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This is a collection of Dan Simmons's early short stories that is tremendously interesting, yet not entirely successful. The best stories within it are perhaps "The Death of the Centaur" and "E-Ticket to Nam-Land." These two tales both signify the imaginative peaks that Simmons would achieve in his later novels, many of which are truly great. We can also find the early inklings of HYPERION and CARRION COMFORT, two of Simmons's masterpieces, in their early short story forms. (And it seems he hasn't changed that much!) The first two stories don't quite possess that muscular prose style. Additionally, Simmons is a rather poor screenwriter. However, in terms of observing the development of someone who would ultimately transform into one of our greatest cross-genre writers (before unfortunately turning into a xenophobic right-wing nut job), this is a wonderful volume to have in your collection. This is the case even with the typically impetuous (though amusing) arrogance of Harlan Ellison in the introduction. Overall, it offers a unique perspective on Simmons's evolution as a writer.