Until I got on here to review it, I thought this was a Toni Morrison collection. I never even doubted it, probably because I've never read one of her books. I thought this was my first!

Jim takes a strong anti-movie stance in the "Lords" half of the book, which was my favorite. He was totally on the ball with the language. I nearly cried. The concept of life as a social performance was discussed in a compelling way.

The New Creatures was good but lackluster in comparison. I thought both the language meter and the meaningful discussion index took dips. It didn't have the same impact as the "Lords" section. However, it still had its merits and was an interesting read. Overall, I was impressed with the book, especially considering my initial misperception about it being a Toni Morrison collection. It has opened my eyes to new authors and new ideas.

We are sitting in the media theory seminar, and one of us is high.

It's an interesting situation, to say the least. The atmosphere in the room is a bit different with this unexpected element.

The person who is high might be seeing things in a unique light, perhaps having different perspectives on the theories being discussed.

However, the second part did not vibe with us as much. Maybe there was a disconnect in the ideas or the way they were presented.

I love you, Jim, but sometimes things just don't click.

We'll have to see how this all plays out and what we can take away from this seminar experience, despite the differences in vibes.

Maybe there's still something valuable to learn or a new understanding to be gained.

Only time will tell.

I find it difficult to determine. Maybe sometimes I didn't understand, and maybe sometimes I understood too well.

Morrison led me to a mysterious land where shamans, wildness, lizards, and ritual dances can be seen. And I no longer want to leave this place.

I want to stay there and never return. This land has a unique charm that deeply attracts me. The shamans seem to hold the secrets of the universe, and their presence makes the place even more mysterious. The wildness here is unrestrained, full of vitality. The lizards scurry around, adding a touch of vividness to this land. And the ritual dances are like a bridge connecting the present and the past, allowing me to feel the ancient culture and spirit.

It's as if this place is a world of its own, away from the hustle and bustle of the outside world. I am completely沉浸 in this mysterious and beautiful land, and I don't want to be disturbed by anything.

I definitely liked the latter book. The new creatures in it were far more interesting than the lords.

There’s no doubt that this is Jim Morrison. He has been gone for such a long time and yet his presence still lingers. It seems as if his time here was short, but his impact was profound.

His words and his music have touched the hearts of countless people. Even after all these years, his spirit lives on.

The new book with its unique creatures and the memory of Jim Morrison combine to create a truly captivating experience. It makes one think about life, about the passage of time, and about the power of art and music.

Whether it's the new creatures in the book or the legacy of Jim Morrison, both have the ability to transport us to another world, a world full of wonder and mystery.

I’m not one that typically reads poetry. However, I have been a long-time fan of The Doors. The Lords is about film aesthetics in the 1960s, while The New Creatures focuses on modern (1960s) existence.

Just like the lyrics of The Doors, this collection of poetry also talked a great deal about sex. At times, I found myself lost, but I believe it’s because I’m not accustomed to reading poetry.

Some pages consisted of just a single line or half a page, which made it a relatively fast read. Despite my initial difficulties in understanding, I still managed to get a sense of the themes and emotions that the poet was trying to convey. It was an interesting experience that made me appreciate the power of words and the different ways in which they can be used to express ideas and feelings.

I would recommend this book to anyone who is interested in poetry or in exploring the cultural and social context of the 1960s. It may not be an easy read, but it is definitely a rewarding one.

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I didn't really understand it, to be honest.

It seems that he clearly just wrote poetry while he was on LSD. This situation is quite interesting and perhaps a bit puzzling. One might wonder how the influence of LSD could have affected his creative process and the nature of the poetry he produced.

Maybe the drug opened up new channels of perception and inspiration for him, allowing him to access thoughts and emotions that he might not have otherwise been able to reach. Or perhaps it simply distorted his thinking and led to the creation of something that was completely different from what he would have written under normal circumstances.

Either way, it's an example of how different substances can have a profound impact on a person's creativity and artistic output. It also raises questions about the role of drugs in art and whether they can truly enhance or simply distort the creative process.

The poems in this collection are grouped in rather interesting ways.

The book itself is simply divided into “The Lords” and “The New Creatures”. However, within these main sections, the poems further group into subdivisions that explore topics such as prisoners, voyeurism, and cinema.

The poems are written from a masculine perspective, which is mostly pleasant, although at times they may seem a bit outdated.

As a stand-alone poetry book, it is quite fine. But it is enhanced when one has knowledge of The Doors' music. Morrison, like all artists, focuses on his own interests. Yet, for me, the book was made even better by my prior familiarity with his lyrics and his interests in art.

