Babbit, written in the early 1920s, is the fascinating epic of an average American man. He is a citizen of an average city (the best of all, Zenith), leading an average life of moderate success, with an average family, and a creeping average depression.
Everything is average because Babbit's greatest fear is to step out of mediocrity. Even though within him, everything yearns for something distinctive that would make him stand out among his peers.
So, although he achieves commercial success (he is the owner of a highly successful real estate agency with normal political entanglements), distinguishes himself as a political orator, and has a rather happy extramarital affair, yet all this only makes him more restless.
This state of mind is further aggravated by the blow of his friend Paolo, which deprives him of the only truly dear shoulder and leads him to the only rebellion in his life. However, this rebellion will soon end as he cannot bear the lack of approval from all his acquaintances.
What is fascinating in the book is not so much Babbit's story, told with gentle perfidy, but the observation of the formation of today's American society, the consolidation of the consumerist creed, the blind faith in advertising, in one's own racial superiority (already, not towards blacks who are just nice servants, no, towards "foreigners"), in the positivity of gigantism (and thus of the largest church, for example. The chapter on the actual war to increase the number of believers and converts is hilarious), etc.
It was 1920. It seems like today.
An unflinching satire of American middle-class life, "Babbitt" presents a vivid picture of a man caught in the web of societal expectations. George F. Babbitt, a real estate agent in the fictional bustling city of Zenith, wears success like a badge. However, beneath the surface, he grapples with an inner void. His daily routine, filled with mundane tasks and empty socializing, stands in sharp contrast to his yearning for something more meaningful. His friendship with Paul Riesling, which culminates in Paul's desperate actions, serves as a wake-up call for Babbitt.
The humor in Babbitt's attempts to break free is both amusing and pitiful. His flirtation with a bohemian lifestyle and progressive politics is an awkward dance, filled with half-hearted gestures. His involvement with self-styled anarchists and his romance with a liberal artist provide rich sources of comedy. A peak of this chaos is his run-in with an overzealous private investigator, revealing his desperation and gullibility. Despite his efforts, Babbitt ultimately succumbs to societal pressure.
Sinclair Lewis's keen observations of early 20th-century America critique the emptiness of material success. Babbitt's portrayal of the shallow aspirations that define the American Dream is prophetically relevant. While the relentless focus on Babbitt's mediocrity can be tiring, it is a deliberate reflection of the very society Lewis seeks to criticize. Through "Babbitt," Lewis forces us to question the true meaning of success and the price we pay for conforming to society's norms.