The play “The Underpants” is set in a couple's flat in Düsseldorf in March of 1910. The flat has some rooms for rent. The story kicks off after an interesting incident. Louise, a beautiful twenty-year-old wife of Theo, waves to the king and her underpants fall down. She quickly races to pull them up, while her husband, a burly and muscular man with a buzz cut, is extremely embarrassed. Theo Maske's overreaction is huge. He says, “They will blame me for having a wife who is so distracted by staring out the window, who is so hypnotized by a canary in a cage, that she can't even tie a tiny knot in two slender chords. I'm sorry, but I am a responsible wage-earner. I cannot have my underpants go flopping down because I must bring home 600 Taylor a year plus bear the responsibility of renting out a room so we can put dinner on the table, close ourselves, and keep the place heated.” Theo keeps going off on Louise. She, however, degrades the situation back to what it really is. Now, Theo fears for his job because of his wife's underpants incident in public. After this, men rent out the rooms and occasionally flirt with Louise, who clearly doesn't mind the attention. The storyline builds up in the process. The relationships between all the characters develop into a messy yet satisfactory comedic work of art. All the characters play a part in the story and add to the enjoyment for the audience. I personally loved this play because of its brilliantly written dialogue with comedic elements here and there. “The Underpants” is a theatrical work of golden comedic art by Carl Sternheim, who brings joy to the audience through his profoundly written dialogue and storyline.