Tales of My Landlord #3 part 1

The Bride of Lammermoor

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'When the last Laird of Ravenswood to Ravenswood shall ride and woo a dead maiden to be his bride, He shall stable his steed in the Kelpie's flow, And his name shall be lost for evermore!' Dark prophecies and ominously symbolic events beset the romance of Edgar, Master of Ravenswood, and Lucy Ashton, the daughter of the man who has displaced the ancient Ravenswood family from its ancestral home.

488 pages, Paperback

First published December 16,1819

Places

This edition

Format
488 pages, Paperback
Published
September 20, 2006 by Echo Library
ISBN
9781406821482
ASIN
1406821489
Language
English

About the author

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Librarian Note: There is more than one author in the GoodReads database with this name.

Sir Walter Scott, 1st Baronet FRSE FSAScot, was a Scottish novelist, poet and historian. Many of his works remain classics of European and Scottish literature, notably the novels Ivanhoe (1819), Rob Roy (1817), Waverley (1814), Old Mortality (1816), The Heart of Mid-Lothian (1818), and The Bride of Lammermoor (1819), along with the narrative poems Marmion (1808) and The Lady of the Lake (1810). He had a major impact on European and American literature.

As an advocate, judge, and legal administrator by profession, he combined writing and editing with his daily work as Clerk of Session and Sheriff-Depute of Selkirkshire. He was prominent in Edinburgh's Tory establishment, active in the Highland Society, long time a president of the Royal Society of Edinburgh (1820–1832), and a vice president of the Society of Antiquaries of Scotland (1827–1829). His knowledge of history and literary facility equipped him to establish the historical novel genre as an exemplar of European Romanticism. He became a baronet of Abbotsford in the County of Roxburgh.

Scott's work shows the influence of the 18th century Enlightenment. He thought of every individual as basically human, regardless of class, religion, politics, or ancestry. A major theme of his work is toleration. His novels express the need for social progress that does not reject the traditions of the past.


Community Reviews

Rating(4 / 5.0, 100 votes)
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100 reviews All reviews
April 17,2025
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Read only after having finished the book yourself: this 'review' (plot summary) contains major spoilers!

A truly tragic love story about blind prejudice and persecution. Edgar Ravenswood falls deeply in love with Lucy Ashton, and they pledge to remain true, even breaking a gold coin, each of them keeping half. This despite the fact that Lucy's father has just dispossessed the former owner of Ravenswood Castle, Edgar's father, who dies just as the novel opens. However, when Edgar saves the father and daughter from an attack by a mad cow, things start to thaw between the new Lord Keeper and his daughter and the poor Edgar, who has virtually nothing left other than Wolf's Crag, a broken down part of his father's former estate. Indeed, after a hunting expedition, Edgar is forced to serve as host to the father and daughter despite the fact that there is virtrually no food in the place. This gives rise to the comic highlight of the novel in which his servant, Caleb Balderston, goes to the nearby hamlet and, while no one is looking, makes off with a brace of wild fowl which were then being cooked over an open fire. Upon the return of the imperious Lady Ashton, Edgar is banished from their home, and all communication between the loving couple is severely curtailed by the mother, who deems Edgar's line too ancient and thus a threat to her own relatively newly established dominance - which she wields over her henpecked husband and petrified-with-fear daughter. She even brings in a witch, one Dame Gourlay, who uses magic to falsely show Edgar pledging his love to another in a mirror while he is away on the continent. Lady Ashton forces her daughter to marry Bucklaw, a newly landed nobleman with manners more of the serving than the ruling class, and when Edgar reappears to challenge Lucy's new decision, her mother strips her of the half coin around her neck. On their wedding night, Bucklaw is stabbed, though not fatally, on his marriage bed and Lucy found catatonic in the fireplace, wearing a blood-besoaked shift. She succumbs to her nervous disorder and dies two or three days later. Her brother challenges Edgar to a duel, claiming he was responsible for his sister's death. On his way to this event, Edgar's horse throws him and the body disappears in quicksand. The father and brother die soon after, leaving only Lady Ashton to live on to a ripe old age, never feeling any responsibility for the lives her blind prejudice led her to ruin. No hint of relaxation of the grim tragedy is allowed to seep through this, the most disturbingly depressing of all the Waverly novels I've read to date.
April 17,2025
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This is an impressive work, one that can be enjoyed by fans of the historical novel, the gothic novel and the novel of ethnic character--provided they accept "The Bride" as a not completely effective fusion of the three and are willing to adjust their expectations accordingly.

