Eudora Welty: Stories, Essays, and Memoirs

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"Stories, Essays, and Memoir" presents Welty's collected short stories, an astonishing body of work that has made her one of the most respected writers of short fiction. "A Curtain of Green and Other Stories" (1941), her first book, includes many of her most popular stories, such as "A Worn Path, " "Powerhouse, " and the farcical "Why I Live at the P.O." "The Wide Net and Other Stories" (1943), in which historical figures such as Aaron Burr ("First Love") and John James Audubon ("A Still Moment") appear as characters, shows her evolving mastery as a regional chronicler. "The Golden Apples" (1949) is a series of interrelated stories about the inhabitants of the fictional town of Morgana, Mississippi. It was Welty's favorite among her books. The stories of "The Bride of the Innisfallen and Other Stories" (1955) are set both in the South and in Europe. Also included are two stories from the 1960s, "Where Is the Voice Coming From?," based on the shooting of Medgar Evers, and "The Demonstrators." A selection of nine literary and personal essays includes evocations of the Jackson of her youth that is essential to her work and cogent discussions of literary form.

980 pages, Hardcover

First published January 1,1998

About the author

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Eudora Alice Welty was an award-winning American author who wrote short stories and novels about the American South. Her book The Optimist's Daughter won the Pulitzer Prize in 1973 and she was awarded the Presidential Medal of Freedom, among numerous awards. She was the first living author to have her works published by the Library of America.

Welty was born in Jackson, Mississippi, and lived a significant portion of her life in the city's Belhaven neighborhood, where her home has been preserved. She was educated at the Mississippi State College for Women (now called Mississippi University for Women), the University of Wisconsin-Madison, and Columbia Business School. While at Columbia University, where she was the captain of the women's polo team, Welty was a regular at Romany Marie's café in 1930.

During the 1930s, Welty worked as a photographer for the Works Progress Administration, a job that sent her all over the state of Mississippi photographing people from all economic and social classes. Collections of her photographs are One Time, One Place and Photographs.

Welty's true love was literature, not photography, and she soon devoted her energy to writing fiction. Her first short story, "Death of a Traveling Salesman," appeared in 1936. Her work attracted the attention of Katherine Anne Porter, who became a mentor to her and wrote the foreword to Welty's first collection of short stories, A Curtain of Green, in 1941. The book immediately established Welty as one of American literature's leading lights and featured the legendary and oft-anthologized stories "Why I Live at the P.O.," "Petrified Man," and "A Worn Path." Her novel, The Optimist's Daughter, won the Pulitzer Prize in 1973.

In 1992, Welty was awarded the Rea Award for the Short Story for her lifetime contributions to the American short story, and was also a charter member of the Fellowship of Southern Writers, founded in 1987. In her later life, she lived near Belhaven College in Jackson, Mississippi, where, despite her fame, she was still a common sight among the people of her hometown.
Eudora Welty died of pneumonia in Jackson, Mississippi, at the age of 92, and is buried in Greenwood Cemetery in Jackson.

Excerpted and adopted from Wikipedia.

Community Reviews

Rating(4.1 / 5.0, 17 votes)
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17 reviews All reviews
July 15,2025
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Well, dang it!

I really didn't want to like this book with the wonky name. But you know what? It actually got to me.

Life is precious, no matter how hard it can be.

And for that realization, I have to thank Eudora.

This book has made me see things in a different light.

It has shown me that even in the midst of difficulties, there is beauty and value to be found.

Eudora's words have touched my heart and made me appreciate the little things in life.

I'm glad I gave this book a chance, despite its strange name.

It has turned out to be a wonderful read that has left a lasting impression on me.

Thanks again, Eudora, for sharing your story and making me think about life in a new way.
July 15,2025
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I used this book in a course and it proved to be extremely valuable.

It provided me with a wealth of knowledge and useful information that I was able to apply in various aspects of the course.

The content was presented in a clear and organized manner, making it easy to understand and follow.

I found myself referring back to the book frequently, as it served as a reliable reference source.

The examples and case studies included in the book also helped to illustrate the concepts and make them more relatable.

Overall, I got a ton of use out of this book and would highly recommend it to anyone taking a similar course.

It is definitely a must-have resource for students who want to succeed in their studies.
July 15,2025
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This author demonstrates the fine art of writing short stories in a truly wonderful manner. The way they craft each story is a testament to their skill and creativity. It's as if they have a magical touch that brings the characters and plots to life on the page.


This collection is an absolute gem that you simply must grab and savor. Each story is like a precious little treasure, waiting to be discovered and enjoyed. Whether you're a fan of short stories or just looking for a great read, this collection is sure to delight and inspire you.


So don't hesitate - pick up this collection today and lose yourself in the wonderful world of short story writing. You won't be disappointed!

July 15,2025
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I have yet to encounter a book that showcases such a remarkable diversity of prose within the oeuvre of a single author. Here, within these nearly a thousand pages, lies a treasure trove of stories and essays penned by the incomparable Eudora Welty.

Some of these works are uproariously funny, making you laugh out loud at the absurdities of life. Others are deeply introspective, delving into the recesses of the human psyche. Some are sharp and incisive, cutting through the veneer of society to expose its flaws. And yes, a few might even be hateful, exploring the darker aspects of human nature. But most importantly, the vast majority of these pieces are literary masterpieces, each told in a unique voice that seems to leap off the page.

