The Joy Luck Club

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Four mothers, four daughters, four families, whose histories shift with the four winds depending on who's telling the stories. In 1949, four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club. Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives – until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts.

With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.

352 pages, Paperback

First published January 1,1989

About the author

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Amy Tan (Chinese: 譚恩美; pinyin: Tán Ēnměi; born February 19, 1952) is an American writer whose novels include The Joy Luck Club, The Kitchen God's Wife, The Hundred Secret Senses, The Bonesetter's Daughter, Saving Fish From Drowing, and The Valley of Amazement. She is the author of two memoirs, The Opposite of Fate and Where the Past Begins. Her two children's books are The Chinese Siamese Cat and The Moon Lady. She is also the co-screenwriter of the film adaptation of The Joy Luck, the librettist of the opera The Bonesetter's Daughter, and the creative consultant to the PBS animated series Sagwa the Chinese Chinese Cat.

Tan is an instructor with MasterClass on writing, memory and imagination. She is featured in the American Masters documentary Amy Tan: Unintended Memoir. She was inducted into the American Academy of Arts and Letters and recently received the National Humanities Medal. She serves on the board of American Bird Conservancy.

Her forthcoming book The Backyard Bird Chronicles began as a journal in 2016, when she turned to nature for calm. She also began taking drawing classes with John Muir Laws (The Laws Guide to Nature Journaling and Drawing, and The Laws Guide to Drawing Birds). During the pandemic shutdown, she drew birds only in her backyard, documenting behaviors she found puzzling. Over time she identified 64 species of birds that have visited her backyard in Marin County. By 2022, she had more than nine journals of sketches and notes, which her editor at Knopf suggested she publish. The book, which will be released in April 2024, has already received high praise:

“Much of great writing comes from great interest, and in The Backyard Bird Chronicles, Amy Tan shows us how the world fascinates her, especially the birds. The result is both unexpected and spectacular.”
—Ann Patchett, author of These Precious Days

“What an enchanting and illuminating book! How lucky for us that Amy Tan has turned her genius, her deep empathy and insight, her keen eye for what is telling, to birds. Every page of these chronicles radiates warm curiosity, wonder, and delight.”
—Jennifer Ackerman, The Genius of Birds

“This is one of the most infectious and convincing books about nature I've read. For the bird-watcher, the would-be bird-watcher, or for the bird-watching skeptic, this offers great delight and unexpected intrigue. Through Tan's ecstatic eyes, what could be a dry treatise on ornithological happenings becomes something far more fun and much more profound. It's really a book about seeing.”
—Dave Eggers, author of Ungrateful Mammals

“Anybody even mildly interested in birds, or thinking about getting interested in birds (which are, after all, the indicator genus for the health of the planet), will want this book perched on their shelf, if only for the gift of Amy Tan's eye and the example she gives us of how to pay attention. What a treasure.”
—Robert Hass, Pulitzer Prize-Winning author of Summer Snow: New Poems

“Backyard Bird Chronicles is fun reading. It shows how we can become engaged emotionally, literally and artistically with the natural world—to joyfully learn about the most accessible and yet wild animals, the often rare and beautiful birds that choose to come and live near and sometimes with us.”
—Bernd Heinrich, author of Mind of the Raven

“With this book as your guide, embark into the bird world Amy Tan. This is an intimate view, a sort-of love affair with the birds and their behavior, that Amy has come to know over several years. Within the leafy universe of her own backyard, she has quietly beheld, patiently observed, and taken in-depth notations of an extensive array of bird species. In colorful detail, she describes various bird's behavior, while capturing their beauty in exquisitely rendered illustrations. Species include fearsome predators and watchful prey, long distance migrants and hometown residents. Through her unique insight and gift as an author and

Community Reviews

Rating(3.9 / 5.0, 98 votes)
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98 reviews All reviews
April 26,2025
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The Joy Luck Club is a great book. It tells the stories of four women who were born in China but were forced to leave due to various tragic circumstances, and their four daughters who were all born in America. The novel explores the cultural divide between the two generations of women and explores how national identity influences people's lives.

