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“I hope your bacon burns.”
So What’s It About?
18 year old Sophie Hatter’s quiet, boring life in the family hat shop is upended when the Witch of the Waste curses her, turning her into an ancient crone. What’s an enchanted girl to do other than run away from home and find work as a cleaning lady for the notorious wizard Howl in his magical moving castle? In her new life, Sophie will find that navigating the Witch’s curse is the least of her worries – she has a filthy castle to clean, endless mysteries to unravel and (perhaps most demanding of all) an irascible and petulant wizard to deal with.
What I Thought
Simply put, this is an endlessly charming, rollicking and hilarious adventure of a book. It’s going to be a difficult task to identify the individual elements that contribute to the book’s overall sense of joy and delight because every page is positively suffused with these elements. Certainly, some of my enjoyment was derived from the book’s plot itself, which is something of a creative and wonderfully messy tangle. Howl’s Moving Castle features one of those supremely gratifying endings where the various plot threads finally entwine in a meaningful way and you can suddenly see the forest for the trees. While I can acknowledge that the plot is quite clever, I’m also self-actualized enough as a person to admit to you that I was occasionally annoyed and confused by it, especially when I was trying to keep Sophie’s sisters straight.
I think that most of the book’s charm is attributable to its characters, who are by and large a collection of enjoyably prickly oddballs. Sophie is a revelation of a protagonist- practical, clever and gratifyingly no-nonsense given the level of absurdity she is confronted with. Howl too is a delightful mess, with his constant melodrama, self-pity and generally himbo-ish nature. The constant antagonism and back-and-forth between the two of them could easily have become grating, but Jones is funny enough to make it work. The episode of Howl’s illness is a good example of this, because it highlights the hilarious depths of his mournful dramatism and Sophie’s exasperation with him:
“I’m delirious. Spots are crawling before my eyes.”
“Those are spiders.”
Nearly every other character has a moment to shine, from demon Calcifer to the Witch of the Waste herself. I can’t believe that I missed out on reading this book as a kid, because I would absolutely have been ALL ABOUT IT. Sophie does spend almost the entirety of the book cleaning up after Howl’s messes, literally and metaphorically. He’s definitely something of a self-absorbed manchild and Sophie spends a great deal of time nagging him and otherwise trying to get him to take responsibility for his actions.
However, I would argue that this part of the book is greatly redeemed during the ending, when it is revealed that Howl has actually much more competent and effective than is immediately apparent and is in fact working hard to unravel Ingary’s conflicts in his own inscrutable way. Also repudiated is the myth that he’s something of a predator who steals women’s hearts – although the reader spends a great deal of the book thinking that Howl is relentlessly pursuing various women, it’s ultimately revealed that he is using this motivation as a cover in order to investigate Sophie’s curse and the Witch of the Waste’s ominous activities. As with everything else in this book, it’s quite a delightful inversion of expectations.
Finally, I really enjoyed the way that Sophie’s curse allows her to find a kind of liberation and self-expression that she did not feel she could experience within the constraints of her experience as a young woman:
“As a girl, Sophie would have shriveled with embarrassment at the way she was behaving. As an old woman, she did not mind what she did or said. She found that a great relief.”
So What’s It About?
18 year old Sophie Hatter’s quiet, boring life in the family hat shop is upended when the Witch of the Waste curses her, turning her into an ancient crone. What’s an enchanted girl to do other than run away from home and find work as a cleaning lady for the notorious wizard Howl in his magical moving castle? In her new life, Sophie will find that navigating the Witch’s curse is the least of her worries – she has a filthy castle to clean, endless mysteries to unravel and (perhaps most demanding of all) an irascible and petulant wizard to deal with.
What I Thought
Simply put, this is an endlessly charming, rollicking and hilarious adventure of a book. It’s going to be a difficult task to identify the individual elements that contribute to the book’s overall sense of joy and delight because every page is positively suffused with these elements. Certainly, some of my enjoyment was derived from the book’s plot itself, which is something of a creative and wonderfully messy tangle. Howl’s Moving Castle features one of those supremely gratifying endings where the various plot threads finally entwine in a meaningful way and you can suddenly see the forest for the trees. While I can acknowledge that the plot is quite clever, I’m also self-actualized enough as a person to admit to you that I was occasionally annoyed and confused by it, especially when I was trying to keep Sophie’s sisters straight.
I think that most of the book’s charm is attributable to its characters, who are by and large a collection of enjoyably prickly oddballs. Sophie is a revelation of a protagonist- practical, clever and gratifyingly no-nonsense given the level of absurdity she is confronted with. Howl too is a delightful mess, with his constant melodrama, self-pity and generally himbo-ish nature. The constant antagonism and back-and-forth between the two of them could easily have become grating, but Jones is funny enough to make it work. The episode of Howl’s illness is a good example of this, because it highlights the hilarious depths of his mournful dramatism and Sophie’s exasperation with him:
“I’m delirious. Spots are crawling before my eyes.”
“Those are spiders.”
Nearly every other character has a moment to shine, from demon Calcifer to the Witch of the Waste herself. I can’t believe that I missed out on reading this book as a kid, because I would absolutely have been ALL ABOUT IT. Sophie does spend almost the entirety of the book cleaning up after Howl’s messes, literally and metaphorically. He’s definitely something of a self-absorbed manchild and Sophie spends a great deal of time nagging him and otherwise trying to get him to take responsibility for his actions.
However, I would argue that this part of the book is greatly redeemed during the ending, when it is revealed that Howl has actually much more competent and effective than is immediately apparent and is in fact working hard to unravel Ingary’s conflicts in his own inscrutable way. Also repudiated is the myth that he’s something of a predator who steals women’s hearts – although the reader spends a great deal of the book thinking that Howl is relentlessly pursuing various women, it’s ultimately revealed that he is using this motivation as a cover in order to investigate Sophie’s curse and the Witch of the Waste’s ominous activities. As with everything else in this book, it’s quite a delightful inversion of expectations.
Finally, I really enjoyed the way that Sophie’s curse allows her to find a kind of liberation and self-expression that she did not feel she could experience within the constraints of her experience as a young woman:
“As a girl, Sophie would have shriveled with embarrassment at the way she was behaving. As an old woman, she did not mind what she did or said. She found that a great relief.”