The Subtle Knife

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With The Golden Compass Philip Pullman garnered every accolade under the sun. Critics lobbed around such superlatives as "elegant," "awe-inspiring," "grand," and "glittering," and used "magnificent" with gay abandon. Each reader had a favorite chapter--or, more likely, several--from the opening tour de force to Lyra's close call at Bolvangar to the great armored-bear battle. And Pullman was no less profligate when it came to intellectual firepower or singular characters. The dæmons alone grant him a place in world literature. Could the second installment of his trilogy keep up this pitch, or had his heroine and her too, too sullied parents consumed him? And what of the belief system that pervaded his alternate universe, not to mention the mystery of Dust? More revelations and an equal number of wonders and new players were definitely in order. The Subtle Knife offers everything we could have wished for, and more. For a start, there's a young hero--from our world--who is a match for Lyra Silvertongue and whose destiny is every bit as shattering. Like Lyra, Will Parry has spent his childhood playing games. Unlike hers, though, his have been deadly serious. This 12-year-old long ago learned the art of if he could erase himself, no one would discover his mother's increasing instability and separate them.

As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her dæmon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.

As Pullman moves between his young warriors and the witch Serafina Pekkala, the magnetic, ever-manipulative Mrs. Coulter, and Lee Scoresby and his hare dæmon, Hester, there are clear signs of approaching war and earthly chaos. There are new faces as well. The author introduces Oxford dark-matter researcher Mary Malone; the Latvian witch queen Ruta Skadi, who "had trafficked with spirits, and it showed"; Stanislaus Grumman, a shaman in search of a weapon crucial to the cause of Lord Asriel, Lyra's father; and a serpentine old man whom Lyra and Pan can't quite place. Also on hand are the Specters, beings that make cliff-ghasts look like rank amateurs.

Throughout, Pullman is in absolute control of his several worlds, his plot and pace equal to his inspiration. Any number of astonishing scenes--small- and large-scale--will have readers on edge, and many are cause for tears. "You think things have to be possible," Will demands. "Things have to be true!" It is Philip Pullman's gift to turn what quotidian minds would term the impossible into a reality that is both heartbreaking and beautiful. --Kerry Fried

8 pages, Audio Cassette

First published March 12,1981

About the author

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Sir Philip Nicholas Outram Pullman is an English writer. His books include the fantasy trilogy His Dark Materials and The Good Man Jesus and the Scoundrel Christ, a fictionalised biography of Jesus. In 2008, The Times named Pullman one of the "50 greatest British writers since 1945". In a 2004 BBC poll, he was named the eleventh most influential person in British culture. He was knighted in the 2019 New Year Honours for services to literature.
Northern Lights, the first volume in His Dark Materials, won the 1995 Carnegie Medal of the Library Association as the year's outstanding English-language children's book. For the Carnegie's 70th anniversary, it was named in the top ten by a panel tasked with compiling a shortlist for a public vote for an all-time favourite. It won that public vote and was named all-time "Carnegie of Carnegies" in June 2007. It was filmed under the book's US title, The Golden Compass. In 2003, His Dark Materials trilogy ranked third in the BBC's The Big Read, a poll of 200 top novels voted by the British public.

Community Reviews

Rating(3.9 / 5.0, 100 votes)
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100 reviews All reviews
July 15,2025
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I'm going to round up because I really, really liked this. With each new book I read by Toni Morrison, I am constantly amazed. She has this incredible ability to spin a fresh and riveting story that delves deeply into the complex themes of race, class, politics, and colorism. It's truly masterfully done.


Some things I particularly loved about the conversation in this book - Tar Baby is, to my knowledge, Toni Morrison's first book with prominent white characters. I think the inclusion of them sets up a really interesting dynamic and conversation around privilege, class, and what I might call strategic benevolence (a term I may have just made up lol). Toni Morrison famously preferred writing about the intricacies of black life and the black community over the dynamics between white and black characters, so this is a rarity and I think it serves the book well.


At the center of this book is Jadine, an orphan whose aunt and uncle become her legal guardians. Her aunt and uncle work as the hired help for a wealthy white couple, The Streets, who left Philadelphia to move into a beautiful mansion in Dominique (Dominica). The Streets also took on the task of sponsoring Jadine's education, going so far as to pay for her to travel to study in France and sponsoring some of her lifestyle when she gets into modeling in Europe.


This book kicks off when Jadine comes back to Dominique to stay with her aunt and uncle. It's this cast of characters that really grounds the discussion of this book. Jadine moves into The Streets' house and lives as if she is a guest, while her aunt and uncle are relegated to the servants' quarters and even have to serve her dinner as she often eats with The Streets. This status quo is disrupted when a runaway named Son is discovered living on the property. The Streets similarly invite him to come into the same spaces as Jadine, and that's when this story gets even more tense.


