Well, dang it!

I really didn't want to like this book with the wonky name. But you know what? It actually got to me.

Life is precious, no matter how hard it can be.

And for that realization, I have to thank Eudora.

This book has made me see things in a different light.

It has shown me that even in the midst of difficulties, there is beauty and value to be found.

Eudora's words have touched my heart and made me appreciate the little things in life.

I'm glad I gave this book a chance, despite its strange name.

It has turned out to be a wonderful read that has left a lasting impression on me.

Thanks again, Eudora, for sharing your story and making me think about life in a new way.

I used this book in a course and it proved to be extremely valuable.

It provided me with a wealth of knowledge and useful information that I was able to apply in various aspects of the course.

The content was presented in a clear and organized manner, making it easy to understand and follow.

I found myself referring back to the book frequently, as it served as a reliable reference source.

The examples and case studies included in the book also helped to illustrate the concepts and make them more relatable.

Overall, I got a ton of use out of this book and would highly recommend it to anyone taking a similar course.

It is definitely a must-have resource for students who want to succeed in their studies.

This author demonstrates the fine art of writing short stories in a truly wonderful manner. The way they craft each story is a testament to their skill and creativity. It's as if they have a magical touch that brings the characters and plots to life on the page.

This collection is an absolute gem that you simply must grab and savor. Each story is like a precious little treasure, waiting to be discovered and enjoyed. Whether you're a fan of short stories or just looking for a great read, this collection is sure to delight and inspire you.

So don't hesitate - pick up this collection today and lose yourself in the wonderful world of short story writing. You won't be disappointed!

I have yet to encounter a book that showcases such a remarkable diversity of prose within the oeuvre of a single author. Here, within these nearly a thousand pages, lies a treasure trove of stories and essays penned by the incomparable Eudora Welty.

Some of these works are uproariously funny, making you laugh out loud at the absurdities of life. Others are deeply introspective, delving into the recesses of the human psyche. Some are sharp and incisive, cutting through the veneer of society to expose its flaws. And yes, a few might even be hateful, exploring the darker aspects of human nature. But most importantly, the vast majority of these pieces are literary masterpieces, each told in a unique voice that seems to leap off the page.

It is truly astonishing how Welty was able to write so convincingly in such a plethora of different manners and styles. I'll never fully understand the genius behind it. However, the essays included towards the end of the book, in which she pens about her own development as a writer, offer some valuable insights. Every aspiring writer should obtain this book and study it diligently for its rich literary content and its powerful storytelling might. Even casual readers are bound to enjoy many of the stories. Whether it's the hilarious antics detailed in "Why I Live at the P.O.," which描绘了 a wealthy and ambivalent Southern household, or the chilling first-person account of a racist murderer's work in "Where Is That Voice Coming From?," there is something for everyone to savor.

This book is a must-read for anyone who appreciates the beauty and power of great literature.

I didn't finish reading the book, though at almost 900 pages, I didn't really care too much.

I have always enjoyed her short stories, and perhaps I will come back to this book at a later date.

The length of the book was quite intimidating, but I was initially drawn to it because of the author's reputation.

However, as I got deeper into it, I found myself losing interest.

Maybe it was the complex plot or the large number of characters to keep track of.

Nonetheless, I still have a soft spot for her short stories, which are often more concise and engaging.

They have a way of capturing my attention and making me think.

So, while I didn't complete this particular book, I'm not giving up on the author.

I'm sure there are more great works waiting for me to discover.

And who knows, maybe one day I'll pick up this book again and finally finish it.

I read Eudora Welty because she was highly regarded as a writer who was quintessentially Southern and as Mississippi as one could get.

Despite the troubled history of that state towards people like me and having given birth to one side of my family, I was eager to explore her writing.

I'm not denying that her work has its own classic qualities, but I'm unsure if that's just a result of the relatively low standards set for Mississippians in the arts.

Her writings do evoke vivid scenes and emotions, and she is adept at spinning a good yarn and detailing facts. However, it simply didn't strike me as anything particularly special.

Besides the intense rage I felt while reading her description of the white racist's thought process in "Where Is The Voice Coming From?", one of her more famous works, there wasn't much else that left a lasting impression on me.

Overall, while Welty may have her merits as a writer, her work didn't resonate deeply with me.

Short stories, by their very nature, lack the expansiveness that novels enjoy. There is often a perception that the story could only unfold in a single way, with an inevitable climax surrounded on one or both sides by other inevitabilities. In the story, there is an inflection point when events become clearly unavoidable, and a corresponding epiphanic moment for the reader. These two points help define the story, much like foci define conic sections.

Eudora Welty's stories, however, have a third such point. Her characters become aware of and resign themselves to the single sequence of events that has resulted from their own and others' emotions and impulses. They are often transported into their memories, gradually recognizing the through-line that has led them to their current situation. Our recognition also builds gradually, but on a different timeline. Welty hints at predestination with lines that explicitly relate to time.

