...
Show More
Erica Jong poems
Ease Reading-Find Your Next Favorite Book
Fruits And Vegetables
...
Show More
Here is the twenty-fifth anniversary edition of Erica Jong's very first a surrealistic, funny, gastronomic, erotic, serious look at being human and female and American. Erica Jong, the best-selling author of Fear of Flying, and more recently, Fear of Fifty, began her literary life as a poet. Fruits & Vegetables, originally published in 1971, offers a glimpse into the daring, erotic imagination of a young author of great promise. Here is a writer who puts metaphors in her oven, fruits and vegetables in her bed. In her tide poem, Jong considers the character of the "Not self-righteous like the proletarian potato, nor a siren like the apple. No show-off like the banana. But a modest, self-effacing vegetable, questioning, introspective, peeling itself away . . ." Throughout her debut collection, Erica Jong demonstrates a remarkable adventurousness, erudition, lyricism, and command of the poetic form. At the same time, she examines many of the themes she will pursue in years to come. On the subject of desire, she "The corruption begins with the eyes, / the page, the hunger. / It hangs on the first hook / of the first comma.... The corruption begins with the mouth, / the tongue, the wanting. / The first poem in the world / is I want to eat. For the many fans who have yet to discover-or rediscover-where the literary career of Erica Jong began, this special anniversary edition of Fruits & Vegetables, complete with a new preface by the author, is a must.
112 pages, Hardcover
First published January 1,1971
This edition
- Format
-
112 pages, Hardcover
- Published
-
October 1, 1997 by Ecco
- ISBN
-
9780880015691
- ASIN
-
0880015691
- Language
-
English
About the author
...
Show More
Erica Jong—novelist, poet, and essayist—has consistently used her craft to help provide women with a powerful and rational voice in forging a feminist consciousness. She has published 21 books, including eight novels, six volumes of poetry, six books of non-fiction and numerous articles in magazines and newspapers such as the New York Times, the Sunday Times of London, Elle, Vogue, and the New York Times Book Review.
In her groundbreaking first novel, Fear of Flying (which has sold twenty-six million copies in more than forty languages), she introduced Isadora Wing, who also plays a central part in three subsequent novels—How to Save Your Own Life, Parachutes and Kisses, and Any Woman's Blues. In her three historical novels—Fanny, Shylock's Daughter, and Sappho's Leap—she demonstrates her mastery of eighteenth-century British literature, the verses of Shakespeare, and ancient Greek lyric, respectively. A memoir of her life as a writer, Seducing the Demon: Writing for My Life, came out in March 2006. It was a national bestseller in the US and many other countries. Erica's latest book, Sugar in My Bowl, is an anthology of women writing about sex, has been recently released in paperback.
Erica Jong was honored with the United Nations Award for Excellence in Literature. She has also received Poetry magazine's Bess Hokin Prize, also won by W.S. Merwin and Sylvia Plath. In France, she received the Deauville Award for Literary Excellence and in Italy, she received the Sigmund Freud Award for Literature. The City University of New York awarded Ms. Jong an honorary PhD at the College of Staten Island.
Her works have appeared all over the world and are as popular in Eastern Europe, Japan, China, and other Asian countries as they have been in the United States and Western Europe. She has lectured, taught and read her work all over the world.
A graduate of Barnard College and Columbia University's Graduate Faculties where she received her M.A. in 18th Century English Literature, Erica Jong also attended Columbia's graduate writing program where she studied poetry with Stanley Kunitz and Mark Strand. In 2007, continuing her long-standing relationship with the university, a large collection of Erica's archival material was acquired by Columbia University's Rare Book & Manuscript Library, where it will be available to graduate and undergraduate students. Ms. Jong plans to teach master classes at Columbia and also advise the Rare Book Library on the acquisition of other women writers' archives.
Calling herself “a defrocked academic,” Ms. Jong has partly returned to her roots as a scholar. She has taught at Ben Gurion University in Israel, Bennington College in the US, Breadloaf Writers' Conference in Vermont and many other distinguished writing programs and universities. She loves to teach and lecture, though her skill in these areas has sometimes crowded her writing projects. “As long as I am communicating the gift of literature, I'm happy,” Jong says. A poet at heart, Ms. Jong believes that words can save the world.
In her groundbreaking first novel, Fear of Flying (which has sold twenty-six million copies in more than forty languages), she introduced Isadora Wing, who also plays a central part in three subsequent novels—How to Save Your Own Life, Parachutes and Kisses, and Any Woman's Blues. In her three historical novels—Fanny, Shylock's Daughter, and Sappho's Leap—she demonstrates her mastery of eighteenth-century British literature, the verses of Shakespeare, and ancient Greek lyric, respectively. A memoir of her life as a writer, Seducing the Demon: Writing for My Life, came out in March 2006. It was a national bestseller in the US and many other countries. Erica's latest book, Sugar in My Bowl, is an anthology of women writing about sex, has been recently released in paperback.
