A very interesting story that promised a lot when it came to the creation of machines.

The concept of inventing machines has always been a fascinating one. It holds the potential to revolutionize various aspects of our lives.

Think about how machines have changed the way we work, travel, and communicate. They have made our lives more convenient and efficient.

The story of machine creation is filled with innovation, trial and error, and the pursuit of excellence.

Inventors have dedicated their lives to developing new and improved machines that can perform tasks with greater precision and speed.

From the simple wheel to the complex computers we use today, the evolution of machines has been remarkable.

Each new invention has built upon the previous ones, leading to a continuous cycle of progress.

The future of machine creation looks even more promising, with advancements in artificial intelligence and robotics.

Who knows what amazing machines will be created in the years to come?

The comic I just read is hands down the lamest one ever. And this is coming from someone like me who has a penchant for horror comics. I was really disappointed. I mean, there are so many great horror comics out there that can send shivers down your spine and keep you on the edge of your seat. But this one just failed to deliver on every front.

It lacked any real substance or depth. The story was weak and the characters were one-dimensional. There was no real build-up of tension or any truly scary moments. It was just a waste of my time.

On the other hand, I remember reading Uzumaki and being completely blown away. That was a horror comic done right. It had a unique and engaging storyline, interesting characters, and some seriously creepy visuals. It made me appreciate the true art of horror comics.

This latest comic I read just can't compare. It's a real letdown and I would not recommend it to anyone, especially not to fellow horror comic enthusiasts.

Argentine edition, volume 1 of 2. Translate chapters 1 to 10.

Chapter 1: Stench in the South Sea. The foul odor spreads across the vast expanse of the South Sea, causing unease among the marine life.

Chapter 2: Stench in the Air. The noxious smell now permeates the air, reaching the shores and affecting the inhabitants.

Chapter 3: Terror Touches Land. As the stench intensifies, a sense of terror grips the land. People start to fear the unknown source of this abhorrent smell.

Chapter 4: Invasion of the White Shark. Amidst the chaos, a white shark invades the area, adding to the sense of danger and uncertainty.

Chapter 5: Migration by Air. Some species attempt to escape the stench by migrating through the air, seeking cleaner environments.

Chapter 6: Stench Oozing. The stench seems to be oozing from every pore of the earth, as if it has a life of its own.

Chapter 7: Testament. In the face of this crisis, some individuals leave behind their testaments, documenting their experiences and fears.

Chapter 8: Infection. The stench begins to cause infections among the living, further worsening the situation.

Chapter 9: Attack of the Stench 1. The first wave of the stench's attack hits with full force, overwhelming the defenses of the people and the environment.

Chapter 10: Attack of the Stench 2.紧接着, the second attack of the stench follows, leaving a trail of destruction and despair in its wake.

Uzumaki is still better.

It has a certain allure and charm that keeps attracting people. However, at the same time, it also makes me feel a bit queasy.

The complex and mysterious nature of Uzumaki, with its unique patterns and characteristics, is both fascinating and somewhat disturbing.

Maybe it's the way it seems to draw you in and then leaves you with a strange sensation in your stomach.

Despite this, I still find myself unable to completely turn away from Uzumaki.

There's something about it that continues to intrigue me, even as it makes my stomach feel a bit off.

It's like a strange and captivating enigma that I can't quite solve.

Whether it's the beauty of its design or the underlying mystery that lies within, Uzumaki has a hold on me that I can't easily break.

And so, I continue to be both attracted and repelled by this strange and wonderful thing called Uzumaki.

This was an extremely terrifying read, and I actually had a certain fondness for it.

It commences with Kaori and Tadashi, a couple on vacation. Suddenly, his girlfriend is assaulted by a flying fish. She simply can't tolerate the smell, and Tadashi endeavors to eliminate it, yet to no avail. What ensues is a captivating phenomenon as the fish begin emerging from the water and seem to be targeting the entire country. It rapidly escalates into a national crisis and an end-of-the-world situation. Consequently, we follow Tadashi as he joins forces with his uncle, Dr. Koyanagi. Together, they uncover the mysterious origins of these creatures and their deeply horrifying secrets. However, when it hits close to home for Tadashi, one wonders what will transpire.

It is indeed a highly terrifying book. The artistry does an excellent job of enhancing the story, making it even more haunting. While reading it, you can truly sense the dread. Ito is meticulous in his portrayal of the horrifying creatures from the deep, as if they have leaped right out of "Jaws." The characters and situations are well-developed, compelling you to eagerly anticipate and read the next volume. It is an absolute must-recommend!

What would it be like if there were fish with legs that came ashore and attacked humans?

Well, what do you expect from Junji Ito?

Scary and horrifying pictures? A mind-blowing story? It's all in this comic. Just from the cover picture, it already looks disturbing, doesn't it?

I don't know the reason why Sis Lala @shibuyaru lent me this comic, except that I like horror. To be honest, I don't like fish. I think they're creepy, with those bulging eyes. I don't like eating fish, and after reading this comic, I even less want to eat fish (unfortunately, mom at home has been cooking fish lately)

For a long time, I have been recommended the work of Junji Ito, and this is the first work of his that I have read.

The plot proposal seemed very original to me, and trying to connect with the sense of smell through reading is an interesting exercise to do.

Junji Ito's works are known for their unique and often disturbing styles. In this particular piece, the way he weaves the story around the concept of smell adds an extra layer of depth and intrigue.

As I was reading, I found myself constantly imagining the various scents described, which enhanced my overall reading experience.

The detailed illustrations also contributed to the vividness of the story, making it easier for me to picture the scenes and characters.

