Music & Silence

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Set in seventeenth-century Denmark, Rose Tremain's dazzling, prize-winning tale is a pungently atmospheric, richly provocative, and masterfully orchestrated romance of point and counterpoint: loyalty and deception...tenderness and violence...community and alienation...peace and conflict..."Music & Silence." Peter Claire is an English lutenist summoned to Denmark to join King Christian IV's royal orchestra. Designated the king's "Angel" because of the purity of his physical beauty, Peter falls helplessly in love with the lovely companion of Queen Kirsten, the king's adulterous wife. The young musician finds himself dangerously torn between loyalties, ensnared in the deep-seated unrest of a royal court where the forces of good and evil, of harmony and dissonance, are ensconced in a battle to the death.

485 pages, Paperback

First published January 1,1999

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About the author

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Rose Tremain's best-selling novels have won many awards, including the Baileys Women's Prize, the Whitbread Novel of the Year, the James Tait Black Memorial Prize, and the Prix Femina Etranger. Restoration, the first of her novels to feature Robert Merivel, was shortlisted for the Booker Prize. She lives in Norfolk and London with the biographer Richard Holmes.

Community Reviews

Rating(3.8 / 5.0, 99 votes)
5 stars
27(27%)
4 stars
30(30%)
3 stars
42(42%)
2 stars
0(0%)
1 stars
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99 reviews All reviews
April 25,2025
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This is the story of a young English lute player, Peter Claire, who arrives at the Danish Court in 1629 to join King Christian's IV's Royal Orchestra. Although it was difficult to get into, because of many different characters and places during that time period, I soon got into the rhythm of the book and was fascinated by the personalities and plots as they moved along. The stories are intertwined: King Christian the IV as an absolute ruler who must have his musicians play from the cellar; his consort Kirsten who is vulgar, selfish, petty, but humorous; Kirsten's 'general lady' who is drawn into an intense love affair with the lutenist..... although this is not my normal type of book, I loved it!
April 25,2025
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Mixed feelings. Other people I know really loved it, so I was inclined to like it, but it never really grabbed me. I took a while to get into it and to keep track of the range of characters - when I did I got more involved. Though I was never completely convinced by the historical setting or the motivations of some of the characters, especially the women. On the other hand there were some parts where I was caught up in the writing and atmosphere.
April 25,2025
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I almost never re-read, but I'm so glad I did. I read it for the 'I'll Have What You're Reading" readalong, in memory of book podcaster and human being extraordinaire, Jenny Colvin. The title of the readalong was her tagline for her podcast, Reading Envy. The episodes are still online and I highly recommend people check it out and have the Jenny experience. This book is on her Goodreads TBR list, and I am sure she would have loved it.

It's been 15 years since my first reading, and I didn't remember a single thing about the novel, despite the fact that my minimal review shows I was impressed. So this time around I thought I'd do more justice to the book - but now I'm so overwhelmed with all there is to say that I'm exhausted before I start. So I'm just going to flit among my impressions.

I'll start by stating the obvious - the book reads like a symphony. A large cast of fascinating characters act in point and counterpoint to each other; past and present tenses interweave seamlessly; numerous themes rise and fall throughout the story. All this makes the book sound dense and cerebral but it's not, it's engrossing and propulsive and has a little bit of everything plot-wise, from mystery to romance (which I normally hate!) to murder. I don't know much about fairy tales, but it's obvious that some of the characters, their temperaments and situations, evoke fairy tale tropes even though they are firmly grounded in their time and place.

While music is, of course, a driving element of the book, Tremain mercifully never does anything as ham-handed as trying to describe it in words - the power and beauty is there in the thoughts and reactions of the characters. The same goes for silence:
"As they part, both men reflect upon all that might have been said in this recent conversation and yet was not said; and this knowledge of what so often exists in the silences between words both haunts them and makes them marvel at the teasing complexity of all human discourse."

Tremain's writing is understated but not simple - a perfect vehicle for her characters and story. An example is her description of Charles I of England, a character who is present for only a few pages. For me, she captures his essence obliquely but fully and with great sensitivity:
"He did not master the art of walking until the age of seven. Though now, at thirty, he holds himself graciously, there is in his walk some memory of those labours and humiliations of his childhood, a kind of hesitancy that is not quite a limp but more a visible disinclination to put one foot in front of the other.

At the window, he does not move and he does not speak. The palace courtiers know better than to interrupt him when his back is so resolutely turned upon the room. They know that this condition of stillness and silence is consoling to his spirit. For just as walking remains uncomfortable to him, so expressing himself in plain words is very hard for him. It isn't that he does not know, in his head, what he wishes to say; it is simply that what he wishes to say is not what he is able to utter. He can talk to himself with absolute clarity and eloquence. And as with himself, so with God, whom he imagines as a near relation, privy to all the quirks and habits of his mind. But to express himself to his subjects - this is arduous. Sometimes, he will even stammer."

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(Original review, 2009)
Beautiful, subtle historical novel. The period is evoked through character and plot, not description. The kind of novel that gets better and better the more I think about it.
April 25,2025
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I found this book a bit hard to get into, but once I was, I found it hard to put down.

