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Marjane Satrapi is an Iranian-born graphic novelist who grew up in Iran during the Iranian Revolution. She was barely a child when the events started and didn't understand much except for what her parents and her school told her - often conflicting accounts, as the school enforced the governmental position, while her parents were sort of revolutionaries (though not really).
The events are told from little Marjane's perspective, not from the adult's - much like "Anne Frank's Diary", real life is filtered through the eyes of a child, who is more sheltered from reality and only catches snippets of it, which she interprets through her lens. As such, Marjane goes from a co-dependent relationship with her god to questioning her religion, from idealizing revolutionaries and despising her father for not taking action to understanding fear.
This is not a romanticized account - the author doesn't shy away from showing that her child-self could also be irritating (extremely so, multiple times), a bully, a liar, occasionally completely disrespectful towards her parents. A realistic view of what childhood, especially in an opresive environment, could mean. I recognized some behaviors, I even exhibited some of the same behaviors myself when I was a child, so I try not to judge Marji harshly through adult eyes.
I find it horrifical how Iran could transition from the libertarian, modern society of the 70s to the current state of things. It's an example of how fast things can change if people let extremists (of any shape) take charge. From a historical perspective, this graphic novel is valuable in showing this transition through the eyes of someone who lived during those events (even is she's an unreliable narrator, due to her age).
From a humane perspective, though, I didn't particularly feel the emotion. I know it's sad, horrible, I feel the outrage, but the book itself did not manage to transmit it - I don't think graphic novels are the best medium to convey such a story. I'm also not a fan of B&W drawings (probably why manga is also not for me), and due to this, I didn't particularly get to form a connection with the characters.
The events are told from little Marjane's perspective, not from the adult's - much like "Anne Frank's Diary", real life is filtered through the eyes of a child, who is more sheltered from reality and only catches snippets of it, which she interprets through her lens. As such, Marjane goes from a co-dependent relationship with her god to questioning her religion, from idealizing revolutionaries and despising her father for not taking action to understanding fear.
This is not a romanticized account - the author doesn't shy away from showing that her child-self could also be irritating (extremely so, multiple times), a bully, a liar, occasionally completely disrespectful towards her parents. A realistic view of what childhood, especially in an opresive environment, could mean. I recognized some behaviors, I even exhibited some of the same behaviors myself when I was a child, so I try not to judge Marji harshly through adult eyes.
I find it horrifical how Iran could transition from the libertarian, modern society of the 70s to the current state of things. It's an example of how fast things can change if people let extremists (of any shape) take charge. From a historical perspective, this graphic novel is valuable in showing this transition through the eyes of someone who lived during those events (even is she's an unreliable narrator, due to her age).
From a humane perspective, though, I didn't particularly feel the emotion. I know it's sad, horrible, I feel the outrage, but the book itself did not manage to transmit it - I don't think graphic novels are the best medium to convey such a story. I'm also not a fan of B&W drawings (probably why manga is also not for me), and due to this, I didn't particularly get to form a connection with the characters.