The Brooklyn Follies

... Show More
Nathan Glass has come to Brooklyn to die. Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore—a far cry from the brilliant academic career Tom had begun when Nathan saw him last. Tom's boss is the colorful and charismatic Harry Brightman—a.k.a. Harry Dunkel—once the owner of a Chicago art gallery, whom fate has also brought to the "ancient kingdom of Brooklyn, New York." Through Tom and Harry, Nathan's world gradually broadens to include a new circle of acquaintances. He soon finds himself drawn into a scam involving a forged page of The Scarlet Letter, and begins to undertake his own literary venture, The Book of Human Folly, an account of "every blunder, every pratfall, every embarrassment, every idiocy, every foible, and every inane act I have committed during my long and checkered career as a man."
 
The Brooklyn Follies is Paul Auster's warmest, most exuberant novel, a moving, unforgettable hymn to the glories and mysteries of ordinary human life.

306 pages, Paperback

First published December 27,2005

About the author

... Show More
Paul Auster was the bestselling author of 4 3 2 1, Bloodbath Nation, Baumgartner, The Book of Illusions, and The New York Trilogy, among many other works. In 2006 he was awarded the Prince of Asturias Prize for Literature. Among his other honors are the Prix Médicis Étranger for Leviathan, the Independent Spirit Award for the screenplay of Smoke, and the Premio Napoli for Sunset Park. In 2012, he was the first recipient of the NYC Literary Honors in the category of fiction. He was also a finalist for the International IMPAC Dublin Literary Award (The Book of Illusions), the PEN/Faulkner Award (The Music of Chance), the Edgar Award (City of Glass), and the Man Booker Prize (4 3 2 1). Auster was a member of the American Academy of Arts and Letters and a Commandeur de l'Ordre des Arts et des Lettres. His work has been translated into more than forty languages. He died at age seventy-seven in 2024.

Community Reviews

Rating(4.1 / 5.0, 99 votes)
5 stars
33(33%)
4 stars
40(40%)
3 stars
26(26%)
2 stars
0(0%)
1 stars
0(0%)
99 reviews All reviews
March 26,2025
... Show More
پل استر در این اثر دنیایی را پیش روی مخاطب قرار می دهد که فراتر از فضای رمان ارزش دارد. استر از جهان می گوید با عینک فلسفه. در اثر رنگ و لعاب امیدواری بیشتر چشم ها را نوازش می کند. آنجا که می گوید: "مهم نیست زندگی تان تا چه اندازه حقیر و کودکانه است، مهم این است که بدانید هر آنچه برایتان اتفاق می افتد برای دیگری هم رخ می دهد."
مفاهیمی چون هستی، دغدغه های اگزیستانسیال، تنهایی و زندگی اجتماعی موتیف های پررنگ این اثر است.
March 26,2025
... Show More
3 and 1/2 stars

While I enjoyed this while reading it, I'm not sure that it will be one that sticks with me.

It employs a few of the acknowledged Auster traits (coincidences, locked room, stories-within-the-story) but this time they're done in a much more straightforward, though subtle, manner.

The narrative voice is engaging, though I have to wonder how Nathan went from being a supposedly uninvolved curmudgeon with nothing to live for (unless he's exaggerating) to an active retiree in such a short period of time. Perhaps Auster's point is that moving back to such a place as Brooklyn can do that to one. And, in many ways, this book is a love letter to Brooklyn, where Auster lives.

Without giving anything away, I can't say what it is that ratchets up the tension (another Auster trait) from the beginning and leads to a good ending.
March 26,2025
... Show More
Nathan Glass, our protagonist, returns to Brooklyn, the place of his birth, thinking that his life is over. He is divorced from his wife, estranged from his only daughter and is in remission from lung cancer but has no idea how long that will last; if he has one month or many years left to live. At the beginning of the novel he doesn't seem to care that much. But he begins to care more and more as the novel progresses. On arriving in Brooklyn he meets up with his nephew, Tom. They haven't met for many years. Tom has changed drastically from the brilliant young boy with an academic scholarship and a marvelous career ahead of him. But things didn't work out for him as planned. Nathan finds himself getting involved more and more deeply in Tom's life and in the lives of others he meets in his Brooklyn neighborhood and beyond, mostly in efforts to help them. In doing so he finds the desire to live and and the ability to love, as do many of the characters in this novel.

Auster's message is that life is messy and expectations don't always work out as planned due to our follies, the foolish or just desperate mistakes we make in our lives People do not always have control over their lives and can only strive to hopefully, dig themselves out of their messy and often painful lives and perhaps find a reason to live a better life, and even love. Many of the well-drawn characters in this novel do just that.

Throughout this novel, Nathan observes these people while involved in their lives and is scribbling notes for a book about them. Perhaps this is that book.
March 26,2025
... Show More
4.5 / 5
The ending was the home run. Made up for a sagging middle. This has been the most feel-good Auster novel so far. As ever, the language and mood of his writing is such that it does not do any literary- linguistic gymnastics, but glides along smoothly and I really cannot put the novel down.

