In Search of the Present: 1990 Nobel Lecture

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The speech delivered by Paz in acceptance of the 1990 Nobel Prize for Literature, in which he discusses gratitude, separateness, and modernity. Published in a handsome bilingual edition. Translated by Anthony Stanton.

72 pages, Paperback

First published January 1,1991

About the author

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Octavio Paz Lozano was a Mexican writer, poet, and diplomat, and the winner of the 1982 Neustadt International Prize for Literature and the 1990 Nobel Prize for Literature ("for impassioned writing with wide horizons, characterized by sensuous intelligence and humanistic integrity.")

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July 15,2025
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The search for the present is very short/interdisciplinary and explores the word ‘the present’ in the types of modernity that exist in cultures and in the layers of languages throughout history. Paz defends Mexican modernity and argues that Latin American modernity has a very different purpose from its Anglo-American counterparts (such as English in the United States and French in Canada).

It is very effective in explaining ‘transplanted’ languages: how they explain the histories of both traditions and how this phenomenon changes their metahistories, or rather, deconstructs them through negation and then how it replicates.

There is a critique of ‘postmodernity’ that Paz explains very quickly. I want to explore it in Paz's other works.

This piece is so clever. It re-enchants the word “modernity” from its Christian origins in the same way ‘modern’ Mexican poetry re-enchants their antiquity (spiritually, since its material existence is otherwise destroyed) with the present.

And to you, Octavio Paz, thank you.
July 15,2025
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Thanks Ava for the recommendation.

I think I mostly agree with what he says throughout this lecture. The relationship between modernity and history, how we perceive history, and the Americas' connection to language all resonate with me. It's disheartening to read a poet discuss the destruction and overconsumption of the world 35 years ago. When I think about history and the present, our'modern' era seems to have a more distinct vision of the end of time and the end of life than ever before. There are poetic embellishments here and there that annoyed me, perhaps due to my aversion to referring to time as birds and space as a bowing ship. I'm not sure. Some statements that sound powerful but felt empty to me, like "the present is nowhere and everywhere," are as true as saying the sky is blue and not blue, functionally correct but spiritually meaningless.

Mostly, I needed to read something, and this was sufficient. I've found myself too fatigued and unfocused to read lately, but I'm increasingly eager to devour all the books that make up my floorboard. Maybe I should have taken notes while reading. At the very least, it has inspired me to write like this.

It was a quick, good, and necessary read.

The whole time, I thought he was a woman.
July 15,2025
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As I have read it in its original language, I write that in Spanish so that Evika can see it and not be able to read it.

Perhaps it is one of the most basic and profound texts of this year...

Evika, I love you very much, but you can be very annoying at times.

Hftou.

It seems that the writer has a special relationship with Evika. By writing in Spanish, it creates a kind of private communication that only the writer and Evika can understand. The statement about Evika being annoying at times shows that their relationship is not all perfect, but still filled with love. The mention of it being one of the most basic and profound texts of the year gives it a certain significance, perhaps indicating that it holds some important meaning or message for the writer. Overall, it is a short but interesting piece of writing that reveals a bit about the writer's feelings and relationship with Evika.
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