This is a wonderful historical novel set in the early 1600's in Denmark. King Christian IV is a decent king (as a result of his boyhood) with growing concerns (perhaps somewhat paranoid) about the financial state of his kingdom. He lives with his ghastly adulterous wife Kirsten, and retreats from his daily miseries in his chamber music. His musicians are the finest in Europe and they must play for him at will from the unheated basement beneath his sitting room. Enter Peter Claire, an English lute player of fine repute and a beautiful face. Peter falls in love with Emilia, the adulterous wife's lovely young hand-maiden - but the evil wife works to destroy this love (probably because it so real that she envies it).

The tales of the various personalities in this novel are expertly woven and while there is hate and destruction, there is also kindness, true love and some sweet (albeit late) revenge. The reviewer who wrote this was the stuff of fairy tales has it right. Although this is a fairy tale, it is so well written that the reader can hear the sweet calm of the chamber players' music, can smell the virgin forests in which King Christian and his dear boyhood friend, Bror, learn about life and loyalty, and can rejoice in the few moments of true passion in this novel. A wonderful tale of old, very well written, with an excellent story. The author's style of writing in this novel is difficult to get used to in the beginning, but stay with it because it is worth it....
April 25,2025
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Set in 17th century Denmark at the court of Christian the 4th, this book reminds me of a fairy tale by Hans Andersen, for it is full of magic and wonder. The writing is lovely, except for the sections in which certain characters revel in some rather sordid sexual antics. The writing, though, fits the characters and events. There are several witches, a king, the good girl, the hero -- even a boy who works wonders. They are all larger than life -- another element that adds to the feeling of fairytale. There are palaces and buried treasure. This was a theme driven book rather than plot driven, with elements of light and dark, music and silence, fidelity and betrayal. It's a book I would read again, just to savor it even more than I did the first time.
April 25,2025
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"نوميدي جايي است همين نزديكي ها.من فكر ميكنم نوميدي يك روستا است،آنجا مهمانسرايي است و يك مشت خانه،با پيرمردي كه چاقو تيز ميكند."

رمان زيبا،با قلمي جذاب و خاص،هرفصل از رمان از زبان افراد مختلف و با طرزفكر و بيان مختلف نوشته شده بود كه اوايل عجيب،در اواسط هيجان انگيز و در فصل هاي آخر...كسل كننده بود.نقطه اوج رمان تقاطع شخصيتها بود.اواسط كتاب آنقدر گيرا بود كه انتظار پايان خيلي بهتري داشتم با اين وجود بين رمانهاي كلاسيك يك انتخاب خوب و متفاوت بود...
وبخش مورد علاقه ام از كتاب :
"اميد متاع غريبي ست.
مخدري ست.
قسم ميخوريم كه ديگر گردش نگرديم اما ميبيني روزي مي آيد كه ناگهان باز گرفتار و پايبند ميشويم."

"پذيرش،سخت ترين درسي است كه زندگي به ما ميدهد و مهم ترين درسي كه بايد آموخت."
April 25,2025
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Music & Silence was my first Rose Tremain experience and I have to say I’m completely smitten. I listened to the audiobook available on Scribd with the brilliant narration of Michael Praed (you might remember him from the British 80s tv series Robin of Sherwood), Clare Wille and Alison Dowling.

The story is set in the court of Christian IV of Denmark during the 17th century. You have real historical figures like King Christian IV of Denmark (1588-1648), his 2nd wife and consort Kirsten Munk (1598-1658) who gave him 12 children, Kirsten’s German lover Rhinegrave Otto Ludwig, Kirsten’s Maid of the Torso Vibeke Kruse to name a few, and fictional ones. The author transported me in such a way, they all became real to me.

The narration was splendid. Michael Praed was such a pleasant surprise and a perfect choice. But the absolute star for me was Clare Wille, who did the voice of lusty Kirsten Munk, she who is perpetually vexed. What a character! I bought the book so I can read it as well at some point. But do yourself a favor and listen to it on Scribd.

I want to read more Rose Tremain and I want to listen to more Clare Wille!

This is what the professionals had to say about it:

‘A superb novel … a wonderful, joyously noisy book’ - Guardian

‘The best thing from Denmark since Hamlet’ - John Julius Norwich

‘With Music & Silence Rose Tremain returns to the historical novel, for which, as Restoration proved, she has a genius. This is evident not just in the richly imagined sense of period and place, but in the humanity of her characters, historical and fictitious; the way she gets under their skin and into their hearts … Tremain has a masterly grip of the intricacies of structure; Music & Silence is narrated through a variety of perspectives, which intersect and illuminate each other, providing both breadth and intimacy … Tremain seems unable to put a foot wrong. Over and over in this novel one is pulled up short by the truth of a sentence or observation, by the lightness and precision of its expression … This is quite simply a wonderful novel – wise, humane and moving’ - Kate Hubbard, Literary Review


m/f

5 Stars
April 25,2025
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I am a late convert to Rose Tremain's writing - and what beautiful writing it is. Having suffered through some appalling novels of late, it was wonderful to have this novel remind me that there are still some very talented authors out there!

It took me a little while to get used to the episodic nature of this novel - more pronounced than in 'Restoration'- but I found myself engaged by the characters and their stories (even the appalling Kirsten!) and intrigued by the narrative. At times the novel seemed to move a little slowly, but I simply reminded myself to be lulled along by the quiet beauty of Tremain's writing rather than expect a 'high action' drama.
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