stories, when the menace of nuclear war seems like it's just around the corner, yet some of those stories feel eerily relevant. "The Other Foot" especially so, and a note in the introduction mentions that Bradbury cold not get it published in the United-States for many years. I can't say I am surprised, but simply sad at the depth of denial human beings can sink to. This was a man ahead of his time in many ways...

I don't know if Rachel Bloom is entirely right about Bradbury having been the greatest sci-fi writer in history, but he might just have been the sci-fi writer with the biggest heart in history.
https://www.youtube.com/watch?v=ZG38V...
April 26,2025
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Ray Bradbury inspired many to take pen to paper; he enlightened many dark vessels and was a visionary beyond comparison. His sentences are laden with words in the right places with the right words.

This collection of stories only covers stories taken from illustrations on the illustrated mans body. We don’t get to walk with the illustrated man for long in fact only a few pages in the beginning. Don’t let this belittle the whole collection I want to just make it clear, because some could be disappointed to not to hear more about the man.

There are a few stories i cover below that hold startling truth and this was the magic of Bradbury contained also within Fahrenheit 451 he gave us a view on how things could be the way we live now in the future. At times beyond belief and unrealistic but thought provoking, food for thought.

The second half of this collection was less meaningful as the first a few sci-fi stories in other planet etc. with less depth.

What am I thinking even though maybe 5 stories really left a mark for me can I still rate this a five star?

Yes I say due to his hypnotic and emotionally potent voice and vision of terrible beauty.

His words are compared to ancient carvings in a tree that will stand the test of time I am sure.
n  n

There is a look at the Illustrated man in this excerpt..
“Another reason I keep my collar buttoned up,’ he said, opening his eyes, ‘is the children. They follow me along country roads. Everyone wants to see the pictures, and yet nobody wants to see them.’
He took his shirt off and wadded it in his hands. He was covered with illustrations from the blue tattooed ring about his neck to his belt line.
‘It keeps right on going,’ he said, guessing my thought. ’ All of me is illustrated. Look.’ He opened is hand. On his palm was a rose, fresh cut, with drops of crystal water among the soft pink petals. I put my hand out to touch it, but was only an illustration.

As for the rest of him, I cannot say how I sat and stared, for he was a riot of rockets and fountains and people, in such intricate detail and color that you could hear the voices murmuring small and muted, from the crowds that inhabited his body. When his flesh twitched, the tiny mouths flickered, the tiny green-and-gold eyes winked, the tiny pink hands gestured. There were yellow meadows and blue rivers and mountains ad stars and suns and planets spread in a Milky Way across his chest. The people themselves were in twenty or more odd groups upon his arms, shoulders, back, sides, and wrists, as well as on the flat of his stomach. You found them in forests of hair, lurking among a constellation of freckles, or peering from armpit caverns, diamond eyes aglitter.
Each seemed intent upon is own activity; each was a separate gallery portrait.
‘Why, they’re beautiful!’ I said."
n



And Ray Bradbury with some beautiful lines has the Man explain how stories are made from the illustrations on his body in the following excerpt.

n
“The sun was gone. Now the first stars were shining and the moon had brightened the fields of grass and wheat. Still the Illustrated Mans pictures glowed like charcoals in the half-light, like scattered rubies and emeralds, with Rouault colours and Picasso colours and the long, pressed-out El Greco bodies.
‘So people fire me when my pictures move. They don’t like it when violent things happen in my illustrations. Each illustration is a little story. If you watch them, in a few minutes they tell you a tale. In three hours of looking you could see eighteen or twenty stories acted right on my body, you could hear voices and think thoughts. It’s all here, just waiting for you to look. “


n  The Veldn

A stark take on what the future could hold for those that buy into new technology for their well-being.

With a high number gadgetry available at present and a possible robotic future in our homes, Bradbury prophecies a future where you could buy a home designed to do everything for you bathe and clean you, relax you and entertain you.

