Batman (1940-2011) #626-630

Batman: As the Crow Flies

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Gotham City's underworld is thrown into turmoil as its crimelords slip into a rabid — and murderous — frenzy. Is it a coincidence, or part of an elaborate and sinister power play? One thing's for sure: The machinations of the Scarecrow and the Penguin will have Batman hard-pressed to restore order. Worse, Batman may have met his match in the vicious Scarebeast!

Written by award-winner Judd Winick (OUTSIDERS, GREEN ARROW) and illustrated by the acclaimed team of Dustin Nguyen and Richard Friend (WILDCATS 3.0) with a painted cover by Matt Wagner (BATMAN/SUPERMAN/WONDER WOMAN: TRINITY).

Collecting BATMAN #626-630

128 pages, Paperback

First published November 1,2004

This edition

Format
128 pages, Paperback
Published
November 30, 2004 by DC Comics
ISBN
9781401203443
ASIN
1401203442
Language
English
Characters More characters
  • Alfred Pennyworth

    Alfred Pennyworth

    Alfred has been the Wayne Family butler all of Bruces life, and he helped his master establish his superhero career from the beginning. Alfred was hired away from the British Royal Family by Bruces parents, and virtually raised him after their...

  • Tim Drake

    Tim Drake

    Timothy Jackson Drake [4][5] is a fictional superhero appearing in American comic books published by DC Comics, commonly in association with the superhero Batman. Created by Marv Wolfman and Pat Broderick, Tim Drake first appeared in Batman #436 (August 1...

  • Oswald Cobblepot
  • Jonathan Crane
  • Fright (DC Comics)
  • Bruce Wayne

    Bruce Wayne

    After seeing his parents brutally gunned down as a child, wealthy heir Bruce Wayne vowed to become a symbol for justice and fight crime. He became a master detective and martial artist and became Batman. He protects Gotham City along with other members of...

About the author

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Born February 12th, 1970 and raised on Long Island in New York, Judd began cartooning professionally at 16 with a single-paneled strip called Nuts & Bolts. This ran weekly through Anton Publications, a newspaper publisher that produced town papers in the Tri state area. He was paid 10 dollars a week.

In August of 1988, Judd began attending the University of Michigan, Ann Arbor bringing Nuts & Bolts with him, butturning it into a four-panel strip and creating a cast of characters to tell his tales. Nuts & Bolts ran in The Michigan Daily 5 days a week from my freshman year (freshperson, or first-year student, as they liked to say at U of M), until graduation in the spring of 1992.

A collection of those college years Nuts & Bolts was published in Ann Arbor. Watching the Spin-Cycle: the Nuts & Bolts collection had a small run of a thousand books a couple of months before graduation. They sold out in about 2 weeks and there are no plans to republish it.

Before graduation he accepted a development deal with a major syndicate (syndicates are the major league baseball of comic strips. They act as an agent or broker and sell comic strips to newspapers). Judd spent the next year living in Boston, and developing his strip.

The bottom dropped out when the syndicate decided that they were not going to pursue Nuts and Bolts for syndication and were terminating his development contract.

Crushed and almost broke, he moved back in with his parents in July 1993. Getting by doing spot illustration jobs, Judd actually had Nuts & Bolts in development with Nickelodeon as an animated series. At one point he even turned the human characters into mice (Young Urban Mice and Rat Race were the working titles).

In August of 1993 he saw an ad on MTV for The Real World III, San Francisco. For those who may not know, The Real World is a real-life documentary soap opera, where 7 strangers from around the country are put up in a house and filmed for six months. You get free rent, free moving costs, you get to live in San Francisco, and get to be a famous pig on television.

The "Audition process," was everything from doing a video, to filling out a 15 page application, to in-person interviews with the producers, to being followed around and filmed for a day. 6 months and 6 "levels" later, Judd was in.

On February 12th 1993, he moved into a house on Russian Hill and they began filming. Along the way Nuts & Bolts was given a weekly spot in the San Francisco Examiner. This WHOLE deal was filmed and aired for the show.

They moved out in June of 1994, a couple of days after O.J.'s Bronco chase in L.A. The show began airing a week later.

Along with the weekly San Francisco Examiner gig, Judd began doing illustrations for The Complete Idiot's Guide series through QUE Books. Since then, Judd has illustrated over 300 Idiot's Guides and still does the cartoons for the computer oriented Idiot's Guides line.

