Essential Jazz: The First 100 Years

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A COMPLETE JAZZ A GREAT BOOK AND A COMPLETE LISTENING PACKAGE AT ONE UNBEATABLE PRICE. Includes all the music in the book and the Jazz Audio Primer Aimed specifically at non-majors, this brief text explores the development of jazz from its nineteenth-century roots in ragtime and blues, through swing and bebop, to fusion and contemporary jazz styles. Unique in its up-to-date coverage, ESSENTIAL JAZZ devotes a full third of its length to performers of the 1960s to the present day. The book's flexible organization and clear, interesting presentation appeals to students who do not have a strong background in music. Extensive, accessible Listening Guides tie the history of jazz music directly to the CD selections, giving newcomers and aficionados alike a true feel for the vibrant, ever-changing sound of jazz. Free with every book, two CD's include all the musical examples from the text, as well as an "Audio Jazz Primer" that allows students to hear the key terms, basic music concepts, and jazz instruments discussed in the book.

311 pages, Paperback

First published July 5,2004

About the author

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Henry Martin is an award-winning Irish writer and art scholar. His plays have featured at Project Arts Centre, Roundhouse, Underbelly, Arcola, Theatre503, and Belltable; his fiction and poetry is published in Ireland, Mexico, USA and UK; and he has written about art and books for Soho House and Phaidon Press. He is narrator of the documentary 'Agnes Martin Before The Grid' (2016), his book 'Yappo' is published by Company Cod (2017), and his play 'The Cost of Your Forgetting' is published in 'Tiny Plays For Ireland', New Island Books, 2013.

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March 26,2025
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Ok, I admit it, I'm a geek: before going to bed at night, I read a few pages of a textbook or some academic work, generally on jazz. This was the project book from the past couple of months. This wasn't bad, but it was pretty high level. I would take issue with their assessment of Wynton Marsalis as a towering figure at the level of Ellington, Parker, Davis, or Coltrane...after listening to jazz for 40+ years, I'd rate him as a relatively minor figure.
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