Apple and Microsoft has developed leaps and bounds in engineering and changed the programming market. 3d TV and video gaming is now entering our household and this 3d thought room that Bradbury depicts could be true. There are so far video game consoles that require no controllers and track your body movements to interact in the gaming. In the

In fiction and not the real world yet, there's a movie Tron where a video gamer could enter a gaming world, avatar and matrix that depicted similar interactions with another dimension and don't forget that me Jumanji with robin Williams where a board game comes to life and lions are running havoc around the home. The only development so far is the first one gaming with no controllers.

In this story you will find a room that can be fitted up and bought for your kids enjoyment. But beware this sort of interaction is on a completely different level instead of a computer reacting to your body movements it behaves in tune with your psyche. The kids in this story are in an African veldt with lions. They smell and feel the wild the hot sun shining down.

It's all artificial and not real if it was it would be deadly with lions roaming around.

Kids are addicted enough in this day and age to video gaming, TV and the Internet. This kind of technology I doubt will be any good for the future and could prove to be problematic.

The characters in this story, kids, wanted to keep the room against their parents wishes and as the dispute arises matters turn to a very dark end.

 

This story is a fine example of the kind of visionary Ray Bradbury had, a colourful vibrant and dark sneak peak into the future. Great story it's making me want to re-read Fahrenheit 451 all over again.

 

 
n  Kaleidoscopen


In this short story Bradbury puts forward some deep food for thought here in these notable lines worth re-reading in this excerpt.
n  “And it was not. It was gone. When life is over it is like a flicker of bright film, an instant on the screen, all of its prejudices and passions condensed and illuminated for an instant on space, and before you could cry out, ‘ There was a happy day, there was a bad one, there an evil face, there a good one,’ the film burned to a cinder, the screen went dark.
From this outer edge of life, looking back, there was only one remorse, and that was only that he wished to go on living.
Did all dying people feel his way, as if they had never lived?

Did life seem that short, indeed, over and done before you took a breath?

Did it seem this abrupt and impossible to everyone, or only to himself, here, now, with a few hours left to him for thought and deliberation?

(A rather comical response from one character)

One of the other men, Lespere, was talking. ‘Well, I had me a good time: I had a wife on Mars, Venus, and Jupiter. Each of them had money and treated me swell. I got drunk and once I gambled away twenty thousand dollars.”
n


n  The Other Footn
This excerpt describes the situation quite clearly. A situation of segregation coming to a possible end here or was it a matter of survival?

n   “ ‘Tell us some more!’
‘Well, ‘the white people live on Earth, which is where we all come from, twenty years ago. We just up and walked away and came to Mars and set down and built town’s and here we are. Now, were Martians instead of Earth people. And no white me’ve come up here in all that time. That’s the story.’
‘Why didn’t they come up, Mom?’
‘Well, ‘cause. Right after we got up here, Earth got in a atom war. They blew each other up terribly. They forgot us. When they finished fighting, after years, they didn’t have any rockets. Took them until recently to build more. So here they come now, twenty years later, to visit.’
n


A recollection on the past found in the following excerpt and the consequences of the war in this story.

n  “It was stirring them now. After twenty years it was rushing back. The towns and the places, the trees and the brick buildings, the signs and the churches and the familiar stores, all of it was coming to the surface among the gathered people. Each name touched memory, ad there was no one present without a thought of another day. They were all old enough for that, save the children.
‘Laredo.’
‘I remember Laredo.’
‘New York City.’
‘I had a store in Harlem.’
‘Harlem, bombed out.’
The ominous words. The familiar, remembered places.
The struggle to imagine all of those places in ruins.
Willie Johnson murmured the words,’Greenwater, Alabama. That’s where I was born, I remember.’
Gone. All of it gone. The man said so.

