...
Show More
Barbara Taylor Bradford's books are my "guilty pleasure" when I am looking for light reading. I got this book when I was working in our library bookstore. It is the first in a trilogy and I had already read the second and third book--also from the library bookstore. I was happy to see this one on the shelf because I felt I had missed something in reading the other two.
This book is the strongest of the three books in the trilogy. We meet Edward Deravenel, who is 18 years old at the beginning of the book and preparing to return for his second year at Oxford, when his father, younger brother, uncle, and cousin are killed (murdered) in a hotel fire. As with the other books in this trilogy, the murder is investigated at the beginning of the book, but we never find out who murdered them or why, although there is much speculation. And, as with other books in the trilogy, whenever an enemy becomes too menacing, he dies a sudden death that is never explained or is murdered, but the murder is never solved.
As the eldest son, Edward must now run the Deravenel family business empire. At the beginning of the novel, the author explains that she based Edward loosely on the English king Edward IV. There is a lot of discussion in the book about people inside and outside of the family trying to take over the family business, which in reality was the British throne.
The Edward in this book is much more mature than any 18-year-old boy I ever met. With only one year of university training, he is ready to take over a business empire with interests all over the world. The business has been in Edward's family for 835 years. Edward's direct ancestors had run the business until about 60 years previously when another branch of the family got control of the business. Neither Edward nor his mother could understand why his father didn't fight to regain control of the business, which has nearly been ruined by the relatives who are running it. At 18, Edward is able to get control of the business, with the assistance of a cousin who assists Edward for his own purposes, and turn it around so it is now profitable.
Edward is also a experienced lover. He was seduced by an older widow at the age of 13 and became a father at the age of 15. Like some current politicians, he doesn't seem to be able to stop himself from having affairs with every woman he meets, even after he is married and has six children with his wife. Of course, Bradford Taylor has to include detailed descriptions of Edward and other characters having sex. I really wish she would leave out those scenes. Sex is much sexier left to the imagination than being described in intimate detail.
Even though his family is described as "poor," they have Ravenscar, an estate in the country very much like Downton Abbey, and at least one home in London with servants at both residences. I wouldn't mind being that poor.
After having read the other two books, I was surprised to find that I didn't like Edward much. He is a character at the beginning of the second book, but for part of that book and the third book, he is a distant memory as other characters look as his portrait and try to imagine how he would handle problems that arise.
One reason that I felt this book was better than the other two in the trilogy is that it does contain some British history in describing Edward's family. If you are going to read this trilogy, I definitely recommend reading this book first. In fact, you might want to read this book and the second and skip the third one.
This book is the strongest of the three books in the trilogy. We meet Edward Deravenel, who is 18 years old at the beginning of the book and preparing to return for his second year at Oxford, when his father, younger brother, uncle, and cousin are killed (murdered) in a hotel fire. As with the other books in this trilogy, the murder is investigated at the beginning of the book, but we never find out who murdered them or why, although there is much speculation. And, as with other books in the trilogy, whenever an enemy becomes too menacing, he dies a sudden death that is never explained or is murdered, but the murder is never solved.
As the eldest son, Edward must now run the Deravenel family business empire. At the beginning of the novel, the author explains that she based Edward loosely on the English king Edward IV. There is a lot of discussion in the book about people inside and outside of the family trying to take over the family business, which in reality was the British throne.
The Edward in this book is much more mature than any 18-year-old boy I ever met. With only one year of university training, he is ready to take over a business empire with interests all over the world. The business has been in Edward's family for 835 years. Edward's direct ancestors had run the business until about 60 years previously when another branch of the family got control of the business. Neither Edward nor his mother could understand why his father didn't fight to regain control of the business, which has nearly been ruined by the relatives who are running it. At 18, Edward is able to get control of the business, with the assistance of a cousin who assists Edward for his own purposes, and turn it around so it is now profitable.
Edward is also a experienced lover. He was seduced by an older widow at the age of 13 and became a father at the age of 15. Like some current politicians, he doesn't seem to be able to stop himself from having affairs with every woman he meets, even after he is married and has six children with his wife. Of course, Bradford Taylor has to include detailed descriptions of Edward and other characters having sex. I really wish she would leave out those scenes. Sex is much sexier left to the imagination than being described in intimate detail.
Even though his family is described as "poor," they have Ravenscar, an estate in the country very much like Downton Abbey, and at least one home in London with servants at both residences. I wouldn't mind being that poor.
After having read the other two books, I was surprised to find that I didn't like Edward much. He is a character at the beginning of the second book, but for part of that book and the third book, he is a distant memory as other characters look as his portrait and try to imagine how he would handle problems that arise.
One reason that I felt this book was better than the other two in the trilogy is that it does contain some British history in describing Edward's family. If you are going to read this trilogy, I definitely recommend reading this book first. In fact, you might want to read this book and the second and skip the third one.