In the Blink of an Eye: A Perspective on Film Editing

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In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.

146 pages, Paperback

First published April 1,1995

About the author

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Walter Scott Murch is an American film editor, director, writer and sound designer. His work includes THX 1138, Apocalypse Now, The Godfather I, II, and III, American Graffiti, The Conversation, Ghost and The English Patient, with three Academy Award wins (from nine nominations: six for picture editing and three for sound mixing).
For his work on Apocalypse Now, Murch was the first person to receive a credit as "Sound Designer." Murch was also involved with the editing of Apocalypse Now Redux. In 1998, producer Rick Schmidlin chose Murch as his editor for the restoration of Orson Welles's Touch of Evil. Murch is the author of a popular book on film editing, In the Blink of an Eye, and is the subject of Michael Ondaatje's book The Conversations. Famed movie critic Roger Ebert called Murch "the most respected film editor and sound designer in the modern cinema." David Thomson calls Murch "the scholar, gentleman and superb craftsman of modern film", adding that in sound and editing, "he is now without a peer."

Community Reviews

Rating(4 / 5.0, 100 votes)
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April 16,2025
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Great! Clear, concise book on film editing and the art/philosophy behind it. Much less "here's how to edit a film," and much more "here's why editors make the decisions they do and why film editing truly is magic." Opened my eyes and made me appreciate the craft way more – I'm constantly noticing when I & others blink now :')
April 16,2025
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Although a good chunk this book is about the history of editing and most of the rest of it is geared towards editing concerns of larger feature-length productions, there are solid insights on the art and science of editing, which is a goldmine of knowledge, especially for a beginner like me.

Murch digs further to the psychology of the cut, what makes some cuts work and not others, and why a well cut cut feels natural - "It works; but it could easily have been otherwise, since nothing in our day-to-day experience seems to prepare us for such a thing." He breaks down what may seem as a tedious and highly technical process, into simple intuitive actions.

A quick read. Very well written. Amazing how one of the greatest in the field also happens to be a good writer. Would recommend not just for editors, but anyone interested in film. It'd be amazing to know what Murch thinks of cinema now, 20 years later, with all the advancements, the internet and the numerous new formats of media associated with it.
April 16,2025
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The theatrical/cinematic experience is really born the moment someone says, “Let’s go out.” What is implicit in this phrase is a dissatisfaction with one’s familiar surroundings and the corresponding need to open oneself up in an uncontrolled way to something “other.” And here we have the battle between motion pictures in the home and cinema, for I’ll venture that the true cinematic experience can’t be had in the home, no matter how technically advanced the equipment becomes.


Let’s say that the average age in the audience is twenty-five years. Six hundred times twenty-five equals fifteen thousand years of human experience assembled in that darkness—well over twice the length of recorded human history of hopes, dreams, disappointments, exultation, tragedy. All focused on the same series of images and sounds, all brought there by the urge, however inchoate, to open up and experience as intensely as possible something beyond their ordinary lives.


It's really interesting to see how far cinema has come since the year Murch wrote this book (I read the 2nd edition), and how accurate his predictions were.
April 16,2025
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Leer un libro que quería leer hace mucho tiempo pero pq me lo pidieron para una clase es una experiencia interesante.
April 16,2025
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quite interesting but I'm glad I finally finished it
April 16,2025
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Well written and this is the second edition, although as the author knew would happen, film production has moved on fast.

This tells how an editor makes choices and cuts film - originally a physical cut - and how machines used to be large, noisy and heavy but have moved to be computers.

We are told to bear in mind that seeing a film on a big screen is more immersive than seeing it on a two foot wide screen, and more detail will be seen in a big picture; at the same time, readily available screen time means that people can watch a film over and again, seeing new nuances and character aspects.

This is very interesting for those studying how the mechanics of film making have changed. Analogue to digital. Speed is important in a big budget film. Apparently a question asked when hiring an editor is 'how fast do they work?'

However, some things won't change, such as an orderly process for film editing, backing up copies, choosing a good cut. The author points out that people watching something intently don't blink, but people changing their mind, submitting, or holding conflicting thoughts, blink rapidly. We can blink as we move our line of sight, seeing a different picture as the eye opens. He suggests that we accepted film right from the start because it was like blinking.

I borrowed this book from the Dublin Business School Library. This is an unbiased review.
April 16,2025
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Siento una profunda admiración y respeto por aquellos artesanos y profesionales que han llegado un nivel tan alto de maestria en su oficio, que les permite hacer filosofía sobre su propio trabajo. Eso requiere una capacidad de abstracción, inteligencia y humildad que no todo el mundo posee... Este libro es un ejemplo de ello.

Mi primer contacto con "In the Blink of an Eye" fue hace unos 20 años. Justo cuando esta segunda edición revisada fue publicada y justo cuando yo empezaba en este mismo oficio de la edición audiovisual. Abandoné el libro a la mitad. Probablemente buscaba un manual de montaje y este libro es todo, menos un manual.

Ahora lo he leído como un libro de reflexiones y de filosofía y ha obrado el milagro de reconciliarme con un oficio por el que había perdido el amor. Impagable servicio mister Walter. Gracias.
April 16,2025
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Short! Very easy to read! Very easy to digest. A very interesting retrospective on editing and the collaborative process!

It's not a book on how to edit as in what quick keys you should use or how to diagram a scene to keep continuity. It is more a guide to finding your purpose as an editor a reflection about what Walter Murch thinks has been important
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