The man continued, ‘So we destroyed everything and ruined everything, like the fools that we were and the fools that we are. We killed millions. I don’t think there are more than five hundred thousand people left in the world, all kinds and types.
n

Another excerpt few pages later..
n  “Willie stood with the rope in his hands.

He was remembering Earth, the green Earth and the green town where he was born and raised, and he was thinking now of that town, gone to pieces, to ruin, blown up ad scattered, all of the landmarks with it, all of the hard men gone, the stables, the iron-smiths, the curio shops, the soda founts, the gin mills, the river bridges, the lynching trees, the buckshot-covered hills, the roads, the cows, the mimosas, and his own house as well as those big-pillared houses down near the long river, those white mortuaries where the women as delicate as moths fluttered in the autumn light, distant, far away. Those houses where the old men rocked, with glasses of drink in their hands, guns leaned against the porch newels, sniffing the autumn airs and considering death. Gone, all gone; gone and never coming back. Now, for certain, all of that civilization ripped into confetti and strewn at their feet. Nothing, nothing of it left to hate- not an empty brass gun shell, or twisted hemp, or a tree, or even a hill of it to hate. Nothing but some alien people in a rocket, people who might shine his shoes and ride in the back of trolleys or sit far up in midnight theatres….”
n

n  n

Read another classic of his the novel Something Wicked This Way Comes review @ http://more2read.com/review/something-wicked-way-comes-ray-bradbury/

Check out these videos with Ray Bradbury...

Ray Bradbury Gives 12 Pieces of Writing Advice to Young Authors–An Evening with Ray Bradbury 2001

Ray Bradbury on Writing Persistently

Meet Ray Bradbury (video)

Review also available @ http://more2read.com/review/the-illustrated-man-by-ray-bradbury/ in a different setting.
April 26,2025
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Ray Bradbury - O Homem Ilustrado


Um caleidoscópio de histórias. Uma boas, algumas muito boas e outras (Nenhuma Noite ou Manhã em Particular; A Raposa e a Floresta; A Betoneira; Marionetas S.A.; A hora Zero; O Foguetão; e esse fenomenal epílogo O Homem Ilustrado), verdadeiramente excepcionais.
Escrito como um mosaico de múltiplas facetas, muitas com outras potencialidades literárias, numa prosa fantástica que ora surge impregnada num delírio de fantasia muito ao estilo de Poe, ora nela se vislumbra uma visão muito sua de mundos futuros, fica-se inebriado com a febre com que os descreve.
Escrito numa primeira edição publicada em 1951, Ray Bradbury transporta-nos para um mundo futurista impregnado de elementos “naif”. Um mundo mecanicista, um futuro mecânico em que “as guerras atómicas e os foguetões com as suas viagens interestelares estão sempre presentes.
Mas se esta é a roupagem com que reveste a maior parte das suas histórias e a sua visão para o futuro, ficamos contudo sempre com a impressão de algum desconforto, de algum elefante na sala. A maioria das histórias são deprimentes, pessimistas, irremediavelmente comprometidas com o mau agoiro que o autor suspeitava que nos estava reservado.
Se as viagens ao passado fossem permitidas, teria todo o gosto em lhe revelar o que ele intuiu sem contudo o ter conseguido verbalizar. Gostaria de me sentar com ele num café parisiense em Abril de 2023 e de lhe explicar do porque daquela revolta social que ainda hoje graça por aquelas paragens. Explicar-lhe os porquês bem como tudo o que ela representa e omite. Ray Bradbury não o poderia ter adivinhado. Não podia ter vislumbrado os encaminhamentos do passado recente, mas aspectos como a sociedade de consumo, a delapidação dos recursos, o vazio dos valores, a intoxicação mediática, o racismo, o espartilho cultural do “socialmente correto” e a policia militante da cultura Woke já prefigurados em Fahrenheit 451º pelo Capitão Beatty, ou pelas autoridades de Futuro em A Raposa e a Floresta no actual conjunto de textos, são elementos que ele claramente intuiu como não sendo augúrio de um futuro brilhante.
As histórias, essas perolas forjadas num ambiente que parece emanar de curtas-metragens de Alfred Hitchcock, temperadas aqui e ali com pitadas de Poe, Mary Shelley; Lewis Carrol; Huxley; Frank Baum, configuram um repasto “gourmet” para apreciadores ou iniciados no género.
April 26,2025
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I'd like to think there’s something distinctive about every great science fiction writer. I have no idea if that’s true, but it seems like it could be. Clarke wants to awe you, make you feel the grandeur of space. I can imagine JG Ballard walking to his office in a suit, reading the latest scientific journals and coming up with ideas for his stories. Dick lived a life of desperation and paranoia, and that’s reflected in his writing. Heinlein, for better or worse, seems to have used his novels as vehicles for his political views.