I also appreciate that this is a collection that he wrote and published himself. I can see the difference between this collection and “Wilderness” which was published after his death by his close friends.

Overall, as a poet, a poetry enthusiast, and a Doors fan, I found this collection enjoyable. There are great moments of illumination and brilliancy, but there are also lulls. Morrison was a gifted artist who engaged with many different art forms, as is evident in this collection.

The ideas presented are tremendous, but the execution can sometimes be clumsy and at other times brilliant.

It's a unique and engaging collection that offers a fascinating look into Morrison's creative mind.

Whether you're a die-hard Doors fan or simply someone who enjoys exploring different forms of poetry, this collection is definitely worth a read.

You may find yourself drawn in by the interesting groupings of poems and the unique perspectives that Morrison brings to each topic.

So, pick up this collection and discover the world of poetry through the eyes of Jim Morrison.

You might be surprised by what you find.

I'm Highly Biased; as his employee & friend, I nevertheless found the work to be Fascinatingly Intelligent, & VERY Well Written.

His words seemed to dance on the page, captivating my attention from the very first sentence. The ideas he presented were not only thought-provoking but also presented in a way that was easy to understand and engage with.

[Retrospective Observation: Fittingly, the LONGER the interval of TIME, the more his insights become relevant & reflective of the forecast reality WE HAVE BECOME... nevermind Ed Cayce & "Noster Great-Dame-Us"... Jimbo WAS (X: The Man with the X-Ray Eyes) the tragic incarnation of the discarded & uncredited (upon Bradbury's insistence) short story for a pulp Sci-Fi mag... later made a film w/ Ray Milland.]

Looking back, it's clear that his work was ahead of its time. The concepts he explored have since become mainstream, and his predictions have proven to be eerily accurate. It's a testament to his genius and his ability to see beyond the present and envision the future.

Overall, I consider myself lucky to have been able to experience his work firsthand and to have known him as both an employer and a friend. His words will continue to inspire and influence me for years to come.

Morrison's poetry had a profound impact on me. It was as if it washed over me like a vast ocean, carrying with it a sense of power and beauty. As I read his words, I could almost envision him standing before me, reciting his poetry with passion and conviction. The way he crafted his lines was truly remarkable, each word carefully chosen to create a vivid image or evoke a deep emotion. His poetry was not just words on a page; it was a work of art that spoke to the soul. I found myself completely immersed in his world, losing track of time as I delved deeper into his poetry. It was a truly beautiful experience, one that I will never forget.

We will probably not have another such visionary mythologist among us for another millennium. He was like a minor Dionysian demi-god of higher consciousness, "that likes to go down slow" in a quickened 28-year-old filled with magical emotion flying out like a light.

Such an anomaly in present, caustic, shriveled up modernity was truly an oddity.

He and his common law wife are on tape (you can find it on YouTube) saying this poetry book is his most important accomplishment. They both heralded the arrival of some kind of strange coming lords of new creation as the work speaks of, strangers coming to town (see LAmerica).

Hinduism also speaks of the coming Kalki Avatars soon to be arriving in this era of Kali.

His poems pinpoint where humanity is at this exact moment in the greater landscape of this strange night of stone, times, continents, and movements through eras before and to come (not to touch the earth). They show what horrid or marvelous possibilities may yet be in store for us (that are even now upon us).

He stood as a juxtaposition "pop-in" and mirror by which we as moderns can now see ourselves. One feels his poetry doing that... "Did you stop and think and wonder, how it must feel, while you’re on the meadows I’m out in the field...I’m alone...I cried."

His poetry reveals a vision of the spirit world as well, so different from almost anyone’s and yet exactly how it seems more likely to be. It's like some kind of Nietszchean Eternal Recurrence to work through until an eventual astral world (the bridesmaid) or inner death to the lower self inside: "...sweat, optical promise, you’ll be dead and in hell before I’m born; sure thing, bridesmaid, isn’t it amazing?" (See the end of Shaman’s Blues)

Losing the phantom cell, you

Swim so deep in the unknown abyss.

Lord half-a-point, from where

Mysterious forces seem to lurk.

Creatures of acetate, after the fall,

Come two me in the agony of confusion.

Number nine, number nine,

It's like a refrain that haunts the mind.

[Loved his music, visited his grave, this had a few sparklers but mostly random dull thuds. It was a strange experience, as if the spirit of the music still lingered there. The grave was a solemn place, yet there was a certain charm to it. The few sparklers added a touch of magic, but the random dull thuds made one wonder if there was something more beneath the surface. Overall, it was a memorable encounter with the essence of his art.]