Slaughterhouse Five

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Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.”

An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it.

Fifty years after its initial publication at the height of the Vietnam War, Vonnegut's portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.

null pages, Audio Cassette

First published March 31,1969

About the author

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Kurt Vonnegut, Junior was an American novelist, satirist, and most recently, graphic artist. He was recognized as New York State Author for 2001-2003.

He was born in Indianapolis, later the setting for many of his novels. He attended Cornell University from 1941 to 1943, where he wrote a column for the student newspaper, the Cornell Daily Sun. Vonnegut trained as a chemist and worked as a journalist before joining the U.S. Army and serving in World War II.

After the war, he attended University of Chicago as a graduate student in anthropology and also worked as a police reporter at the City News Bureau of Chicago. He left Chicago to work in Schenectady, New York in public relations for General Electric. He attributed his unadorned writing style to his reporting work.

His experiences as an advance scout in the Battle of the Bulge, and in particular his witnessing of the bombing of Dresden, Germany whilst a prisoner of war, would inform much of his work. This event would also form the core of his most famous work, Slaughterhouse-Five, the book which would make him a millionaire. This acerbic 200-page book is what most people mean when they describe a work as "Vonnegutian" in scope.

Vonnegut was a self-proclaimed humanist and socialist (influenced by the style of Indiana's own Eugene V. Debs) and a lifelong supporter of the American Civil Liberties Union.

The novelist is known for works blending satire, black comedy and science fiction, such as Slaughterhouse-Five (1969), Cat's Cradle (1963), and Breakfast of Champions (1973)

Community Reviews

Rating(4 / 5.0, 98 votes)
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98 reviews All reviews
April 26,2025
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A fun visit with cantankerous old Uncle Kurt.

Vonnegut is on a short list of my favorite authors and this is perhaps his most famous work. Not his best, but most recognizable. Billy Pilgrim is also one of his best characters.

(Kilgore Trout is his best).

I liked it as I like everything I have read of him. The recurring themes and characters, use of repetition for emphasis and comic relief, his irreverence and postmodern lack of sensitivity shine bright as ever here.

Vonnegut can be funny and grim on the same page, same sentence even, and not lose relevance or sincerity.

** 2018 - My wife and I visited Dresden, Germany this year and I could not help think of Vonnegut as a young POW who miraculously survived the firebombing and lived to tell the tale.

***** 2019 reread

Perhaps his most celebrated and recognized this is also considered one of his best and I’d agree. This 1969 publication was nominated for a Hugo and a Nebula and was also a finalist for the National Book Award. I think maybe only Ursula K. LeGuin could also pull that off. This was made into a 1972 film directed by George Roy Hill (who also directed Butch Cassidy and the Sundance Kid and The Sting) and the film won the Hugo and the Cannes Grand Prix.

Billy Pilgrim has become “unstuck” in time. We all walk through life with a film of our past raging in our minds, but Vonnegut had Billy go one step further, in that he actually lives random moments in time, from his famous prison time in Dresden to his airplane crash, to his kidnapping and zoo sentence on Tralfamador.

Yes, Tralfamador. And we have another Kilgore Trout sighting, and also Elliot Rosewater and Howard W. Campbell Jr. We are surrounded and encompassed in the world Kurt made.

We must play a drinking game of sorts, every time death is mentioned we must say “so it goes”. In his introduction, we are told that this is to be a novel against war, an anti-war novel, and the ubiquitous phrase is used as an existential (and ironic) reminder that we live in each moment of time but that freewill is an intangible thing, as flimsy as dry rubber bands. The novel is also ripe with situational irony throughout, peppered with his inimitable dry humor and wit.

An observant reader will also note that when Pilgrim’s wife Valencia is in a car wreck, there is a bumper sticker that said, “Reagan for President”. Since this was first published in 1969, seven years before Reagan would be mentioned in the Republican primaries and eleven years before he would be elected, one wonders if KV had some time travel experience.

An absolute must read for his fans, a good introduction to his work, and an excellent book for all readers.

April 26,2025
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Billy Pilgrim becomes unstuck in time and experiences the events of his life out of chronological order. War and absurdity ensue.

I've never read Kurt Vonnegut up until now and when Slaughterhouse-Five showed up in my cheapo ebook email a few days ago, I decided it was time. Get it?

Slaughterhouse-Five is often classified as science fiction but it reads more like Kurt Vonnegut trying to make sense of his World War II experiences through a humorous (at times) science fiction story. It also seems to be a Big Important Book, due to novelly things like themes of anti-war and the absurdities that come with it. It also uses a non-linear plot structure to illustrate the timey-wimey nature of Billy's affliction.

There's not really a whole lot to tell. Slaughterhouse-Five is basically a collection of non-chronological events in Billy Pilgrim's life: his experiences in World War II, his life after the war, and his abduction by the Tralfamadorians, aliens who view events in time simultaneously rather than chronologically.

The bleakness and black humor go together surprisingly well, like beer and White Castles. I have to wonder, though, if Slaughterhouse-Five would be as highly regarded as it is if it didn't land on so many banned book lists over the years. Nothing like some controversy to get people to read.