Overall, I am very impressed with this work and look forward to reading more of Junji Ito's creations in the future.

A fish walks onto land, and Hell is made free.

This strange and almost unbelievable scenario presents a vivid image in our minds. We can picture a fish, accustomed to the watery depths, somehow defying the laws of nature and emerging onto the solid ground. The idea of Hell being made free in this context adds an element of mystery and the supernatural.

Perhaps this fish is a symbol of something greater, a sign of a world turned upside down. It makes us wonder what could possibly lead to such a bizarre event. Is it a result of some cosmic shift, a magical spell, or an act of divine intervention?

The combination of the fish walking on land and Hell being set free creates a sense of chaos and upheaval. It challenges our perception of the natural order and forces us to consider the possibility of the impossible.

As we think about this strange occurrence, we are left with a sense of wonder and curiosity. What will happen next? Will the fish survive on land? Will Hell remain free, or will there be consequences for this unexpected turn of events?

Overall, this simple sentence packs a powerful punch, inviting us to explore the boundaries of our imagination and consider the limitless possibilities that exist beyond our understanding.

Quite disturbing but also a lot of fun. The plot is similar to those strange sci-fi channel B-movie plots, yet it is executed extremely well and keeps you guessing until the very end.

The conflict structure of this series is comparable to that of Uzumaki. In both, an overbearing force of nature has increasingly negative impacts on the environment and society, ultimately leading to all-out apocalypse. However, the tone here is more action-oriented and concentrates on surface horror rather than psychological horror.

If you were a fan of Uzumaki, then you are likely to enjoy Gyo as well. It offers a unique blend of disturbing elements and exciting action that will keep you on the edge of your seat.

Who can outdo Junji Ito in drawing horror? It's not just his meticulous attention to detail in his illustrations or his uncanny ability to make you dread turning the page. He is also a prolific writer, churning out one bizarre story after another, showcasing his extensive creativity.

In this particular story, the male protagonist is diving off the coast of Japan when he is startled by an eerily fast creature he can't identify. After narrowly escaping being eaten by sharks, he decides to return to his boat and call it a day. The protagonist, along with his smell-obsessed girlfriend, is staying at a vacation house belonging to the protagonist's scientist uncle. The girlfriend can't utter two sentences without mentioning some smell that bothers her, starting with the protagonist's breath. It doesn't take long before a different smell, that of rotting fish, fills the area, and a fast shadow stalks the house, terrifying the girl. It's a seemingly dead fish walking on spindly, spider-like legs. And the story just gets weirder and more nauseating from there, often in very unexpected ways.

Those who have read Ito's work know that it's not just about the scary pictures. His stories get under your skin like few other horrors. I read half of this volume on the train to work and found myself feeling ill and nauseous. That had never happened to me before. Almost an hour later, I still felt queasy. Often, you need to brace yourself to delve into his fiction, and being a bit of a masochist helps.

It would probably be unreasonable to expect any aspect of the bizarre, terrifying fiction this author creates to be ordinary. Ito is clearly plagued by obsessions, and many of his characters are as well. In this story, the protagonist's girlfriend's fixation with smells borders on delusion; at times, she does little more than yell at her boyfriend to get rid of whatever smell, whether it's present or not. Ito does something else strange with some of his female characters: they have the exact same face as other characters in his other stories. It's as if the same actress is playing them. I haven't looked into why he does this, but I prefer to believe that she represents some real person the author has fixated on. Obsessive people tend to do that sort of thing.

I also play video games, and one of my favorite horror games in recent years was the fantastic "Soma." It's about a guy who undergoes a novel treatment involving mental scans to cure his brain damage and somehow "wakes up" in a ruined underwater facility haunted by robots that believe they are people. Many of the creatures in that game look dead but are supported by mechanical tubes that burrow into their bodies, which now have disgusting growths. They look too similar to be a coincidence.

If you're into truly disturbing imagery and bold, uncompromising plots, you'll probably love Ito's work. However, I should mention that you need to avoid animated adaptations of his work. As far as I know, none of the attempts have done justice to his genius.

I really enjoyed this work, and many of the drawings were awesomely gross, which added a unique charm to it. However, this is by no means my favorite work by Mr Junji Ito. That honor still belongs to "Uzumaki" (Spiral). The reason is that the plot of this work was just too Hollywood-like for my taste and not Japanese enough.

I had hoped that the plot development could have been more intricate and complex, with more twists and turns to keep me on the edge of my seat. Additionally, the characterisation could have been more impactful, making the characters more memorable and relatable.

On the other hand, there were many scenes in this work that were hilarious. For example, the tank chasing after the big fish had me laughing out loud (HAHAHAHA). The secretary, who despite being under a lot of stress, always had her hair tied up in a perfect bun, was also quite amusing (HAHAHAHA). And the scene where the main character piggybacked his girlfriend who had already turned into a monster was just plain crazy (HAHAHAHA). Even that jealous scene had its comical moments (HAHAHAHA).

I suspected that these humorous scenes were intentional, as Mr Junji Ito seems to be a bit of a crazy guy. And I believe it's our good fortune that he chose to express his creativity through drawing manga.

You know that something is just way too weird, disgusting, ugly, painful, stinky, horrible, filthy, rotten, revolting and endlessly disturbing. When you read it in public, you want to hide the pages so that the people around you don't notice what you're reading and wonder what problems you have in your life and why you choose to read such a comic. Only Junji Ito can do this. His horror in this case has elements of Lovecraft, and after the first half, it becomes excessive in every sense and eventually transforms into something absurd and comical to the point that I laughed out loud while reading it. It's a crazy thing in which, in a strange way, I enjoy it.