Walsh Family #4

Anybody Out There?

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Marian Keyes has introduced readers to the lives, loves, and foibles of the five Walsh sisters -- Claire, Maggie, Rachel, Helen, and Anna -- and their crazy mammy. In this funny, heartbreaking, and triumphant new tale set in the Big Apple, it's Anna's turn in the spotlight.

Life is perfect for Anna Walsh. She has the "Best Job in the World" as a PR exec for a top-selling urban beauty brand, a lovely apartment in New York, and a perfect husband -- the love of her life, Aidan Maddox. Until the morning she wakes up in her mammy's living room in Dublin with stitches in her face, a dislocated knee, and completely smashed-up hands -- and no memory of how she got there. While her mammy plays nursemaid (just like all of her favorite nurses on her soaps), and her sister Helen sits in wet hedges doing her private investigator work for Lucky Star PI, Anna tries to get better and keeps wondering why Aidan won't return her phone calls or e-mails.

Recuperating from her injuries, a mystified Anna returns to Manhattan. Slowly beginning to remember what happened, she sets off on a search to find Aidan -- a hilarious quest involving lilies (she can't stop smelling them), psychics, mediums, and anyone in the city who can promise her a reunion with her beloved. . . .

Written in her classic style, marrying the darker parts of life with humor and wit, Anybody Out There? is Marian Keyes's best novel to date, a wonderfully charming look at love here and ever after.

456 pages, Hardcover

First published May 9,2006

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About the author

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Marian Keyes (born 10 September 1963) is an Irish novelist and non-fiction writer, best known for her work in women's literature. She is an Irish Book Awards winner. Over 22 million copies of her novels have been sold worldwide and her books have been translated into 32 languages. She became known worldwide for Watermelon, Lucy Sullivan is Getting Married, and This Charming Man, with themes including domestic violence and alcoholism.

Community Reviews

Rating(4.1 / 5.0, 100 votes)
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100 reviews All reviews
April 26,2025
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I'm having a love affair with Keyes at the moment. Started with Lucy Sullivan gets married (loved it) hiccuped with Watermelon (not so much) then on to Rachel's holiday (rivaled Lucy's story) and now, this one. Anybody out there is Anna's story. Keyes was on point in this book, Anna was heartbreakingly familiar. When I realized where her story was heading I was a bit angry, as I was already in love with Anna and Andy as a couple...how could Keyes do this to me. It was the delicate way that Keyes wove Annas story that made me keep reading through my anger =)

I love how in each of these story about this family, one sisters life story, or segment of their life, is explored, and then you kind of get updates in the following sisters story. It's a nice way for the stories to continue.

I'm trying not to give too much away, mostly cause I know Laura has this marked as to read. There were many moments in the books where I just paused and was wowed by Keyes ability to turn a phrase, or make a moment so recognizable and emotional.

One of my favorite quotes (cause I have felt this way before) is

"Funnily enough, I wasn't that keen on butterflies. It was a hard thing to admit because everyone loves butterflies and not liking them is akin to saying you don't like Michael Palin, or dolphins or strawberries. But to me, butterflies were slightly sneaky; all they were were moths in embroidered jackets. And, yes, moths were creepy and their flapping wings made a nasty papery sound-but at least they were honest; they were brown, they were dull, they were stupid (flying into flames at the drop of a hat). All in all, they hadn't much going for them but they didn't pretend to be anything other than what they were."

its not really a pivotal quote, but I liked it ;)

April 26,2025
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This was such an emotional read.. absolutely loved it and couldn’t put it down. Another brilliant read from Marian Keyes!
April 26,2025
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Quizá debería haber publicado una reseña global sobre la saga de las hermanas Walsh. Las entregas siguen en mayor o menor medida un patrón, el de ese chick-lit tragicómico que Marian Keyes encumbró hace ya más de veinte años. Las cinco novelas se caracterizan, como se caracteriza Keyes, por un sentido del humor adaptado a los tiempos modernos y sin pelos en la lengua que da la mano a las situaciones cotidianas de las mujeres de la calle. En «¿Hay alguien ahí fuera?» se visibiliza una tragedia familiar —de tantas que le gusta explorar en sus novelas— de un modo particularmente doloroso. He ahí por qué no puedo aunar en una sola crítica mi apreciación general: porque pese a las similitudes mencionadas, los libros de las hermanas Walsh son increíblemente diferentes entre sí.

Este es el único que me ha hecho llorar.

Keyes describe con una precisión desgarradora cada una de las fases del duelo. Internarse en la complejidad de dicho proceso le ha salido por el alto precio de meter la narración en terrenos tortuosos, convertir el libro a ratos en un desarrollo rutinario de acontecimientos sin avance apreciable. Pero así es como se es fiel a la realidad del problema expuesto, y así es como se niega una vez más a seguir las pautas de la literatura comercial —en esta cuenta no tenemos nada en contra de dicha literatura, que conste— para ser fiel a sí misma.

Es una novela en la que te aguarda una carcajada a la vuelta de la esquina. Siempre inesperada, pero siempre en el momento justo. Una novela que tienes que soltar por momentos para tomar aliento y continuar la lectura. Una novela en la que la familia —a la que se le toma cariño después de las tres novelas previas— se hace más latente. Siempre le reconoceré a Marian Keyes el talento para abrir un corazón en canal para desgranar la amargura y, aun así, lanzar un mensaje esperanzador al final sin caer ni un solo momento en la cursilería.
April 26,2025
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Three and a half stars.

Anna Walsh is recovering at her parents' home in Ireland, but is desperate to return to New York, her job working for promoting a kooky cosmetics brand, and her husband Aidan who hasn't responded to her calls or emails.

Since this book is 15 years old, I think it is safe to say that the twist is Aidan and Anna were in an horrific accident and Aidan is dead. TBH I got that vibe pretty early on anyway, and if you have read Rachel's Holiday you would be expecting some sort of twist anyway.

There are plot twists, mad Irish shenanigans, fabulous gay neighbours, evil bosses and numerous sub-plots. Despite the long period since publication the book stands up pretty well and is full of that quirky Marian Keyes writing style.
April 26,2025
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Anna Walsh has always been the quiet space cadet amidst the Walsh family tummult. So her transformation here into a go-get-em PR flack for a makeup company, her aggressive confidence, is less than believable. And then there's her personal life, and since I don't want to offer spoilers, let's just say that she is in denial, that her methods for coping are over the top ridiculous, and that the plot resolution includes a hokey twist and a New Agey bit that rattled my saccharine meter AND made me want to throw the book across the room.
( Luckily I remembered that I was reading it on Kindle, and didn't actually throw my phone!)

The idea of reading book #5 reminds me of driving by an accident, and not wanting to look but feeling compelled to look. So I will remind myself that Keyes is capable of some really good chick-lit, and I will read that one as well.
April 26,2025
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Mais um livro na senda da Família Walsh, relata durante um período a vivência traumática e sofrida da quarta filha ou irmã a Anna...mas sem nunca perder ainda assim o humor que esta escritora nos habituou.
April 26,2025
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4.5, it’s very difficult for a book to make me cry but my god
April 26,2025
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Marian Keyes is such a comfort author for me. Continually in admiration of her ability to simultaneously make me laugh aloud in public and deftly deal with difficult topics like bereavement, addiction, etc. Enjoyed this installation of the Walsh sisters’ story very much and looking forward to the next
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