There’s something childlike about Bradbury. And there are certain things about The Illustrated Man that I think the modern reader could very well find dated and unappealing. The entirely corny and unnecessary framing device, first of all, in which our narrator meets an “illustrated man” whose body is covered with tattoos; the tattoos begin to move, coalescing into eighteen distinct pictures, each a story in itself…and we’re off (I sort of enjoyed the corniness, actually. I also enjoyed the very end, in which the narrator sees a final picture slowly coming into focus, one in which the illustrated man slowly wraps his fingers around the narrator’s throat…)! Furthermore, I don’t think I’d enjoy reading one of Bradbury’s novels; he’s not a particularly interesting writer of prose, and that would wear on me over the course of a novel. He can be sentimental; his characters, floating alone in space or plagued by constant rain on Venus, tend to long for things like hot chocolate, marshmallows, ice cream…things that seem to suggest some ideal mid-century America that never really existed. There is also a kind of silly Authority is Always Bad and Only the Dreamers are Pure theme that runs through many of these stories. The time travelers in ‘The Fox and the Forest’, for example, try to escape the year 2155 AD because, we are told, it’s an evil time of war…it’s bad, and they’re pure and good. Things usually aren’t that simple.

That being said, I think Bradbury is a great writer of short stories. He generally creates a premise, and then draws a seemingly inevitable (in retrospect) but unexpected conclusion from it. It may involve, as in ‘The Veldt’, a children’s nursery that can manifest anything the children conceive of, a husband who in order to preserve his autonomy hires an android double to spend time with his wife, but doesn’t seem to notice that the android is developing a fondness for her, or Martian invaders, ready for battle, who are puzzled and suspicious to find that humans welcome them with open arms. His stories often seem like myths, or dreams.

They’re also often incredibly sad, or horrific. Many of his horrific stories (“The Veldt”, “Marionettes, Inc.”, “Zero Hour”) are also his funniest. But this collection, written even before (and maybe in a way it could only have been written before) Yuri Gagarin became the first man to travel to outer space, also evokes something profound: the yearning for space, transcendence, death…for something other. This is one of the qualities that Bradbury has in common with Dick, actually. Other recurring themes I noticed are isolation, suicide, the importance of dreams, and children who murder their parents.

I’ll read a number of these stories over again. In addition to those mentioned above, my favorites include “The Long Rain”, “The Visitor” and “The City.” I’ve been watching old episodes of Star Trek lately, and noticing that some of the best episodes (including ‘The City on the Edge of Forever’, ‘Amok Time’ and the underrated ‘Wolf in the Fold’) were written by novelists. Shatner, Nimoy and DeForest Kelley are so goddamn good together that it makes me wish the writing on the show were just a little more consistent. There were plenty of great science fiction writers alive at that time, and in their primes. Why, I’ve found myself wondering, didn’t Roddenberry try to recruit more of them? Well, according to Wikipedia, Roddenberry and Bradbury were close friends, and he did try to get Bradbury to write for Star Trek. Bradbury apparently felt he couldn’t adapt his ideas to someone else’s vision, or something. Too bad.

