I first opened this book after I bought it, and then I realized that it is a script for a miniseries, not a real novel or thriller. I was rather disappointed. It didn't seem to me to be something worth reading such a scenario. Now I come back to it. It reads very smoothly, and the tension is well incorporated. Through the descriptions of the environment, you can envision it well. The story is very exciting and perhaps has something of a horror element. Between the dialogues, you can also see something of King himself, a kind of personal remarks about the events. In a normal novel, the author is of course never so present, so I found this nice for a change. All in all, it was a nice experience to read a scenario once. I will definitely watch the corresponding series.
Storm of the Century is a remarkable work that was specifically crafted for the screen. It's not a mere prose adaptation of a three-part series but an original screenplay, or as King himself describes it, a "novel for television". I procrastinated reading (and watching) this for many years, not having high expectations due to its atypical format. However, I now deeply regret that decision because I consider this to be a standout among King's 90's creations. It's unmistakably King - which might seem obvious, but when I approached Storm of the Century, I thought his voice might be, not exactly lost, but perhaps diluted. Yet, it comes through loud and clear in the dialogues, descriptions, and even the stage directions. This is very much a Stephen King Novel™, just existing in a different medium.
The year is 1989, and a colossal blizzard is about to strike the Maine Coast. The residents of Little Tall Island are no strangers to harsh winter storms and are ready to hunker down and ride it out. But this particular storm brings far worse than just arctic snow and hurricane-force winds. Just before the storm hits, cutting the island off from the mainland, a stranger brutally murders elderly Martha Clarendon - the first homicide on Little Tall since Dolores Claiborne (allegedly) killed her husband - and then calmly waits to be arrested. As the storm rages, André Linoge sits in the makeshift cell at the back of the grocery store, wearing his inscrutable smile. Meanwhile, all over the island, more residents meet horrible deaths. The townsfolk must witness his capabilities because he has a proposition.
“Give me what I want and I will go away.”
This is a lengthy story - the show runtime exceeds four hours - but it never once failed to engage me. In fact, the screenplay format works to the story's advantage. It's a thrilling, edge-of-your-seat suspense ride that had my mental film reel running at full speed. The cast of characters is vast, yet King manages to bring each one to life with just a few words. The dialogues feel genuine, and the characters' (re)actions are believable. I wanted to keep the scenes fresh in my mind to spot any differences (and there were a few, along with a fun cameo by King himself), so I alternated between reading a section and then watching the episode, rather than binge-watching the full show at the end. The miniseries is very good and well-cast, but I couldn't help but imagine what a remake could look like because I found the screenplay far more chilling than the final result. The budget was a staggering 35 million dollars, but the end-of-the-millennium CGI technology simply doesn't hold up. However, the dark moral dilemma that Linoge places the town in is still just as horrifying, and the ending and epilogue are among King's finest.
“This is a cash-and-carry world, pay as you go. Sometimes you only have to pay a little, but mostly it’s a lot. And once in a while, it’s all you have.”
Storm of the Century is a truly compelling, moral tale about being forced to choose between two losing options - King's supernatural take on the Trolley Problem, if you will. No good can come from either choice, but choose you must. What will it be, and how will you live with it?
“Job gets down on his knees and says, ‘Why did you do this to me, God? All my life I worshiped you, but you destroyed my livestock, blighted my crops, killed my wife and my children, and gave me a hundred horrible diseases… (…) all your humble servant wants to know is—Why me?’. So he waits, and just when he’s about made up his mind God isn’t going to answer, a thunderhead forms in the sky, and lightning flashes, and this voice calls down: ‘Job! I guess there’s just something about you that pisses me off.'”