Franny and Zooey

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‘Everything everybody does is so—I don’t know—not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and—sad-making. And the worst part is, if you go bohemian or something crazy like that, you’re conforming just as much only in a different way.’

First published in The New Yorker as two sequential stories, ‘Franny’ and ‘Zooey’ offer a dual portrait of the two youngest members of J. D. Salinger’s fictional Glass family.

Franny Glass is a pretty, effervescent college student on a date with her intellectually confident boyfriend, Lane. They appear to be the perfect couple, but as they struggle to communicate with each other about the things they really care about, slowly their true feelings come to the surface. The second story in this book, ‘Zooey’, plunges us into the world of her ethereal, sophisticated family. When Franny’s emotional and spiritual doubts reach new heights, her older brother Zooey, a misanthropic former child genius, offers her consolation and brotherly advice.

Written in Salinger’s typically irreverent style, these two stories offer a touching snapshot of the distraught mindset of early adulthood and are full of the insightful emotional observations and witty turns of phrase that have helped make Salinger’s reputation what it is today.

201 pages, Paperback

First published January 1,1957

Literary awards

About the author

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Works, most notably novel The Catcher in the Rye (1951), of American writer Jerome David Salinger often concern troubled, sensitive adolescents.

People well know this author for his reclusive nature. He published his last original work in 1965 and gave his last interview in 1980. Reared in city of New York, Salinger began short stories in secondary school and published several stories in the early 1940s before serving in World War II. In 1948, he published the critically acclaimed story "A Perfect Day for Bananafish" in The New Yorker, his subsequent home magazine. He released an immediate popular success. His depiction of adolescent alienation and loss of innocence in the protagonist Holden Caulfield especially influenced adolescent readers. Widely read and controversial, sells a quarter-million copies a year.

The success led to public attention and scrutiny: reclusive, he published new work less frequently. He followed with a short story collection, Nine Stories (1953), of a novella and a short story, Franny and Zooey (1961), and a collection of two novellas, Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963). His last published work, a novella entitled "Hapworth 16, 1924", appeared in The New Yorker on June 19, 1965.

Afterward, Salinger struggled with unwanted attention, including a legal battle in the 1980s with biographer Ian Hamilton. In the late 1990s, Joyce Maynard, a close ex-lover, and Margaret Salinger, his daughter, wrote and released his memoirs. In 1996, a small publisher announced a deal with Salinger to publish "Hapworth 16, 1924" in book form, but the ensuing publicity indefinitely delayed the release.

Another writer used one of his characters, resulting in copyright infringement; he filed a lawsuit against this writer and afterward made headlines around the globe in June 2009. Salinger died of natural causes at his home in Cornish, New Hampshire.