A collection of the computer related titles' cartoons was published in 1997 as Terminal Madness, The Complete Idiot's Guide Computer Cartoon Collection.

Not too long after the show had been airing, Judd's roommate from the show and good friend, AIDS activist Pedro Zamora, took ill from AIDS complications. Pedro was to begin a lecture tour in September. Judd agreed to step in and speak on his behalf until he was well enough to do so again. In August of 1994, Pedro checked into a hospital and never recovered.

Pedro passed away on November 11, 1994. He was 22.

Judd continued to lecture about Pedro, Aids education and prevention and what it's like to live with some one who is living with AIDS for most of 1995. Speaking at over 70 schools across the country, Judd describes it as, "...the most fulfilling and difficult time in my life." But time and emotional constraints forced him to stop lecturing.

In May of 1995 Judd found the weekly Nuts & Bolts under-whelming and decided to give syndication another go. Re-vamping Nuts & Bolts

Community Reviews

Rating(4.1 / 5.0, 41 votes)
5 stars
16(39%)
4 stars
14(34%)
3 stars
11(27%)
2 stars
0(0%)
1 stars
0(0%)
41 reviews All reviews
April 26,2025
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A solid Batbook, but you're gonna need to read up on what happened before in this arc if you're going in cold. Definitely can't stand separately.
April 26,2025
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I enjoyed Winick's plot and script here. I like when villains are working off each other. I thought the ending was way too obvious and I wished there was more background into how the Scarecrow got to where he is here. Dustin Nguyen's art was really good. Overall, a fun read that doesn't get talked about much.
April 26,2025
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I picked this book up because it was rated as one of the better scarecrow-centric batman stories. Scarecrow is my favorite villain in batman, so I wanted to finally find a story that does him full justice. This comic kind of did, but not really.
First off, I loved the art style in the book. It was dark and unsaturated, with a very gritty design on the characters and locations. The scarebeast (main antagonist) felt a little out of place with its over the top design, but it was still cool to see.
The story starts off promising, with the penguin being a delightfully smarmy foil, and setting up Jonathan crane (scarecrow) for the rest of the story. I especially like the set up for Jonathan crane as being tired of just being seen as the fear gas guy, which is pretty meta considering that's most of what he's been portrayed as despite his potential.
From there, the book gets surprisingly violent and intense, almost like a mob movie. It's a nice change of pace to have batman be a detective in the organized crime area of Gotham rather than the supervillain side. Penguin stays fun to watch, and we get glimpses of crane being more than what he seems.
Unfortunately, the story dips at the end. Not only is the climax rushed and doesn't satisfyingly conclude the mystery angle, not only is the obvious twist obvious (scarecrow being the scarebeast), but it turns out that scarecrow didn't even make the choice to be the scarebeast. His assistant who had no character was the secret mastermind, and Penguin oversaw it. The ending felt like a waste of potential that it was building up, and in the end, only serves as a teaser for 'under the red hood.'

Tldr: The first 2/3 are really fun and intense, but the last third is rushed with a disappointing payoff.
April 26,2025
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One of L'il Gotham's Dustin Nguyen's first takes at the Batman Family.

The Scarecrow makes a play for the Penguin's piece of the pie that is Gotham City. A number of bodies are turning up and it appears to be at the hands of a powerful new drug created by Jonathan Crane. Now Oswald Cobblepot and the Dark Knight are on the hunt for Scarecrow. One will bring the madman to justice. The other will take the fiend to hell! It all depends on who gets to Crane first!

This was a very good story by Judd Winick (Pedro and Me). There's a great twist character in the end. Plus, all of the characters were executed beautifully. But I need to talk about that cover...

It's awful. Check that- it's MOSTLY awful. Matt Wagner's Batman is done in a classic 1930s way that I love. But that has got to be the worst renderings of the Scarecrow I have ever seen this side of a Kelley Jones Batman: Gotham After Midnight.

A good book with not so great covers. I'm counting the individual issues in this volume as well. Nguyen's sketchbook is awesome and worth a good portion of the cover price of $12.95. Though with this book being 15 years old, you can probably find it used for a very nice price.
April 26,2025
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(B+) 77% | Good
Notes: Though suitably Batman in tone and character, its convoluted, monster-centric, far-fetched plot feels very Scooby-Doo.
April 26,2025
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A standalone story, classic Scarecrow with a few twists. The most memorable scene was Batman hallucinating that Jason came back as a villain, because that actually happens much later in Batman's life. Kind of explains his reaction, if he'd been worried about it all along.
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