Erica Jong was honored with the United Nations Award for Excellence in Literature. She has also received Poetry magazine's Bess Hokin Prize, also won by W.S. Merwin and Sylvia Plath. In France, she received the Deauville Award for Literary Excellence and in Italy, she received the Sigmund Freud Award for Literature. The City University of New York awarded Ms. Jong an honorary PhD at the College of Staten Island.
Her works have appeared all over the world and are as popular in Eastern Europe, Japan, China, and other Asian countries as they have been in the United States and Western Europe. She has lectured, taught and read her work all over the world.
A graduate of Barnard College and Columbia University's Graduate Faculties where she received her M.A. in 18th Century English Literature, Erica Jong also attended Columbia's graduate writing program where she studied poetry with Stanley Kunitz and Mark Strand. In 2007, continuing her long-standing relationship with the university, a large collection of Erica's archival material was acquired by Columbia University's Rare Book & Manuscript Library, where it will be available to graduate and undergraduate students. Ms. Jong plans to teach master classes at Columbia and also advise the Rare Book Library on the acquisition of other women writers' archives.
Calling herself “a defrocked academic,” Ms. Jong has partly returned to her roots as a scholar. She has taught at Ben Gurion University in Israel, Bennington College in the US, Breadloaf Writers' Conference in Vermont and many other distinguished writing programs and universities. She loves to teach and lecture, though her skill in these areas has sometimes crowded her writing projects. “As long as I am communicating the gift of literature, I'm happy,” Jong says. A poet at heart, Ms. Jong believes that words can save the world.
Readers also enjoyed
Community Reviews
Rating(3.9 / 5.0, 15 votes)
5 stars
4(27%)
4 stars
6(40%)
3 stars
5(33%)
2 stars
0(0%)
1 stars
0(0%)
15 reviews All reviews
...
Show More
So much more here than "just" sexy food poems. Sometimes the images may seem overwrought, and Jong's early work clearly wants to be polemical. But as a young feminist coming of age in the new millennium, I still found them to be raw and startlingly beautiful. I pick it up whenever I'm looking for honesty to this day.
...
Show More
Of course, it's beautiful. Not all of it, but the good is so very good.
...
Show More
Erica Jong is probably best known for her 1973 novel, Fear of Flying. This book was published in 1971, and includes poems that had been previously published as far back as 1968.
There are some good lines, mixed with boring ones. There are pieces that flat out miss. It's the type of collection that is known as feminist, and therefore will always be held in high regard by starry-eyed young women who focus on identity while turning a blind eye to quality. She whines about not being taken seriously as a poet, because she's female. Sylvia Plath is the subject of a piece and is mentioned in two others.
My favorites:
'The Sheets"
"Walking Through the Upper East Side" - therapy
the first section of "Two More Scenes from the Lives of Vegetables" - eating borscht
It is not an emptiness,
the fruit between your legs,
but the long hall of history,
& dreams are coming down the hall
by moonlight.
- "Fruits and Vegetables"
There are no such things as still lives.
- "Fruits and Vegetables"
I look for the lines between the silences.
He looks only for the silences.
- "His Silence"
Nothing much happened here.
A few jewelry shops changed hands.
A brewery. Banks.
The university put up a swastika, took it down.
- "The Heidelberg Landlady"
There are some good lines, mixed with boring ones. There are pieces that flat out miss. It's the type of collection that is known as feminist, and therefore will always be held in high regard by starry-eyed young women who focus on identity while turning a blind eye to quality. She whines about not being taken seriously as a poet, because she's female. Sylvia Plath is the subject of a piece and is mentioned in two others.
My favorites:
'The Sheets"
"Walking Through the Upper East Side" - therapy
the first section of "Two More Scenes from the Lives of Vegetables" - eating borscht
It is not an emptiness,
the fruit between your legs,
but the long hall of history,
& dreams are coming down the hall
by moonlight.
- "Fruits and Vegetables"
There are no such things as still lives.
- "Fruits and Vegetables"
I look for the lines between the silences.
He looks only for the silences.
- "His Silence"
Nothing much happened here.
A few jewelry shops changed hands.
A brewery. Banks.
The university put up a swastika, took it down.
- "The Heidelberg Landlady"
...
Show More
One of my favorite authors.
...
Show More
Apparently, I just really like poems about sex. (No, but this is really well made and with such a clear, compelling voice all throughout. There is beauty to be found in the obscene. Love.)
...
Show More
Helt ok diktsamling. Litt tungt tilgjengelig, erotisk og feministisk.
...
Show More
This was a fun, quick read. I know Erica Jong had written Fear of Flying, but I was still surprised by how sexy and funny these poems were. My favorite lines were from "Two More Scenes from the Lives of the Vegetables II: Carrot," which read:
"Actually we believe the carrot to be
God's penis.
That is why we walk behind it.
It is disappointing, wrinkled and small.
It's the only one we've got.
How we dream of a great carrot to follow!
Blown up like a Macy's balloon on Thanksgiving,"
"Actually we believe the carrot to be
God's penis.
That is why we walk behind it.
It is disappointing, wrinkled and small.
It's the only one we've got.
How we dream of a great carrot to follow!
Blown up like a Macy's balloon on Thanksgiving,"
Leave a Review