After Many a Summer Dies the Swan

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A Hollywood millionaire with a terror of death, whose personal physician happens to be working on a theory of longevity-these are the elements of Aldous Huxley's caustic and entertaining satire on man's desire to live indefinitely. With his customary wit and intellectual sophistication, Huxley pursues his characters in their quest for the eternal, finishing on a note of horror. "This is Mr. Huxley's Hollywood novel, and you might expect it to be fantastic, extravagant, crazy and preposterous. It is all that, and heaven and hell too....It is the kind of novel that he is particularly the master of, where the most extraordinary and fortuitous events are followed by contemplative little essays on the meaning of life....The story is outrageously good."― New York Times . "A highly sensational plot that will keep astonishing you to practically the final sentence."― The New Yorker . "Mr. Huxley's elegant mockery, his cruel aptness of phrase, the revelations and the ingenious surprises he springs on the reader are those of a master craftsman; Mr. Huxley is at the top of his form." ―London Times Literary Supplement .

368 pages, Paperback

First published January 1,1939

Literary awards

About the author

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Aldous Leonard Huxley was an English writer and philosopher. His bibliography spans nearly 50 books, including non-fiction works, as well as essays, narratives, and poems.
Born into the prominent Huxley family, he graduated from Balliol College, Oxford, with a degree in English literature. Early in his career, he published short stories and poetry and edited the literary magazine Oxford Poetry, before going on to publish travel writing, satire, and screenplays. He spent the latter part of his life in the United States, living in Los Angeles from 1937 until his death. By the end of his life, Huxley was widely acknowledged as one of the foremost intellectuals of his time. He was nominated for the Nobel Prize in Literature nine times, and was elected Companion of Literature by the Royal Society of Literature in 1962.
Huxley was a pacifist. He grew interested in philosophical mysticism, as well as universalism, addressing these subjects in his works such as The Perennial Philosophy (1945), which illustrates commonalities between Western and Eastern mysticism, and The Doors of Perception (1954), which interprets his own psychedelic experience with mescaline. In his most famous novel Brave New World (1932) and his final novel Island (1962), he presented his visions of dystopia and utopia, respectively.

Community Reviews

Rating(4 / 5.0, 100 votes)
5 stars
32(32%)
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32(32%)
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100 reviews All reviews
April 17,2025
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This will take some digesting and a second read.

I don't really know what this book is about. It is about everything and nothing at the same time. It is about good and bad, the meaning of life, and assorted debates people have with themselves about living a "good" life. (Is it?) My confusion comes as the narrative is hard to follow. I thought I knew what was going on with the longevity studies, then Virginia seemed to come from nowhere and what is Jeremy even doing? He was the first character and I don't know where he fits anymore... Yeah there are some great one liners and it dose prompt the reader to ask questions of their own life choices, so good job Huxley. But as a cohesive whole I do not see it. Yet.

Well I finished. The end picked up momentum and finished with a bang (literally). I enjoyed reading it just because of the beautiful language and writing style really.
April 17,2025
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رواية عميقة مليئة بالأفكار،ربما الترجمة رغم انها جيدة الا انها ليست بالمستوى. ثم ان هذا العمل ان الرواية هذه غير سردية. بصراحة اسلوب مغاير لكثير مما قد كتب
April 17,2025
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Three and a half stars. Huxley sure wrote a vehicle to bring his thoughts and opinions to the forefront All in all, the plot of the story stands well. The philosophic asides became a bit much and were sometimes annoying. Not to say though, that I didn't glean some interesting and thought provoking information from these meanderings. The conclusion seemed a bit rushed.
April 17,2025
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I was a Huxley fan in my youth, with a shelf of all his works (mostly Granada? Picador? paperbacks, with some rotten old early 20th century hardbacks mixed in) as well as the Bedford and Dunaway biographies... So when I began re-reading this novel a few days ago, I was full of nostalgia. The polysyllabic vocabulary! The learned references! The irony!

Midway through, however, I ran out of steam. It's all talking heads, abstract philosophical polemics... Huxley was surely a brilliant humanist: the last Victorian, maybe. Surely one of the last polymaths... But he wasn't a good writer. Whatever it was that had me enchanted at age 20 is gone at age 53.
April 17,2025
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In many ways I like this book better than Brave New World, a book I stand by unreservedly. A satirical and philosophical exploration of futility, mortality, and enlightenment set in Huxley's very modern stereotype of the Southern California of the 1930s, it made me want to read both his spiritual book, The Perennial Philosophy, and Mike Davis's book on LA, City of Quartz. Some reviewers seem to think it is too dated to get 5 stars now, but I would argue (although I'm not going to get into it here) that considering when a work was written is critical in evaluating it, even if that means overlooking many elements that might seem quaint, even naive, to contemporary readers. We are talking about a book published in 1939, after all.
April 17,2025
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The opening chapters of this novel are laugh-out-loud funny as Huxley introduces us to the absurd fantasy world of Hollywood in the late-30s. The characters Stoyte and Virginia were apparently based on Hearst and Marion Davies, so one could almost read this after watching Citizen Kane.

Despite the humor of the opening pages, Huxley is unable to maintain that tone. Although humor and irony certainly continue through the novel (especially the end!), the middle of the book transforms into a collection of essays fashioned as dialogues and long monologues, in which Huxley presents a slew of counterintuitive arguments and observations about human nature, many of which are quite cynical (and correct!): time does not trend toward progress but toward destruction; humanity believes that longer lifespans will lead to more time to attain greater wisdom and reduce social ills, when in reality it only leads to more blunders; every so-called moral advancement or achievement in human history that “moves us forward” – from revolutions to democratic movements to defeating tyrants – eventually leads to greater misery, deeper oppression, and more brutal tyranny; modern medicine desires to relieve suffering, but ultimately succeeds in prolonging it; the greatest works of literature in the world were written by artists precisely because they suffered, and if modern medicine had existed in their time, they would have been cured of their illnesses and therefore would never have produced their masterpieces; etc.

The ultimate message of the novel is that man’s search for eternal life, immortality, or the Fountain of Youth is actually a quest that ends in his devolution. (DEVO fans should read this one!) It’s really an extraordinarily insightful – and, again, deeply cynical – view of the haplessness of human nature. Huxley also includes his favorite recurring image: monkeys as stand-ins for humans, reinforcing, as he wrote in Ape and Essence, that we are merely “prurient apes.”

These long, essay-like monologues soon grow slightly wearying, especially after the amusing opening, so I can’t claim this is one of Huxley’s best. But the ending is fantastic (in all the connotations of that word!), and it might make a good supplementary reading along with some of his essays on science and medicine, as well as his better novels – Ape and Essence, Island, Brave New World, etc.
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