The daughters are all, to some degree, frustrated by their mothers' inability to shake off their anachronistic Chinese superstitious behavior (as their daughters think of it) and seeming reluctance to embrace the culture of their new home. The mothers despair at the willingness of their daughters to distance themselves from their heritage. Amy Tan writes all eight characters' viewpoints sympathetically and I never felt like I was being told which viewpoint was the 'correct' one. As with most things in life, it all comes down to the fact that there are pros and cons to any way of life, which is one of the reasons this life can be so hard to navigate.

The structure of this book is very clever, although it might go completely over your head if you're not at least passingly familiar with mahjong. For those of you who are unfamiliar with the game, the structure of mahjong is that four players have to play four hands of tiles each. The novel mimics this by having four larger sections, each divided into four smaller parts. Superficially, the book reads like a collection of interconnected short stories, rather than a cohesive novel, but the author interweaves these stories so adeptly that it all comes together by the end of the book

I found this book to be deeply moving and I even had tears in my eyes at one point. This was my first Amy Tan novel but I will definitely be reading more of her work in future.

P.S. - Gwendoline Yeo does an absolutely fantastic job reading the audiobook version. She switches between different voices and accents fluidly and seemingly effortlessly... and there are a lot of different voices in this book.
April 26,2025
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Mothers and daughters. Mothers and daughters and families losing and finding each other across cultural boundaries. There's enough material there for Amy Tan to write a thousand books.

Suyuan Woo has died and left an empty place at the mah-jongg table. Her daughter, Jing-Mei "June" Woo is invited to join the game, which her mother named the Joy Luck Club. There must always be four men and four women in the club, and Jing-Mei's father has chosen her to take his wife's place. Through her mother's friends An-Mei, Lindo and Ying-Ying, Jing-Mei comes to learn about her mother's life story and secrets she never told. Jing-Mei's journey of discovery weaves in and out of the story of the other three women and their daughters, An-Mei and Rose, Lindo and Waverly, Ying-Ying and Lena. The three "aunties" who sit at the other corners of the mah-jongg table bemoan the breakdown in communication with their American-raised daughters, who seem to have all misplaced their Chinese identity. Lena and Rose are lost souls in disintegrating marriages. Waverly does seem to want to reclaim some of her Chinese culture, but can't get over old anger and misunderstandings. Only Jing-mei is ultimately able to transcend the generational and cultural gap between the mothers and daughters. She sheds her American name, June, and becomes Jing-Mei at the beginning of the book when she is first invited to take her mother's place in the Joy Luck Club. She is something of an ambassador between the younger American-born generation and her mother's friends. Still, she is unable to understand the message An-Mei, Lindo and Ying-Ying are trying to communicate to her, until she finally asks her father to tell her about her mother. When Jing-Mei's father tells her what her Chinese name means, she finally grasps her mother's history and legacy.

"The Joy Luck Club" is a beautifully written book, but it's more than that. I was swept up in the language at times, but I never lost sight of the underlying story - four women struggling to leave their reluctant daughters their "life's importance." Although it's a story that focuses heavily on the influence of Chinese culture on mother-daughter relationships, any woman can relate to its lovely and powerful message.
April 26,2025
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آمي تان تكتب عن الاختلاف بين الثقافات وبين الأجيال
عن الهجرة وصعوبات التكيف مع المجتمعات الجديدة
ومشكلة الهوية واختلاف الأفكار والمعتقدات بالنسبة للجيل الثاني من الأبناء
العلاقة بين أربع أمهات وبناتهم .. أربع نساء من الصين هاجروا إلى أمريكا
تحكي كل أم عن حياتها وعن المعتقدات الصينية والعادات والتقاليد المقيدة للمرأة
وتحكي البنات عن الحيرة ما بين الانتماء للأصل وبين النشأة وطريقة الحياة الأمريكية
حكايات ممتعة بأسلوب جميل وخاصةً أحاديث الأمهات وما يملكنه من قوة وذكاء في التعامل
April 26,2025
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Lately, I’ve had to write boring reviews — I just don’t have the inspiration to come up with something fun.