The book is available as a PDF, here: http://greenhumanities.edublogs.org/f...
April 26,2025
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“Hubiese querido entrar en el interior de aquel odio, y examinarlo hasta descubrir una grieta, una falla. Entonces podría sacar un guijarro o una piedra, o un ladrillo, y luego parte de una pared y pronto todo el edificio se vendría abajo. Ahora mismo ya estaba tambaleándose. Pero ¿Dónde estaba la piedra angular? ¿Cómo llegar a ella? ¿Cómo sacarla y convertir ese odio en un montón de ruinas?”

Esta antología recoge un conjunto de cuentos que tienen un nexo común: Salen de la piel de el "Hombre ilustrado", un hombre tatuado de los pies a al cabeza con imágenes que narran pequeños trozos de vidas. Historias de ciencia ficción, distópicas y fantásticas, que reflejan muy bien el estilo del autor: Extraordinariamente imaginativo, con una narrativa bellísima y con tramas que van desde el humor hasta el toque de terror. Aún me quedan muchas obras de Ray Bradbury por leer (por suerte), pero con lo que llevo hasta ahora estoy sorprendida con esa capacidad para abarcar tantos géneros y hacerlo tan bien. La crítica social, la tecnología, el ansia por el descubrimiento... Toca tantos temas en esta antología que es difícil encorsetarla en unas pocas etiquetas.

Es cierto que para mi es muy difícil encontrar una antología en la que todos los relatos me fascinen. Creo que "Crónicas marcianas" fue una de esas pocas que lo consiguió, pero esta se ha quedado un poquito más atrás, con relatos que me gustaron muchísimo y otros (muy pocos) que me dejaron un poquito más indiferente. Aún así, en conjunto me ha parecido excelente, y me gustaría destacar como hago siempre mis relatos favoritos:

- "La pradera": Una historia sobre como una familia lidia con la sobreexposición a la tecnología y a a la realidad virtual.
- "El otro pie": Un texto que aprovecha el contexto de la ciencia ficción para hablar de racismo y de cómo sanar heridas tan profundamente arraigadas en nuestra cultura.
- "La larga lluvia": Un relato extraordinariamente agobiante que nos habla sobre una ficticia colonización de Venus.
- "El hombre del cohete": Uno de mis favoritos y también de los más emotivos, que narra la historia de un hombre del espacio y su relación con su familia.
- "El zorro y el bosque": Una historia de viajes en el tiempo.
- "Marionetas S. A": Habla de los conflictos que podría suponer el uso de robots que sustituyan a los humanos en determinadas situaciones.
- "La ciudad": Un relato sobre colonización y venganza.

Creo que en el caso de Ray Bradbury la parte de "ficción" tira mucho más del carro que la de "ciencia", creo que es algo a tener en cuenta si se quiere disfrutar del todo de sus historias, no es del tipo de ciencia ficción "dura" que caracteriza a otros autores. Personalmente su narración siempre consigue conectar mucho conmigo, dejando en mi memoria escenas que se me quedan grabadas durante mucho tiempo. Historias bonitas, historias terroríficas e historias fantásticas, todas ellas con ese punto de reflexión que te hace replantearte las cosas y darles un par de vueltas.

No me parece en absoluto un mal punto de entrada con el autor, ya que aquí podéis ver un poquito por encima todo aquello que puede abarcar con su obra.



