Some people may consider certain works to be the most beautiful, utterly moving prose. They are like stars that open among the lilies, captivating and enchanting. However, others may view the same works as lackluster, mediocre, and bland. It's as if they are not blinded by the expressionless sirens that others find so alluring.
Take, for example, the lines "Your absence is inconspicuous; Nobody can tell what I lack." from "Parliament Hill Fields". Some may see deep meaning and a profound sense of longing in these words, while others may simply pass them by without a second thought.
Similarly, the lines "Stars open among the lilies. Are you not blinded by such expressionless sirens? This is the silence of astounded souls." from "Crossing the Water" may evoke different emotions and interpretations in different people.
Ultimately, the beauty and value of a piece of prose are subjective and depend on the individual reader's perspective and sensibilities. What one person finds to be the most beautiful and moving, another may find to be lackluster and mediocre.
Plath is truly at her best in the poem "Finisterre". The way she weaves words together creates a vivid and almost tangible atmosphere. The poem seems to transport the reader to a desolate and mysterious place. Plath's use of imagery is masterful, painting a picture of the harsh landscape and the emotions that it evokes. The lines are filled with a sense of longing and a touch of melancholy. Her choice of words gives the poem a rhythm that is both captivating and haunting. It's as if she is able to capture the essence of the place and the human experience in just a few short stanzas. "Finisterre" is a prime example of Plath's talent as a poet, and it continues to resonate with readers today.
Plath's poems in this collection are truly remarkable. They are like holding an ice cube in your hand, both painful and raw. She bravely confronts the things that most people shy away from: the changing of the seasons, the harsh realities of life, and the delicate fragility of our existence. The objects she writes about, such as a barrette, a candle, and a mirror, are beautiful precisely because they are temporary, and this temporariness also brings pain.
Some of my favorite poems in this collection include "Insomniac," "The Babysitters," "Candles," "Mirror," and "Who." Her language is always inspiring, as seen in these lines:
"Each morning it is her face that replaces the darkness/ In me she has drowned a young girl, and in me an old woman/Rises toward her day after day, like a terrible fish."
"October's the month for storage."
"The hoops of blackberry stems made me cry/Now they light me up like an electric bulb/For weeks I can remember nothing at all."
"They are the last romantics, these candles:/Upside-down hearts of light tipping wax fingers/"
"So we bobbed out to the island. It was deserted--/A gallery of creaking porches and still interiors/Stopped and awful as a photograph of somebody laughing/But ten years dead."
"On this bald hill the new year hones its edge/Faceless and pale as china"
"The night sky is only a sort of carbon paper/Blueblack, with the much-poked periods of stars/Letting in the light, peephole after peephole"
"Crossing the Waters" is a must-read for all poetry lovers, fans of Plath, and those who appreciate beauty. It is just as powerful (if not more so) than "Colossus" or "Ariel."
I really liked the story "In Plaster." It was a captivating and engaging piece of writing. The author did a great job of描绘 the characters and their emotions in a vivid and detailed way. The setting of the story was also very well-described, which made it easy for me to imagine myself in that particular place. The plot was interesting and kept me hooked from the beginning to the end. I found myself empathizing with the main character and her struggles. The writing style was流畅 and easy to read, which added to the overall enjoyment of the story. Overall, "In Plaster" was a great read and I would highly recommend it to others.