508 pages, Paperback
First published March 1,1983
Sir Alfred Hitchcock (13 August 1899 – 29 April 1980) was an English film director and producer. He is one of the most influential and extensively studied filmmakers in the history of cinema....
Part film history and part film theory, this book offers an intriguing exploration not just of Hitchcock's films but also of his motivations, inner turmoil, and relationships.
Some might find the author's digressions into the history of silent film and such a bit distracting. However, cinephiles will relish the synopsis.
The author makes assumptions and analyses that at times seem a bit far-fetched. Nevertheless, they warrant discussion.
He sometimes neatly links Hitchcock's films with his real-life relationships without solid evidence. Still, the possibilities are captivating.
It's a substantial read but progresses at a brisk pace, not fixating on the useless details that many biographers like to include to pad the pages.
After finishing the book, I truly felt I had a new understanding of Hitchcock and his films. I would definitely recommend it to any serious film or Hitchcock enthusiasts.
A really well-balanced look at Hitch is presented here. It never leans towards hagiography, yet it shows an authentic appreciation for a truly unique personality. Hitchcock's barely-concealed psyche, along with his one-of-a-kind attention to detail and craft, combined to create visual statements of many of the 20th century's fears and fantasies. People like Hitch are significant as they visualize such things. It is up to us to determine how they make us feel and how we relate to them. Spoto doesn't engage in overly in-depth analysis, although he has clearly analyzed Hitch's films at a high level. He maintains an even keel, with a wealth of biographical data that is never dull. He paints what I envision to be an accurate picture of the curious Englishman. This is good stuff, especially as a companion to Hitchcock/Truffaut.