What blossoms from there is a romance between Jadine and Son that is complicated and tumultuous and exposes their very different thoughts on white people. Son's adamant hatred of white people clashes with Jadine's feelings of gratitude toward and friendship with The Streets. Their relationship easily starts to fracture under the pressure of their fundamentally different beliefs, beliefs about what she owes to her aunt and uncle, how they deserve to be treated by their employer, what it means to feel indebted to someone, and how they value their family's roots.


There are other characters in this book that add even more layers to this conversation. A nephew and his aunt live on the property working as a yardman and a housekeeper. The Streets are estranged from their son Michael and anxiously await his potential return for the holidays.


In comparison to Toni Morrison's other books, this one lacks some of the heavier and more in-your-face content warnings (thank god no incest or pedophilia). But it does have quite a bit of domestic violence (not too hard to read but present), particularly in the back half of the book. So it's very different from the four books I've read by her so far, but I think it's one I'll be thinking about a lot.
July 15,2025
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It's a rather challenging task for me to pen a favorable review for anything Toni Morrison has penned. This is mainly because, after delving into Beloved, I found myself rather critical of her. However, Tar Baby presented a stark contrast to the experience I endured while reading her most renowned novel. In fact, nearly all the aspects that I loathed about Beloved were almost entirely absent in this book.


Comparing the two novels seems rather senseless. Beloved is firmly rooted in Reconstruction America, while Tar Baby is predominantly set in the circa 1970s Caribbean, with just a few dashes of the Deep South and Manhattan thrown in. Thankfully, there aren't any slaves running amok. Instead, this is the tale of a young woman named Jade/Jadine. She's a model who has graced the pages of international magazines. Her aunt and uncle are in the employ of a white couple, Valerian and Margaret. When the story commences, these four individuals are in the Caribbean. Margaret is considerably younger than her husband and is his second wife. They have a son who rarely comes home, much to his mother's chagrin (and in Valerian's view, she lavishes too much affection on him). Jadine travels to Haiti to visit her relatives and the white family who have treated her so warmly. Shortly thereafter, Margaret discovers a young black man hiding in her closet. He appears to be just hungry and a fugitive. Valerian decides to make him feel at home in the house, and Jadine reluctantly finds herself falling in love with Son.


I truly relished this story due to its emphasis on several key elements: interpersonal relationships, race relations, and feminism. Jadine was a powerful female protagonist, and even though Margaret was a bit unhinged, she was quite strong-willed in her own way. Ondine and Sydney, the aunt and uncle, served as vehicles for exploring race relations, but they were also fascinating as symbols of bourgeois African Americans in the 20th century.


The only aspect that I truly wished for was that the romance between Son and Jadine hadn't been so hastily developed. I understand that in reality, their romance was more of a backdrop, despite being marketed as such. However, I would have preferred it if the majority of it hadn't been condensed into just a few pages.


All in all, it was a pleasant read from Morrison, and I think I might just give her another chance.
July 15,2025
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One of the most profound quotes that has always intrigued me is - “All narrative begins for me as listening. When I read, I listen. When I write, I listen—for silence, inflection, rhythm, rest.”

This quote emphasizes the crucial role of listening in the process of creating and experiencing a narrative. When we read, we are not just passively looking at the words on the page. Instead, we are actively listening to the story being told, trying to understand the author's intended meaning, and感受the emotions and atmosphere that are being conveyed.

Similarly, when we write, we need to listen carefully to the voices in our heads, the silences between the words, the inflections and rhythms that will bring our story to life. By listening for these elements, we can create a more engaging and powerful narrative that will resonate with our readers.

In conclusion, this quote reminds us that listening is an essential part of the narrative process, and that by being more attuned to the sounds and silences around us, we can become better readers and writers.
July 15,2025
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Wow, this is an excellent reading.

It truly deserves a 5 out of 5 rating.

The content is engaging and captivating from start to finish.

It presents ideas in a clear and concise manner, making it easy to understand.

The writing style is流畅 and enjoyable, keeping the reader hooked until the very end.

Each paragraph builds upon the previous one, creating a seamless flow of thought.

The author has done a great job of researching and presenting the information.

The examples given are relevant and help to illustrate the points being made.

Overall, this is a top-notch piece of writing that I would highly recommend to others.

It is definitely worth taking the time to read and appreciate.

Five stars all the way!
July 15,2025
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Toni Morrison's versatility in her writing styles and narration is truly remarkable and continues to blow me away.

Her works are a rich tapestry of emotions, vivid characters, and profound themes. Each time I read her books, I discover something new and am deeply moved by her words.

I can't wait to re-read them in the years to come. I know that with each subsequent reading, I will gain a deeper understanding and appreciation of her genius.