Community Reviews

Rating(4.2 / 5.0, 98 votes)
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98 reviews All reviews
April 17,2025
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This is in actuality two short stories combined by the enigmatic writer to form a novel and even together not very long at that.. The opening looks rather ordinary a boy waits for his girl at a train station ( set in the 1950's) in an unnamed city in the eastern U.S., as the unpleasant cold, winter weather freezes the college student's bones. Lane Coutell is ambitious, happy, wants to make a splash in the world just the opposite of his girlfriend, Franny ( Frances) Glass of the brilliant yet troubled large family. Disillusioned by college, teachers are idiots and hypocrites, like their victim the students. Only caring about themselves and lacking passion for their jobs, going through the motions and nothing more...acting. FRANNY HAS SEEN THE LIGHT having read a book, "The Way of the Pilgrim " and its sequel, "The Pilgrim Continues his Way" by an anonymous writer a poor peasant, with a bad arm, a seeker of truth trying to find God's will from the 19th century , he wandered through massive Russia. Speaking to countless people most very friendly surprisingly, monks are glad to talk about religion to the amiable pilgrim . Franny becomes enamored (obsessed a better word) by these books, carrying them around in her purse. The much anticipated weekend crashes... like a baseball striking a glass window (pun intended). Fainting spells, arguments about teachers in their respective schools, what is really important, life in general an unpleasant atmosphere ....Second part Zooey, ( Zachary) a good- looking T.V. actor, however not a big man at 25, five years older than his little sister pretty Franny, both are at their parents apartment in New York City. He is trying to read somehow an old letter while taking a bath, mother enters...Zooey calls her Bessie and the father Les, former showbiz stars she is worried about Franny now sleeping on the couch in the living room, arriving a few days ago from the disastrous weekend, sick in heart and body...Begs him to talk to her, afraid the daughter is having a nervous breakdown, the uncomfortable son agrees. The siblings discuss her strange behavior she hates school, friends and professors quits acting in her college play everything is stupid, nothing matters but becomes a fanatical reader of the poor Pilgrim's thoughts about Jesus...Small book with big ideas ...still not loved by all in truth, heavyweight or lightweight material...you decide. I myself believe it was well worth the rather confusing trip.
April 17,2025
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جایی از داستان مادر میگوید این همه دونستن و باهوش بودن اگه آدم رو خوشبخت نکنه به چه دردی میخوره؟
این درد و رنجیست که آدمهای داستان گرفتارش هستند باهوش هستند و بسیار می‌دانند اما این دانستن کمکی به خوشبختی آها نمی‌کند دائم در نگرانی و بحران و اضطراب فرو می‌روند و هر چه دانششان بیشتر میشود این فرو رفتن هم بیشتر میشود. فرانی دچار تهوع شده. تهوع نفی, نفی همه چیز و زویی سعی میکند اورا با حرف زدن احیا و نجات دهد. آن جایی که میگوید در دنیا چیزهایی زیبایی وجود دارد اما ما انقدر احمقیم که همیشه هر چیزی را به خود نکبتمان برمیگردانیم و اشاره ای دارد به برگشتن به معصومیت دوران کودکی. تهوع و بحران بعد از کودکی شروع میشود مثل داستان ناتوردشت و برگشتن هولدن کالفیلد پیش خواهر کوچکش که در پایان همان خواهر کوچک باعث نجاتش میشود
یا وقتی فرانی از پرفسور تاپر انتقاد میکند زویی میگوید با آدمها مخالفت کن نه با ظاهر و حرفها که نشان از نگاه او به عمق آدمهاست.
زویی آنجا که مادر برای فرانی که در حال ذکر گفتن است سوپ مرغ می‌آورد و فرانی میگوید حالش را بهم میزند میگوید تو نتوانستی عشقی که مادر در تهیه سوپ داشته ببینی پس گفتن ذکر هم بی‌فایده است.
زویی میتواند زندگی روزمره و تکرارها را ببیند و با آن کنار بیاید. پشت یک سوپ مرغ نگرانی و عشقی که برای تهیه آن صرف شده میبیند و از فرانی هم همین را میخواهد
سیمور برادر بزرگترشان است که خودکشی کرده .سیمور کسی بوده که به جای ظاهر, عمق و معنا را میدیده و به ز��ی معمولی عشق می‌ورزیده.
در مرحله ی اول است که انسانها نفی میشوند او از این مرحله گذشته و به آخرین مرحله یعنی برگشتن به آدمها و عشق ورزیدن به آنها رسیده. نوعی سلوک پیامبرانه از جنس به اوج رفتن و باز میان مردم برگشتن. پیامبرانه نه عارفانه چون عارفان بعد از اوج نمیخواهند میان انسانها برگردند.
شاید زویی از سیمور هم بالاتر باشد که خودکشی نکرده.
تفکر سلینجر این است که انسان از حیث انسان بودن قابل احترامند نه از حیث رفتار و بر این تاکید میکند که اگر آنچه انجام میدهند رااز خودشان تفکیک کنیم آن وقت است که میتوانیم با دنیا ارتباط مثبتی برقرار کنیم.
April 17,2025
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In un punto de “The Great Gatsby” (che era il mio “Tom Sawyer”, quando avevo dodici anni), il giovane narratore fa notare come tutti quanti pensino di avere una almeno delle virtù cardinali, e prosegue dicendo che secondo lui, il cielo lo benedica, la sua è l’onestà. La mia, credo, è quella di sapere quale sia la differenza fra una storia mistica e una storia d’amore. Le storie che metto in circolazione, in altre parole, non sono né mistiche né religiosamente mistificatrici. Io sostengo che si tratta di pure e complicate storie d’amore, d’un amore multiplo o composito.