While it wasn't pants-shittingly awesome, I enjoyed it quite a bit and I'll likely pick up another Vonnegut book in the future. Four out of five stars. So it goes.
April 26,2025
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2.5? Mam wrażenie, że koncept był genialny i strasznie duży tu był potencjał, ale koniec końców niezbyt to wybrzmiało. Albo po prostu byłam za głupia
April 26,2025
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|| 3.5 stars ||

There are absolutely no strong personalities or big events in this book, and nobody even feels like a truly living person, which, surprisingly, is exactly what makes the anti-war message this book wants to portray so strong.

n  
There are almost no characters in this story, and almost no dramatic confrontations, because most of the people are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters.
n


Instead of another story filled with brotherhood and heroism that one often finds when it comes to these kinds of stories, this shows a (more realistic?) side of war where all people have turned into empty, weak shells and are all just staring gloomily ahead, trying to live day to day without a single thought going on inside their brains. This book shows how war truly destroys people; not through fear, rage or tragedy (which are the stories we already know), but through utter and complete emptiness.

n  
How nice — to feel nothing, and still get full credit for being alive.
n


When I started this book, I was expecting a story exactly as I have just mentioned we have seen plenty of times before; I expected a story of fear, rage and tragedy. Afterall, it’s about one of the biggest massacres of European history, namely the Bombing of Dresden during World War II. Obviously I would expect a grand and emotional and intense story with that, but instead… I got this. And somehow, that might be exactly the kind of war stories we actually need. Even if they aren’t as “entertaining” as the stories we are used to… After all, why would we like to see beauty or bravery or entertainment in war? Isn’t that, in a way, romanticizing the very thing we proclaim to hate and loathe?

n  
”You’ll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs.”
n


In any case, I think this book definitely brings forth an interesting thing to consider about how we write war stories.
April 26,2025
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FIRST REVIEW: Everyone has sung the praises of this book to me -- as well as those of Vonnegut in general -- for as long as I have been aware of reading. However I found both it and Vonnegut tiresome and excessively labored. He tries SO HARD to be hip and quirky and ironic, but the humor (such as it is) and the commentary (such as it is) just wind up feeling like dated relics of their time. The book has not aged well. It lacks the timeless feel of great literature, and doesn't even function for me on a nostalgic level. I think the only genuinely original and creative aspect of this book that I recall was the description of the aliens. Otherwise it was a complete waste of my time and brain cells.

SECOND REVIEW: Nope. This book is the literary equivalent of easy, empty calories and heartburn disguised as a full four-course Italian meal. This book is so convinced of its own cleverness and depth and meaningfulness, but is utterly lacking in all three. The aliens, while neat, also turn much of this into a less-ambitious Stranger in a Strange Land -- and while i have many complaints about Heinlein's manifesto-cum-sci-fi-novel, i cannot deny that it is ambitious. The characters here are weak and thin; the pacing is dreadfully slow (making a tiny book feel as long as "Stranger" actually was); and the "messages", such as they were, are hollow, smug and facile. The fact that this lost both the Hugo and the Nebula to The Left Hand of Darkness proves that there is some justice in the world. This book is literary Frito pie -- but without the seductive tastiness of that dish.
April 26,2025
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Listen:

This reviewer is stuck in time. He is unable to escape the narrow confines of the invisible, intangible machinery mercilessly directing his life from a beginning towards an end. The walls surrounding him are dotted with windows looking out on darkened memories and foggy expectations, easing the sense of claustrophobia but offering no way out. The ceiling is crushing down on this man while he paces frantically through other people's lives and memories in hopes of shaping his own and forgetting the enormity of oblivion looming above his head. He reads book after book after book. He reads Kurt Vonnegut's Slaughterhouse-Five. He gets immersed, he gets lost in the pages. He smiles. He wonders. He tumbles. He laughs a laugh that seems to come from somewhere deep within him, telling him that everything is beautiful. A laugh that shoots up from a dark place and illuminates the universe, bathing it in colour, showing all the hidden threads in a fraction of a second. The man is consoled, recognizing that fraction as an eternity. He closes the book and looks around him. The space got bigger, the windows show a clearer picture. He sees his situation with a new light emanating from his own eyes and, looking up, notices the oppressive ceiling is no longer there. It made way for the sky, sometimes blue, sometimes painted with stars and clouds. He ruminates on this new canvas for his thoughts as a bird flies by and calls to him.
Poo-tee-weet.
April 26,2025
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Listen:

Welcome everyone, to my 450th review!



I debated for quite a while what I wanted to choose for my 450th review and I decided to go with one of my favorite novels.

Slaughterhouse-Five is a short novel. The sentences are often short, simple and to the point. It seems like it should be an easy read. It is… and it isn't. This is a book that defies explanation, it requires you to think about it for quite a while and the more you do, the more you see.

The book doesn't fit into any category easily. It's a science fiction because there's aliens and aspects of time travel. It's an anti-war novel, as few books show the atrocities of was quite as well as this one does. It's a comedy because it's darkly funny, but it's also a tragedy because when you live through a moment so absolutely horrific, your brain can become "unstuck in time" as you'll always be in that moment even as you try to escape it.

This novel is frequently listed on the "greatest of all time" lists, and I fully agree that it belongs there. It's a fascinating read, insightful both in terms of Vonnegut's own perspective and how he presents it to the world. It's a book that practically demands to be revisited, and each time I'd give it a perfect 5/5 stars.

And thus we end review 450.

"And so it goes…"
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