Morrison's writing is like a magical journey that takes the reader to different worlds and makes them experience a wide range of human experiences. Her ability to create such powerful and engaging stories is a testament to her incredible talent as a writer.

I am truly grateful to have discovered her works and look forward to many more years of enjoying her literary masterpieces.
July 15,2025
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The story predominantly centers around Jadine, a strikingly beautiful young woman. She has come to reside for a time at the home of a wealthy white couple, Valerian and Margaret Street, who inhabit their own private island. Jadine is the niece of their servants, Sydney and Ondine, upon whom the white couple are entirely reliant. Jadine is a model who received an education in France, which was financed by the Streets.

One night, a black man named Son, who had fled from a passing ship, is found hiding in Margaret's closet. After the initial astonishment of his discovery, he quickly befriends the others and, initially, has a mostly flirtatious relationship with Jadine. Then, a dramatic confrontation occurs between Ondine and Margaret, sending everyone into a state of turmoil. Jadine and Son then flee together to New York, and matters worsen from there. The ending of the book is, to say the least, strange, but overall, the book is outstanding. There were several sections where Morrison wrote in incredibly poetic descriptive prose, which I found especially delightful.

This novel takes the reader on a captivating journey filled with complex relationships, unexpected twists, and beautiful language. It explores themes of race, class, and love in a way that is both thought-provoking and engaging. Morrison's writing is truly masterful, and this book is a must-read for anyone who appreciates great literature.
July 15,2025
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In Morrison's fourth novel, two individuals enter Valerian Street's Caribbean mansion. Jadine, an orphaned, beautiful Sorbonne art history graduate and fashion model, was sponsored into wealth and privilege by Street, who employs her aunt and uncle as domestic servants. Son, an uneducated and contemptuous criminal on the run from small-town Florida for killing his wife upon discovering her adultery, is found hiding in Street's wife's closet. Son's arrival and his quickly developing, misguided love affair with Jadine disrupt life at the mansion and shatter relationships.

In an old African American folktale, a tar baby was a doll made of tar and turpentine used by a farmer to trap the cabbage-stealing trickster hero Br’er Rabbit. In modern usage, it refers to a problematic situation that worsens with additional involvement, which suits the novel well. Morrison's foreword makes it clear that the title also refers to the black women who hold things together, like families and different worlds. Ondine Childs, Jadine's aunt, could be considered the tar baby as she kept a white woman's secret and sacrificed her life for her niece's opportunities. However, I think it's Jadine, the bridge between the Streets and Childs, who has to grapple with the restrictions of femininity and feelings of being a race traitor. She has her education paid for by a wealthy old white man, a white lover/prospective husband, and an independent life in Europe that would mean leaving her family behind. Then again, it can be argued that every character in the novel is a tar baby as we are all the result of our circumstances and experiences.

The plot is relatively simple, but there are numerous rich and deep layers of meaning and interpretation. Complex themes such as black and cultural identity, woman- and motherhood, class, trauma, freedom, heritage, and colonialism are expertly explored through gorgeous poetic prose and deft, believable dialogues. I especially loved the descriptions of the island and the surrealist touch of having scenes narrated by butterflies observing through the mansion's windows.
The penetrating observations about the intricacies of race and class in Tar Baby were fascinating, but I couldn't support the toxic relationship between Jadine and Son. She falls in love with him after being sexually assaulted, and all it takes for her to forgive the sexual violence is seeing him look handsome after a bath and haircut. It's a shame because the novel's messages would have worked just as well without the sexual and physical violence. Thankfully, the open ending saves it. Did Son join the mythical wild horsemen, or did he keep trying to track Jadine down after she fled? Morrison leaves it up for debate, and I have my own preference to hold onto, otherwise the trivialization of the sexual assault risks spoiling the book's excellence for me.
\n  “At some point in life the world’s beauty becomes enough. You don’t need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don’t need someone to share it with or tell it to. When that happens—that letting go—you let go because you can. The world will always be there—while you sleep it will be there—when you wake it will be there as well. So you can sleep and there is reason to wake. A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that.”\n
July 15,2025
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Toni Morrison's writing is truly beautiful.

However, the book in question seemed a little overwrought at times.

I'm not sure if this will make any sense to anyone else, but for me, the theme of the story stuck with me more than the story itself.

It was as if the theme was a hidden gem, waiting to be discovered.

There is definitely treasure to be found within the pages of this book, but you have to be willing to dig pretty deep to get to it.

It requires careful reading and thoughtful reflection to fully appreciate the depth and complexity of Morrison's work.

Despite the initial impression of being overwrought, upon closer examination, the beauty and significance of the story begin to emerge.

It's a book that rewards those who are willing to put in the effort and engage with it on a deeper level.
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