Welty's stories often raise and suggest alternate possibilities. Characters imagine how events might play out and sometimes have brief visions of their actual futures. However, these alternatives usually don't come true, and the movements of the stories away from them don't read like traditional reversals. The people who agitate for change often change their minds for no apparent reason, and their agency seems lacking. This lack of agency is another example of her characters missing things they once had and known.
In her first short-story collection, "A Curtain of Green," Welty seems to have already mastered the form. The mysteries in her stories lie not in the characters' behaviors, which she makes understandable, but in the responses to those behaviors and the changes in those responses. She creates destabilized environments and then stabilizes them, using unusual metaphors and similes that need to be placed in a created context.
In her second collection, "The Wide Net," the stories explicitly speak of moments and mysteries, but the power is vastly reduced. The emotions are easier to name, and the scenarios have a more mechanical, formulated feel. The telling is a bit too self-conscious and overly omniscient, without the sense of constraint present in the earlier stories.
In "The Golden Apples," Welty returns to form with narration that focuses more on the characters than on its own voice. The stories are given more length, allowing for more details, but she is careful not to increase the number of events. Instead, she strikes an ideal middle ground between the earlier two collections, creating a shared connection to the same setting that strengthens the individual stories.
In her fourth collection, "The Bride of the Innisfallen," the first story is equally strong, but the others seem almost too crowded. There are too many details to pay attention to, and they are too diffuse. Welty seems to double down on the focus on details, but leaves us with too much of a good thing. The details almost fade away to abstractions, creating a mood where the specifics no longer matter.
Welty's essays give a sense of where the sensibility in her fiction comes from. She abstracts her discussion of the Mississippi river country over time, constructing a backdrop rather than focusing on discrete events. When she does address individual events, they are trivial but elevated by her attention. She also explicitly addresses the deep thought she put into being a reader and a writer, and discusses notable readers other than herself.
The memoir "One Writer's Beginnings" reveals Welty's innate sense for what makes material. Through the lens of the senses, she explores how she learned to pay attention to the world and transform sensory inputs into her output. She demonstrates her gift for unexpected synthesis and knowing where to leave gaps. The memoir is a pure distillation of her talents, allowing her to showcase her skills of curation and molding without needing to arrive at an endpoint.

Eudora Welty is a renowned American writer, and this collection offers an excellent selection of her short stories.

Her stories are known for their rich characters, vivid settings, and profound exploration of human nature.

In addition to the short stories, a few of her novels are also included in this compilation.

The novels provide a more in-depth look at the lives and experiences of her characters, allowing readers to fully immerse themselves in Welty's fictional world.

Whether you are a fan of short stories or novels, this collection is sure to delight and engage you.

It offers a wonderful opportunity to discover or rediscover the works of one of America's greatest writers.

So, pick up this collection and prepare to be transported to a world of unforgettable characters and captivating stories.

You won't be disappointed.

In fact, I was not able to locate The Collected Works of Eudora Welty, and this edition was the closest one to that book.

With that caveat, I have truly enjoyed reading from this well-known and highly regarded author of southern fiction over the past two weeks.

In certain instances, I chose to read the stories out loud or listened to recordings. This was a deliberate effort to get inside the diction, which so vividly reflects Welty's deep immersion in her native state of Mississippi.

She lived from 1909 until 2001, and as a result, she was able to convey a wealth of information and insights about the deep south during this period.

Readers may at times grimace at her use of dated language to describe African American characters. However, it is essential to remember that to fully enjoy and learn from reading Eudora Welty, we must look beyond these aspects and appreciate the overall beauty and depth of her work.

I have read 10 stories for old Lyme.

Some of these stories were truly remarkable and engaging. They had interesting plots, well-developed characters, and captivating writing styles. These good stories managed to transport me into different worlds and made me feel a range of emotions.

However, not all of the stories were to my liking. There were a few that I found rather dull or uninteresting. Maybe the plots were too predictable, or the characters lacked depth.

Overall, reading these 10 stories was an interesting experience. It allowed me to explore different literary works and discover what I enjoy and what I don't. Despite the few disappointments, I still appreciate the opportunity to have read these stories and look forward to reading more in the future.

I must confess that I only managed to get through the first 180 pages, which is up to the first of Welty's collections, A Curtain of Green.

I find it extremely difficult to read a large amount of Welty's work at once. Even when her characters evoke some sympathy, which is not a common occurrence, their stories are almost invariably pathetic.

Now, I have a great love for Southern literature. In fact, I'm a huge fan of Faulkner. However, Welty's stories are not designed to be devoured in one sitting.

Although her writing is highly skillful, her stories seem to cast a rather disconsolate pall over one's mind.

If by some miracle I do manage to read the remainder of this collection of Welty's works, it will surely have to be spread out over a number of months, perhaps even years.

I just can't seem to immerse myself in her world for extended periods without feeling a sense of melancholy creeping in.

It's as if her stories are a slow drip of sadness that gradually fills my thoughts.

I hope that in the future, I'll be able to approach her work with a different perspective and find more to appreciate within her tales.

But for now, I'm content to take my time and read her works in small doses.

WOW!! Truly a treasure trove.

Interestingly, within a collection of stories that predominantly take place in her native South, my favorite story emerged as "The Bride of the Innisfallen."

This captivating tale is centered around a railway journey and a subsequent ferry crossing from England to Ireland.

It's rather curious how this particular story, set in a different geographical context from the others in the collection, managed to capture my attention so completely.

Perhaps it's the allure of the unfamiliar landscapes and the sense of adventure that comes with traveling between two different countries.

The detailed descriptions of the railway stations, the train itself, and the ferry ride add a vividness to the story that makes it come alive in the reader's mind.

Overall, "The Bride of the Innisfallen" is a remarkable addition to the collection and a testament to the author's ability to transport readers to different worlds and experiences.