In *The Joy Luck Club*, Amy Tan unfolds the intricate world of mothers and daughters caught between two cultures – traditional Chinese heritage and American reality. The novel presents eight female voices – four Chinese mothers and their American-born daughters – who share their stories, struggles, and aspirations. A central conflict in the novel is the generational divide and the search for cultural identity.

The mothers – immigrants from China – carry with them painful memories, trauma, and wisdom forged through suffering. For them, family, honor, and sacrifice are core values. They try to pass these values on to their daughters but are often met with misunderstanding. The daughters, born and raised in America, are influenced by Western culture – they seek independence, self-fulfillment, and freedom of choice.

One of the most striking examples of this clash is the story of Jing-Mei (June) Woo, who must take her deceased mother’s place in the *Joy Luck Club*. She does not fully understand her mother’s cultural legacy, but as the novel progresses, she begins to realize the depth of her mother’s sacrifices. Her journey to China at the end of the novel symbolizes a return to her roots and the achievement of a balance between the two cultures.

Amy Tan uses symbolism – food, language, and family stories – to show how cultural identity is passed down not through lessons, but through memories, gestures, and deep emotion. The mothers speak with accents, but their words carry wisdom, and their silence carries pain. The daughters often struggle to “translate” their emotions into their parents’ language, but through storytelling, they discover the true meaning of belonging.

The novel raises the question: what does it mean to belong to two cultures? Tan doesn’t offer a definitive answer but shows that cultural identity is complex and deeply personal. It is neither fully Chinese nor fully American – it is something unique, shaped by experience, love, and intergenerational understanding.

In conclusion, *The Joy Luck Club* is not only a novel about the immigrant experience, but also a deeply human story about how we learn to listen, to remember the past, and to find ourselves in the stories of those closest to us. Amy Tan reminds us that cultural identity is not a given – it is a journey.





Pre_read

My first encounter with a Chinese author and Chinese characters...
April 26,2025
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The Joy Luck Club is:
...to hold parties and pretend each week had become the new year. Each week we could also forget the wrongs done to us. We weren't allowed to think a bad thought. We feasted, we laughed, we played games, lost and won, we told best stories. And each week, we could hope to be lucky. That hope was our only joy. And that's how we came to call our little parties Joy Luck.


A mahjong table. Four positions to fill. The North, West, East and South. A game where the winner takes all, and the loser takes leftovers. Everyone's a winner. But there's a death, and the filling in by a daughter.

Four daughters. Four mothers. Eight lives. Eight stories to share. All connected by the Joy Luck Club.

The Joy Luck Club is a beautifully written poignant tale of Chinese women trying to fit in in America. It's highly inspirational, and I think everyone, even non-Chinese could use a little Feng Sui in their lives, in the form of The Joy Luck Club. Thus highly recommended!

The book is mostly depressing, but though this is fiction, one couldn't help but feel the women's despairs and pains. The book feels real, not just to the touch, but to the soul as well.

Heartwarming, and heart-wrenching. Bitter and sweet. The Joy Luck Club is a tale to be devoured and enjoyed by mothers and daughters. (but sons could enjoy this as well). And in the end, one could not help but be touched in the heart.

WARNING: For non-Chinese readers, who have no background with Chinese names, prepare a pen to jot notes, because a particular trouble of mine was I quite mixing the women up and couldn't tell who from who. My excuse, I am not Chinese. LOL! :)
April 26,2025
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4,5/5

Sorpresa. Creo que esta es la palabra que mejor podría definir mi experiencia lectora con esta obra de la que no esperaba nada y que me ha aportado tanto. Amy Tan publicó en 1989 “El club de la buena estrella” que más tarde fue adaptada al cine en una película bastante fiel pero que bajo mi punto de vista elimina algunas escenas o singularidades del libro que son clave.

Sorprende esa estructura tan diferente en la que tenemos fragmentos cortos en modo de pequeños relatos de las vidas de nuestras ocho protagonistas: cuatro madres chinas y sus hijas estadounidenses. Entre estas relaciones maternofiliales que siempre son mi punto débil, hay una enorme división cultural, un exagerado abismo abierto entre ellas y ante esa escasa capacidad de demostrar sentimientos y contar sus vivencias. Pero todas estas barreras se enfrentan a un vínculo ancestral, fuerte e irrompible basado en el amor.

