528 pages, Paperback
First published January 1,1992
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Quite possibly, this is the worst book ever written. Well, that might be a bit of hyperbole, but it does indeed feature one of the ickiest descriptions of having sex ever. I picked it up simply because I had liked The Corrections. However, I am still deeply regretting that decision.
The moment I started reading this book, I could sense that something was amiss. The writing style seemed disjointed and the story failed to grip me from the very beginning. But it was that particular description of the sexual act that really made me cringe. It was so graphic and uncomfortable that it almost put me off the entire book.
I had high hopes for this book, given my enjoyment of The Corrections. But unfortunately, it has fallen far short of my expectations. I would not recommend this book to anyone, unless they have a very strong stomach and are willing to endure some rather unpleasant and unnecessary details.
With Strong Motion, Franzen truly showcases his prowess as a master of fiction. Each sentence is crafted with such power and precision, it's as if he is conducting a symphony of words. His style, while sharing some similarities with the likes of DeLillo and Foster Wallace, has its own unique charm. He manages to blend the intelligent and encyclopedic prose of his contemporaries with a sharp sense of concision, creating a narrative that is both layered and fascinating. Despite its expansiveness, it rarely feels burdened by excessive detail.
However, I do have one minor criticism of the novel. The characterisation of certain individuals, especially Lauren, could have been improved. While I appreciate the character and her development, her instant and insatiable attraction to Louis seemed a bit unrealistic and perhaps too convenient for the plot. A bit more push and pull between them would have added more depth and authenticity to their relationship. Nevertheless, I respect the overall trajectory of her character.
At any rate, if you're in search of the upper echelons of contemporary fiction, this is definitely a must-read. Moreover, if you're transitioning from the transgressive postmodern writers like Palahniuk and Easton Ellis to the hysterical realist ones, Franzen's Strong Motion is a great place to start. It has a smooth flow that some of his later works and most of DeLillo's and Foster Wallace's lack, making it an accessible and enjoyable read.