The essential plot--the story of the dispossessed Master of Ravenswood (now living on top of a promontory overlooking the sea in a half-ruined castle) and how he falls in love with the daughter of his mortal enemy, eventually leading to madness and murder and the fulfillment of an ancient family prophecy--is fiercely romantic, as are Scott's descriptions of the castle of Wolf's Crag and the surrounding countryside. At the same time, the starkness of this wild gothic tale is illuminated and qualified by a rich political context and lightened considerably in tone by humorous Scots stereotypes--particularly that of Ravenswood's faithful majordomo Caleb. I found the resulting hybrid both unique and effective. (Although I must admit I could have done with a little less Caleb. Okay, I admit it: a lot less Caleb).

Also . . . I believe--correct me if I'm wrong--that this is the finest novel ever written during a series of debilitating gall bladder attacks.
April 17,2025
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Beware the Ravenswood!

This is a must read for fans of the genre....a classic gothic romance!

This Gothic tale has it all....witches, women going mad, a family fallen from grace, degenerative castles, ruined fortunes, Byronic heros, star crossed lovers, a dark prophecy, ominous symbology...everything! It is MacBeth, Romeo and Juliet, Hamlet, and Wuthering Heights all rolled into one. I wish Goodreads would let me give 1/2 stars as I would rate this one 3.5 stars....
See my full review here
April 17,2025
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Free download available at Project Gutenberg.

From BBC Radio 4 - Classical Serial:
Mike Harris adapts Sir Walter Scott's The Bride of Lammermoor.

The novel is set in the Lammermuir Hills of south-east Scotland at the beginning of the 18th Century and tells of a tragic love affair between young Lucy Ashton and her family's enemy Edgar Ravenswood.

The Ashtons and Ravenswoods have been enemies for centuries - but will a proposed union between the warring families finally bring peace?

Music Composed and performed by Ross Hughes and Esben Tjalve
Violin and viola - Oliver Langford

Written by Mike Harris
Produced and Directed by Clive Brill
A Brill production for BBC Radio 4.
April 17,2025
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I truly thought my whole life would pass without any Walter Scott, but I picked up this paperback for pennies at a sidewalk sale because I'm drawn to old paperbacks. There it sat along with all my other sidewalk sale finds until I reread Madame Bovary, which contains a scene in which Emma and Charles Bovary attend a performance of Donizetti's opera Lucia di Lammermoor, which is loosely based on this novel. (Another novel whose occupants attend this opera is Where Angels Fear to Tread.) So then I watched, or half-watched, half-listened, to the opera on Youtube, and decided to read the book.

I was expecting this to be all doom and gloom and drama, but au contraire, the mood constantly shifts back and forth from that to comedy. There are parts that are extremely funny. These are the parts not having to do with hags, sibyls, and apparitions, which I could frankly do without.

From the back of my edition: "John Buchan considered it the most perfect of his novels 'in one way...for the sense of marching fatality is unbroken by any awkwardness of invention, or languor of narration'; and even the scenery had taken a less inanimate part and become like 'Egdon Heath in Mr. Hardy's The Return of the Native, almost a protagonist in the tale.'
April 17,2025
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3.5 / 5

A Scottish political romance, unevenly paced (the last 50 pages FLEW by) but redeemed by a truly spectacularly chilling final paragraph
April 17,2025
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I was slow to get into this one and I know I missed a lot. Very strong Romeo and Juliet vibes to me, but that's my own opinion and not researched or confirmed.
April 17,2025
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The highly romantical tale of twa lovers in Scotland.

I'm gonna say it: the real source of the Game of Thrones books is the sensibilities of Scott's series of melodramatic quasi-historical Waverly novels. Case in point, there is a description of a freaking Red Wedding in the backstory of this book. Family against family, backstabbery for political machinations, greed that rends friendships, family mottos...no dragons, no wolves. But witches, ghosts, and...is there even quicksand of Scotland?

The style is something of a drawback. It's loose, rambling, and eminently skimmable, with whole pages of yuck-em-up slapstick comedy from the lower classes.

If George R.R. Martin had these books in mind when he wrote Game of Thones, I wouldn't be surprised. They REALLY needed an update.

Recommended if you like actual Gothic tales like The Monk. Otherwise this might be a bit of an eye-roller.
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