April 26,2025
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داستانها توی فضای وحشتناکی اتفاق می افتادند.هنوز وحشتی که از خواندن هرداستان بهم دست می داد فراموش نکردم.شاید هیچ کتابی به اندازه ی مرد مصور نتوانست مرا بترساند ولی نمی توانم توانایی برادبری را در تصویرگری چنین دنیایی تحسین نکنم.من که تا آن موقع فقط داستانهای پایان خوش ژول ورن یا نهایتا چندتا داستان غم انگیز از آسیموف خوانده بودم،در رویارویی با چنین دنیایی واقعا کم آورده بودم.محشر بود.ولی من هیچوقت به یک بچه ی دبستانی نمی دمش.
یک سری داستانهایش را یادمه.و اصلا نمی تونم امتیاز متفاوتی برایشان قائل بشوم.همه به یک اندازه غریب بودند و ترسناک و ماورایی و عالی.
April 26,2025
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Es siempre un placer leer a Bradbury. Este libro me lo había leído con unos dieciocho años y hoy, con cuarenta, lo releí porque como sabéis, con la madurez se miran,se escuchan, se sienten las "cosas" de una manera diferente, sí. Digamos que,comenzamos a llevarnos mejor con la sabiduría. Y, ¿por qué comienzo de esta forma a hablaros de este libro? ¿Quizá porque su ciencia ficción sea así de melodiosa, de sutil? Incluso mientras escribo esta pequeña reseña, deseo alejarme lo más posible de la entropía que apresa a este mundo,sí, el nuestro.
¿Y si regreso a los años cincuenta?, donde incluso las exigencias del género de ciencia ficción, se basaban más en los hechos, que en los datos, o en los mecanismos y el tecnicismo? Por aquel entonces no necesitaba uno "explicar" tanto, solo bastaba con una prosa elegante y una manera de contar las historias como el típico cuento que escuchabas de niño para ir a dormir.
Me voy a Marte.Me voy a construir un cohete con los motores de un simple camión, y lo haré en apenas unas horas. Tan solo me va a costar 3 mil euros hacerlo, y cuando me lleve allí y me aburra, lo utilizaré para irme a Venus, y luego hasta Plutón, y, quien sabe.Quizá incluso alcance la gasolina para regresar a la Tierra, y contaros sobre tales aventuras. Adiós. Hasta pronto.
April 26,2025
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What I like about Ray Bradbury is his messages to society, some of them pretty blunt, and his deep philosophical narratives. Once in awhile I would be reading and something would hit me, the classic light bulb turning on over the head. I like how "weird" his stories are. I guess the appropriate word would be "prolific."

Writing style is a big deal to me. I had some trouble adapting to Mr. Bradbury's style. I am not saying it was "bad" necessarily (and who am I to criticize such a man of impact?!). I am just saying I am not all too attractive to his voice, or style. Perhaps one of his more famous novels will be different. I plan on finding out.

Another thing I loved about Bradbury was his vivid and powerful imagination. The man is an encyclopedia of originality. That is the reason I want to keep reading more of his books.

Merely my humble opinion: Originality = 5 stars. Depth/ Theme = 5 stars. Style = 2 stars. Total = 4 stars.

April 26,2025
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"So much space. I liked the idea of nothing on top, nothing on the bottom, and a lot of nothing in between, and me in the middle of the nothing."

This is my first time reading Ray Bradbury, and I've discovered that he has a very trippy and very twisted imagination... It's absolutely fantastic.

The Illustrated Man is a really amazing story concept. There's this man who is covered head to toe in illustrations. Before the crazy body art, he wanted to make himself more unique in the world but ends up getting more than he bargained for when he enters a witch's "SKIN ILLUSTRATION!" shop. He soon finds out rather unfortunately that all the illustrations on his body come alive, telling intricate stories, when the sun sets. Each illustration on the man's body is one of eighteen stories in this short story collection.

Favorite stories:
- The Veldt
- The Rocket Man
- The Exiles
- The City
- The Rocket

One disappointment is that the story of the actual Illustrated Man wasn't more woven into the other short stories. Only the first two stories (The Veldt, The Other Foot) had some small references to the Illustrated Man, but the later stories completely dropped that idea. Still though, I really loved this collection and how creative Ray Bradbury is in every detail of all eighteen short stories.

I recommend this collection to any dedicated science fiction and fantasy lover who isn't afraid of some morbid and ambiguous endings. 4.75
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