“Non riesco proprio a capire cosa vi sia successo, a tutti quanti,” disse la signora Glass in tono vago, senza girarsi. Si fermò vicino a una delle sbarre cromate e raddrizzò un asciugamano. “Ai bei tempi della radio, quand’eravate bambini e tutto il resto, eravate tutti così … intelligenti, allegri e … sì, adorabili. Mattino, pomeriggio e sera. Non capisco proprio a cosa serva sapere tante cose ed essere tanto intelligenti e così via, se non riuscite a essere felici.”
April 17,2025
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Много ме чуди што позоришна адаптација за ову књигу не постоји. Од прве до последње странице пред очима ми је била сцена, ја у трећем реду и четири глумца, јер управо толико ликова има у овом кратком роману. Иако ми ликова не мањка, број страна би могао бити већи, што је једино што замерам књизи. Од оних сам који воле опширна дела, поготово кад ми се ликови у њима допадну као што ми се овде Зуи допао. Његове монологе бих иштампала и полепила свуда по кући, иако добро знам да су то само наклапања једног двадесетпетогодишњака, исто толико погубљеног као и остали његови вршњаци. Рекла бих да је роман великим делом управо о томе, али се у њему истичу и слике породичних односа, који су час дисфункционални час изненађујуће функционални. Изнад свега, религијске и философске теме лебде у ваздуху и ушушкавају ликове у свет који им је познат и ког се чврсто држе. Уколико волите да са својим пријатељима разглабате до касно у ноћ о свему и свачему, мислим да ће вам се и те како свидети.
April 17,2025
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توی رستوران قطار، ساعت ۵ صبح تموم شد!
بخش اول که فرنی هست، ریتم تندتری داره و جذاب پیش می‌ره و تورو با خودش می‌بره.
بخش دوم که زویی باشه، با دیالوگ جلو می‌ره(مثل بخش اول) اما کشش نداره و هی حرف می‌زنن و ممکنه خسته شی. ولی ادامه بده چون سلینجر ضربه نهایی‌شو توی ۲۰ صفحه آخر قایم کرده. اینکه تا اونجا میاد تفکری رو شرح می‌ده و گرایش به عرفان رو که فرنی درگیرشه، هی باز می‌کنه و اخر ماجرا، زویی شروع می‌کنه به نقد کردن این تفکر و این روش زندگی و این حجم از شاکی بودن نسبت به دیگران، درصورتی که اگر دنبال درست بودن بقیه هستیم، اول باید خودمون نسبت به اشتباه‌هاشون و اداهاشون انقدر دقیق نباشیم و خودبزرگ‌بینی نداشته باشیم!
April 17,2025
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راه های نرفته، سعی های نکرده، حرفهای نگفته، و دنیایی که همیشه این همه براق، ردیف و بر وفق مرادمون نیست. یه جایی تو زندگی هامون هست که بالاخره با یه خلا بزرگ ذهنی و قلبی مواجه میشیم و می رسیم اول جاده ای که تهش می رسه به پوچی مطلق
خیلی ها به تهش نمی رسن البته چون اون وسط ها دست آویزهای متفاوت و رنگارنگی پیدا میکنن که مسیرشون رو به جاده های دیگه ای تغییر میده. با این وجود مابین تمام اون جاده ها و دست آویزها یکیشون هست که از بقیه وسوسه برانگیزتر و خطرناک تره... اونی که میره سراغ فلسفه و معنویات ، که به قول داستان اگر به بی راهه بره آخرش می رسه به فروپاشی ذهنی و به جنون کشیده شدن مسافرهاش

همه ی حرف کتاب این بود که چطور می تونیم به زندگی هامون معنا و مفهموم تازه و متفاوتی ببخشیم که ما رو قادر کنه که از این مسیر پر پیچ و خم به سلامت عبور کنیم!؟
و اما جواب : اینکه مهم نیست در این دنیای گسترده چقدر معمولی و از نظر جسمی ضعیف باشیم، این هنر رقصیدن با مشکلاتمون هست که از ما آدم ها موجودات قدرتمندی می سازه. اون لحظه ای که دست به انجام درست ترین کار ممکن می زنیم بدون اینکه نظرات و عقاید دیگران اهمیت و ارزشی برامون داشته باشه، اون لحظه ست که می تونیم از همین هستیِ به ظاهر کوچیک و بی ارزشمون نهایت لذت رو ببریم و ته قلبمون خوشحال باشیم که در این مسیر، یک قدم دیگه رو با افتخار و رو به جلو برداشتیم
****

یک امتیازی که کم میکنم فقط واسه اینه که فکر کنم تو این کتاب نزدیک 40 تا بسته سیگار کشده شد که واقعا هم لزومی نداشت.یعنی من دیگه اون آخرهای کتاب کم کم احساس خفگی بهم دست داده بود
:)))
April 17,2025
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What a magnificent book. To make a book out of a conversation between brother and sister, and making it interesting and profound, is masterful. The conversation is actually about between being religious or not, they call it the Jesus-prayer. Then a discussion starts about between living for it or not. Here I stop my review. Because it's so compact a telling the risk is there about spoilers.
April 17,2025
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I think I lost count of the number of times I've read this little book. The first time more than forty years and then periodically every few years. I'm sixty-two-years-old today and I just realized that there will come a time when all I will want to do is re-read the books that have impacted me in some way or another. There's not much time, you know. This is a religious book written at a time much like our own when writing a book with religious themes was a risky endeavor. The author risked being branded as didactic - someone more interested in conveying a message than in entertaining you. Risky business made even riskier by the fact that nothing happens here. Where's the suspense in the story of a young girl repeating the Jesus prayer as if her life depended on it? I tell myself that I come back to the book for the writing. The way Salinger mixes humor with quotes from the Bhagavad Gita, the unbelievable description of the contents of a medicine cabinet, the seamless way the author takes you inside one character's mind in one line and to another's mind in the next. Wait. How did he just do that? But as it always happens, I soon stop noticing the literary magic and find myself feeling what the characters are feeling and believing they are as real as real. And real too is their longing that there has to be more to life than the hungers of our ego. That longing for a way to live that is not phony (to use one of Salinger's favorite words) is a universal longing that cuts across all major religions, all moral reflection. It's not so much that the book has a message as that it puts us in a place where we are more likely to remember a message we've forgotten. The older I get the more I understand that a book can be a vehicle for grace. The grace, the gift a book bestows, need not be considered as having a divine origin for you to be open to it. All that is needed is a listening quality, an awareness that the book is reminding you, bringing back to life, something in you that needs to be awakened.
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