What is it about? Its mostly about the small things. And how the bigger picture is ever so elusive. this "about" game is tricky - this novel worked for me- what can be said for sure is that it does not take the usual rules of the novel writing game seriously. But theory - yes. Every now and then I am reminded of Kafka. And one term Derrida talked about - differance. For what its worth, take my word for it, this novel is not pretentious. I like how this novel is about ordinary people. I love the fact that it is never too serious about anything. reading Auster is every now and then quite a relaxing experience.

Oh sure - this novel is about human follies - and how not to take them seriously.
March 26,2025
... Show More
ليس من الصعب جداً أن تنسجم مع أسلوب أوستر، هذا الرجل يملك قلماً متميزاً في الكتابة، سرده جميل وماتع وعفوي، لديه القدرة على جذب الانتباه وتحريك القصة ورسم الشخصيات في سياقات مختلفة وحيوية، شخصيات من عالم الواقع وبعيدة عن فخ الخيال والتمطيط والزخرفة ..

ولكن للأسف أوستر يثر انتباهي كثيراً هنا، فالقصة بمجملها تبدو مألوفة وواقعية ولكن لو تعمقت في الأحداث وعبر إلى داخل التفاصيل لوجدته يبالغ كثيراً في التلاعب بالشخصيات وخلق عالم أوستري خاص به، ذو صبغة هوليودية بحتة وتحكم فج أحياناً بالشخصية والبيئة والظروف، كان أوستر يبالغ هنا ويحكي لنا حكاية بكل بساطة، من أم رأسه، تحريك بدا لي في الكثير من المواقف ساذجاً وفجاً وغير جميل على الاطلاق في سرد القصة وانسجامها وترتبط أحداثها، مثال على ذلك الشخصيات الشاذة في الرواية والتي أبدع أوستر في تكرارها على مدار الرواية، وتشعر أنه يهيئ الظروف والمناسبة لوضع شخص شاذ جنسياً في وسط علاقة ما أو محور ما، أو في صنع علاقة حميمية على الطراز الهوليودي، أو ابتكار صدف وصدمات ومواقف في غير محلها ..
بالمجمل تبدو الرواية بائسة محاولة لترويج الشذوذ من باب أن الرجل والمرأة الشاذين هما في نهاية المطاف نتيجة طبيعة لعلاقات حب طبيعية فاشلة، وغالباً بسبب رجل متسلط أو علاقة سيئة أدت إلى خلق هذا النفور من الرجال وبالتالي خلقت هوية جنسية من العدم..

أعجبتني بداية الرواية وهي عن قصة رجل ستيني متقاعد يحاول أن يؤلف كتاباً طريفاً عن كل الحماقات التي أرتكبها في حياته، كل الأشياء التافهة التي مر بها، كل موقف سخيف أو غلطة أو حماقة أو مشهد ساخر، وأيضاً أعجبني التحول في شخصية توم، وكيف يمكن أن يتغير الشخص ويتحول من الحضيض نحو مستقبل أفضل حتى ولو تجاوز الثلاثين وكانت حياته فارغة من كل شيء، ربما كانت هذه النقطة هي ما دفعتني إلى اكمال الرواية، أما بالمجمل فالرواية سيئة ولم ترق ..

البعض يكره الألدلجة الدينية ولكنه يتسامح بقوة مع أي نوع من أنواع الأدلجة الأخرى، سواء كانت شذوذ أو أدلجة سياسية أو الحادية ..
فلماذا التسامح مع البعض والهجوم والتحقير من الآخر؟؟؟
في النهاية أنت ككاتب تروج بشكل مباشر لفكرة ما وهذا على أساس أنه يتناقض مع القيم الأدبية
March 26,2025
... Show More
A time capsule of a novel, taking place in a Brooklyn on the eve of 9/11 and told in a voice that harkens back to hokey narrators of past generations, Auster once again shows off his incredible abilities as a story teller, someone who experiments with form in ways that never alienate the reader. In some ways a more accessible novel compared to other Auster's I've read, I was still riveted and powered through the last 2/3s in a day.
March 26,2025
... Show More
ناتان به بروکلین آمده تا بمیرد.او مسئول فروش بیمه‌ی زندگی بوده،اکنون طلاق گرفته و بازنشسته شده‌است،فقط به دنبال اندکی آرامش است.
ناتان یک روز به طور اتفاقی تام را ملاقات می‌کند که یکی از خویشاوندان نزدیک ناتان است و مدت‌ها بود که او را گم کرده‌بود.تام اکنون در یک کتابفروشی کار می‌کند.
شخصیت‌ها یکی یکی وارد زندگی ناتان می‌شوند و...

در این رمان،دغدغه‌ها و دلمشغولی‌های پل استر بایکدیگر مرتبط می‌شوند و آدم‌های داستان سرنوشت خود را می‌سازند.
March 26,2025
... Show More
من استر رو واقعا دوست دارم.،شخصیت‌پردازی و دقت در جزییاتش در عین کلی گویی رو واقعا دوست دارم.
Leave a Review
You must be logged in to rate and post a review. Register an account to get started.