Chichikov, a mysterious stranger, arrives in a provincial town and visits a succession of landowners to make each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying taxes on them, and to use these 'souls' as collateral to re-invent himself as a gentleman. In this ebullient masterpiece, Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov, and, above all, the devilish con man Chichikov. Dead Souls, Russia's first major novel, is one of the most unusual works of nineteenth-century fiction and a devastating satire on social hypocrisy.
In his introduction to this new translation, Robert A. Maguire discusses Gogol's life and literary career, his depiction of Russian society, and the language and narrative techniques employed in Dead Souls. This edition also includes a chronology, further reading, appendices, a glossary, map and notes.
People consider that Russian writer Nikolai Vasilievich Gogol (Николай Васильевич Гоголь) founded realism in Russian literature. His works include The Overcoat (1842) and Dead Souls (1842).
Ukrainian birth, heritage, and upbringing of Gogol influenced many of his written works among the most beloved in the tradition of Russian-language literature. Most critics see Gogol as the first Russian realist. His biting satire, comic realism, and descriptions of Russian provincials and petty bureaucrats influenced later Russian masters Leo Tolstoy, Ivan Turgenev, and especially Fyodor Dostoyevsky. Gogol wittily said many later Russian maxims.
Gogol first used the techniques of surrealism and the grotesque in his works The Nose, Viy, The Overcoat, and Nevsky Prospekt. Ukrainian upbringing, culture, and folklore influenced his early works, such as Evenings on a Farm near Dikanka . His later writing satirized political corruption in the Russian empire in Dead Souls.