Piano Playing: With Piano Questions Answered (Volume 1)

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Josef Hofmann (1876–1957) was a master of piano technique and an artist who had few equals at the keyboard. A student of Anton Rubinstein and a leading exponent of the works of Chopin, Liszt, and Schumann, he always balanced his virtuoso playing with a firm adherence to the piece as written. It is this balanced approach to piano playing that he advocates in this highly regarded volume on piano technique.
The first section of the book contains a discussion of the rules and tricks of correct piano touch, methods of practicing, the use of the pedal, playing the piece as it is written, "How Rubinstein Taught Me to Play," and indispensables in pianistic success. The second, much longer, section contains Hofmann's answers to specific questions sent to him by piano students and questions on positions of the body and hand, actions of the wrist and arm, stretching, staccato, legato, precision, fingering, octaves, the pedals, practice, marks and nomenclature, phrasing, rubato, theory, transposing, and much more.
Full of important background information that is highly useful to every piano player, this book will set students on the right track in their studies and allow every amateur to measure the level of his commitment and the quality of the instruction he is receiving. For insight into many facets of playing the piano, there is no better guide than Josef Hofmann.

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Rating(4.1 / 5.0, 14 votes)
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14 reviews All reviews
April 26,2025
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Undoubtedly a professionally proficient pianist, of high pedigree, at times intimidating. Best parts are reflections on Anton Rubinstein, his teacher and model for excellence. Second half of book is Q&A. It was cool to briefly hear about 'dumb pianos' (I'm constrained to practicing on a digital piano but wish for an acoustic one). This whole book is restricted to the turn of the century, so it predates radio and recordings. Hofmann comments that he could not hear Liszt play because he was sixteen when the legend passed away. Today, well, what do you mean you've never heard Liszt play? All these guys are gone. Even for Hofmann, he more or less admitted that his generation was not on par w/that of Liszt, Rubinstein, Chopin, Thalberg et. al.

This is for pianists that take themselves seriously for it brooks no mediocrity. It's not a technical book but the tone of Hofmann is one of delicacy & mastery. Aspirants like myself will be reminded regularly that there are levels, and levels, and more levels above those levels. Hofmann had a brilliant father, who was a musician himself, and who took the boy to see performances of pianists. He had from quite early on, built a repertoire, and blessedly landed under the tutelage a titan, the one Anton Rubinstein. His career was destined to be successful. He's a pretty good pedagogue, there are many tidbits of wisdom or guidance regarding the shape of the hand & fingers, or the position of the feet, or whether or not scales are useful. His comments on legato were illuminating. All in all, solid, valuable read.
April 26,2025
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I can’t imagine Hofmann having a detailed book of piano learning. His language is simple and straightforward, using common words to explain piano playing actions. A book is required revisiting.
April 26,2025
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This book combines two books published by the great pianist Josef Hofmann in the early twentieth century. The first, Piano Playing, is shorter and written in chapters. The second, Piano Questions Answered, is a compilation of Hofmann's replies to questions submitted by readers of the Ladies' Home Journal, to which he was a contributor.

The most valuable part of this book is Hofmann's chapter on his studies with Anton Rubinstein, a legendary pianist who, like Franz Liszt, died shortly before the era of recording. Hofmann paints a vivid picture of what a lesson with Rubinstein was like, and of how he had to travel to get there.

The rest of the book is filled with Hofmann's advice on often mundane aspects of piano playing. He writes well (assuming there was no ghostwriter involved), especially for someone born in Poland for whom English must have been a third or fourth language. But his recommendations reveal a fundamentally conservative mindset. He categorically dismisses both ragtime/jazz and early 20th-century modernism as impure and harmful. He also casually tosses off comments about female pianists and teachers along the lines of "There are some good ones, but of course they are in the minority."

In terms of practical advice to the pianist, I can't say I took away much from this book that is not common sense or part of typical piano training. As I've already mentioned, the best part was Hofmann's description of how his final teacher, Anton Rubinstein, taught. My advice is to read that chapter and skim/skip the rest.
April 26,2025
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did not enjoy this book. for such a celebrated pianist/teacher, he did not show much sincerity or interest in the soulful part of music-making. it is a cold and uninspiring book.

April 26,2025
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The book designed in Q&A format.
Categorize question type into each chapter e.g. fingering, teacher, exercising, legato, staccato, octave.

A good read for piano player who wants to get the perspective from Josef Hofmann.
However, the language in this book is archaic since it was written in 70s, hence it is difficult
to interpret long sentences and uncommon words at times.
April 26,2025
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Interesting aspect from a Rubinstein's student, a delightful read.
April 26,2025
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This is a fine book, took a while to read because of a slump. But I must say: DO NOT BUY THIS EDITION. This is the most poorly printed book I have read in my life- massively ajar margins, horrible binding, and entire pages and charts and images from the original are entirely missing. This was probably literally printed from a word document- its all in one size of times new roman, ignoring all of the formatting. This is a rape of the book written by the author and a battery against the reader.
April 26,2025
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Quite lengthy, and needs time set aside to read.

Perhaps another time.

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