It is truly astonishing how Welty was able to write so convincingly in such a plethora of different manners and styles. I'll never fully understand the genius behind it. However, the essays included towards the end of the book, in which she pens about her own development as a writer, offer some valuable insights. Every aspiring writer should obtain this book and study it diligently for its rich literary content and its powerful storytelling might. Even casual readers are bound to enjoy many of the stories. Whether it's the hilarious antics detailed in "Why I Live at the P.O.," which描绘了 a wealthy and ambivalent Southern household, or the chilling first-person account of a racist murderer's work in "Where Is That Voice Coming From?," there is something for everyone to savor.

This book is a must-read for anyone who appreciates the beauty and power of great literature.
July 15,2025
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I didn't finish reading the book, though at almost 900 pages, I didn't really care too much.

I have always enjoyed her short stories, and perhaps I will come back to this book at a later date.

The length of the book was quite intimidating, but I was initially drawn to it because of the author's reputation.

However, as I got deeper into it, I found myself losing interest.

Maybe it was the complex plot or the large number of characters to keep track of.

Nonetheless, I still have a soft spot for her short stories, which are often more concise and engaging.

They have a way of capturing my attention and making me think.

So, while I didn't complete this particular book, I'm not giving up on the author.

I'm sure there are more great works waiting for me to discover.

And who knows, maybe one day I'll pick up this book again and finally finish it.

July 15,2025
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I read Eudora Welty because she was highly regarded as a writer who was quintessentially Southern and as Mississippi as one could get.

Despite the troubled history of that state towards people like me and having given birth to one side of my family, I was eager to explore her writing.

I'm not denying that her work has its own classic qualities, but I'm unsure if that's just a result of the relatively low standards set for Mississippians in the arts.

Her writings do evoke vivid scenes and emotions, and she is adept at spinning a good yarn and detailing facts. However, it simply didn't strike me as anything particularly special.

Besides the intense rage I felt while reading her description of the white racist's thought process in "Where Is The Voice Coming From?", one of her more famous works, there wasn't much else that left a lasting impression on me.

Overall, while Welty may have her merits as a writer, her work didn't resonate deeply with me.
July 15,2025
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Short stories, by their very nature, lack the expansiveness that novels enjoy. There is often a perception that the story could only unfold in a single way, with an inevitable climax surrounded on one or both sides by other inevitabilities. In the story, there is an inflection point when events become clearly unavoidable, and a corresponding epiphanic moment for the reader. These two points help define the story, much like foci define conic sections.

Eudora Welty's stories, however, have a third such point. Her characters become aware of and resign themselves to the single sequence of events that has resulted from their own and others' emotions and impulses. They are often transported into their memories, gradually recognizing the through-line that has led them to their current situation. Our recognition also builds gradually, but on a different timeline. Welty hints at predestination with lines that explicitly relate to time.

Welty's stories often raise and suggest alternate possibilities. Characters imagine how events might play out and sometimes have brief visions of their actual futures. However, these alternatives usually don't come true, and the movements of the stories away from them don't read like traditional reversals. The people who agitate for change often change their minds for no apparent reason, and their agency seems lacking. This lack of agency is another example of her characters missing things they once had and known.
In her first short-story collection, "A Curtain of Green," Welty seems to have already mastered the form. The mysteries in her stories lie not in the characters' behaviors, which she makes understandable, but in the responses to those behaviors and the changes in those responses. She creates destabilized environments and then stabilizes them, using unusual metaphors and similes that need to be placed in a created context.
In her second collection, "The Wide Net," the stories explicitly speak of moments and mysteries, but the power is vastly reduced. The emotions are easier to name, and the scenarios have a more mechanical, formulated feel. The telling is a bit too self-conscious and overly omniscient, without the sense of constraint present in the earlier stories.
In "The Golden Apples," Welty returns to form with narration that focuses more on the characters than on its own voice. The stories are given more length, allowing for more details, but she is careful not to increase the number of events. Instead, she strikes an ideal middle ground between the earlier two collections, creating a shared connection to the same setting that strengthens the individual stories.
In her fourth collection, "The Bride of the Innisfallen," the first story is equally strong, but the others seem almost too crowded. There are too many details to pay attention to, and they are too diffuse. Welty seems to double down on the focus on details, but leaves us with too much of a good thing. The details almost fade away to abstractions, creating a mood where the specifics no longer matter.
Welty's essays give a sense of where the sensibility in her fiction comes from. She abstracts her discussion of the Mississippi river country over time, constructing a backdrop rather than focusing on discrete events. When she does address individual events, they are trivial but elevated by her attention. She also explicitly addresses the deep thought she put into being a reader and a writer, and discusses notable readers other than herself.
The memoir "One Writer's Beginnings" reveals Welty's innate sense for what makes material. Through the lens of the senses, she explores how she learned to pay attention to the world and transform sensory inputs into her output. She demonstrates her gift for unexpected synthesis and knowing where to leave gaps. The memoir is a pure distillation of her talents, allowing her to showcase her skills of curation and molding without needing to arrive at an endpoint.
July 15,2025
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Eudora Welty is a renowned American writer, and this collection offers an excellent selection of her short stories.

Her stories are known for their rich characters, vivid settings, and profound exploration of human nature.

In addition to the short stories, a few of her novels are also included in this compilation.

The novels provide a more in-depth look at the lives and experiences of her characters, allowing readers to fully immerse themselves in Welty's fictional world.

Whether you are a fan of short stories or novels, this collection is sure to delight and engage you.

It offers a wonderful opportunity to discover or rediscover the works of one of America's greatest writers.

So, pick up this collection and prepare to be transported to a world of unforgettable characters and captivating stories.

You won't be disappointed.

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