Sorprende la maravillosa capacidad de Amy para crear un ambiente mágico que se apoya en las leyendas chinas más tradicionales y juntarlo con el drama y la tragedia dotando de esta historia, a la vez, de un realismo cotidiano. La emoción esta a flor de piel, los saltos en el tiempo y entre sus protagonistas es excepcional, hacen de esta una lectura mucho más especial e incluso te dan la opción de releer en un futuro la historia de otra manera.

Sorprende que al finalizar el libro sientas que necesitas mucho más de estas mujeres. Ojalá fuera uno de esos libros de mil páginas para seguir disfrutando de sus historias, sobre todo de esas madres luchadoras, de sus relaciones, sus fracasos, sus miedos, las supersticiones que las acompañan y ese embrujo tan especial del que cuesta desprenderse que te saca múltiples sonrisas.

Sorprende, para concluir y para repetir una vez más esta palabra que tan presente está en este escrito, que hoy en día y después de tantas y tantas lecturas siga emocionándome tras descubrir una nueva literatura, en este caso la china, mucho más sencilla y menos sensible de lo que pensaba (pensando que seguiría el estilo de la japonesa) pero no por ello con menos calidad. Brutal, emotiva y única.
April 26,2025
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The Joy Luck Club, Amy Tan

The Joy Luck Club is a 1989 novel written by Amy Tan. It focuses on four Chinese American immigrant families in San Francisco who start a club known as The Joy Luck Club, playing the Chinese game of Mahjong for money while feasting on a variety of foods.

The book is structured somewhat like a Mahjong game, with four parts divided into four sections to create sixteen chapters.

The three mothers and four daughters (one mother, Suyuan Woo, dies before the novel opens). Stories about their lives in the form of vignettes. Each part is preceded by a parable relating to the game.

تاریخ نخستین خوانش: روز سی و یکم ماه آگوست سال1996میلادی

عنوان: محفل شادمانی؛ نویسنده: امی تان (تن)؛ مترجم: مریم بیات؛ تهران، نشر البرز، سال1373؛ در شانزده و383ص؛ موضوع: داستان چینی های آمریکا مادران و دختران از نویسندگان ایالات متحده آمریکا - سده 20م

عنوان اصلی کتاب «باشگاه جوی لاک»، است، در «ایران» با عنوان «محفل شادمانی»، با ترجمه ی سرکار خانم «مریم بیات»، در نشر البرز، لباس نشر بر تن پوشیده است؛ این داستان، توسط خانم «امی تان (تن)»، در سال1989میلادی، نگاشته شده است؛ داستان چهار خانواده ی مهاجر «چینی تبار آمریکایی»، در شهر «سانفرانسیکو» است، که یک باشگاه، به نام «شادی خوش شانسی (جوی لاک)»، بنیان مینهند؛ از این داستان، فیلمی نیز به کارگردانی «وین وانگ»، کارگردان «هنگ کنگی تبار مقیم آمریکا»، ساخته شده است؛ داستان طی یک سری «فلش بک»، از چهار زن جوان «چینی» میگوید، که در «آمریکا» به دنیا آمده اند، اما مادران آنها، در «چین» زاده شده اند، آنها به جستجوی بگذشته ی خویش، دلمشغول هستند؛ همین جستجوها، به آنها یاری میکند، تا مشکل رابطه ی مادر و دختری خود را، بهتر دریابند....؛

تاریخ بهنگام رسانی 07/11/1399هجری خورشیدی؛ 13/09/1400هجری خورشیدی؛ ا. شربیانی
April 26,2025
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I really enjoyed The Valley of Amazement and I was looking forward to reading this. I really like Amy Tan's writing style and I felt really invested in all the character's stories. I was honestly disappointed when the book ended. I do wish we could have spent more time with the characters. It felt like we spent more time on some of the mother's back stories versus the others. I also feel like I related to the mothers more than the daughters, which seems contrary to a lot of people's experience with the book. It might just be because lately I've been considering what it means to be known by another person etc etc and so that just stood out to me while reading. Anyways definitely enjoyed this one.
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