...
Show More
tLegitimately, probably the worst novel I've ever read. Neither interesting nor intellectually intriguing, it seems Eggers debut novel was meant to satisfy nothing more than his public posture.
tTake a deep breath all you uninteresting white males: your story is not unique, your suffering is not beautiful. You are a selfish asshole, just like everyone else, yet without fail an infinite number of these "cerebral" authors sublimate their own perceived struggles into meaningless, emotionless, and reprehensible characters, all of which are drawn with the heaviest of hands.
tThe actual plot to this novel was so profoundly stupid that I found myself laughing out loud. As if we are not privileged enough as Americans, we need to take our almighty dollar to far away lands and pour cash into the laps of those wretched souls, or bury it in their soil, or strap it to their livestock, all to give some "meaning" to our lives.
tThere must be a massive wheel that all author's consult (not unlike an oracle) when they attempt to write their next novel. At the wheel, the author spins for character, occupation, plot, and obscure friend with strange name. For instance: Will is a lightbulb silhouette who is paid for his work still feels guilty, and decides to fly to poor places and tape money to animals with his friend Hand.
tHow infuriating is it that in this multi-national piece, every poorly constructed character these two jackoffs encounter is somehow an adept English speaker? Or that all they want to discuss is the Chicago Bulls or American pop music? This novel is so incredibly selfish that it would have read no differently if the locations were set entirely on American soil.
tGenerally when I encounter something as poorly constructed as this novel, I let it speak for itself:
t
t"Hand, it's what we did to that cow."
t"Will. It's not the cow."
t"Hand, we burned that cow alive."
t"The cow was dying."
--
t-I know.
t-C'mon
t-Really.
t-Sure.
t-Good. Okay. Shit.
t-Okay--
t-Man this is like helium.
This novel is built on truly profound dialogue. Though I will admit, I got a great chuckle out of the father falling from the balcony and crushing the mother. Characters enter and exit the novel constantly, but one of the most poorly named character of all-time was the middle-school girl named Terri Glenn. Perhaps she outgrew this novel and started at wide receiver for the New England Patriots, I guess we'll never know. I'll close this review with a few of Eggers own words:
t"Every story, Hand, is sadder than ours."
***
tDespite reading two horrific fictive pieces, I may give Eggers another shot with regards to his non-fiction. Although, after digging briefly, I've found he was behind several lackluster screenplays: Away We Go and Where the Wild Things Are. So that's awful.
tTake a deep breath all you uninteresting white males: your story is not unique, your suffering is not beautiful. You are a selfish asshole, just like everyone else, yet without fail an infinite number of these "cerebral" authors sublimate their own perceived struggles into meaningless, emotionless, and reprehensible characters, all of which are drawn with the heaviest of hands.
tThe actual plot to this novel was so profoundly stupid that I found myself laughing out loud. As if we are not privileged enough as Americans, we need to take our almighty dollar to far away lands and pour cash into the laps of those wretched souls, or bury it in their soil, or strap it to their livestock, all to give some "meaning" to our lives.
tThere must be a massive wheel that all author's consult (not unlike an oracle) when they attempt to write their next novel. At the wheel, the author spins for character, occupation, plot, and obscure friend with strange name. For instance: Will is a lightbulb silhouette who is paid for his work still feels guilty, and decides to fly to poor places and tape money to animals with his friend Hand.
tHow infuriating is it that in this multi-national piece, every poorly constructed character these two jackoffs encounter is somehow an adept English speaker? Or that all they want to discuss is the Chicago Bulls or American pop music? This novel is so incredibly selfish that it would have read no differently if the locations were set entirely on American soil.
tGenerally when I encounter something as poorly constructed as this novel, I let it speak for itself:
t
t"Hand, it's what we did to that cow."
t"Will. It's not the cow."
t"Hand, we burned that cow alive."
t"The cow was dying."
--
t-I know.
t-C'mon
t-Really.
t-Sure.
t-Good. Okay. Shit.
t-Okay--
t-Man this is like helium.
This novel is built on truly profound dialogue. Though I will admit, I got a great chuckle out of the father falling from the balcony and crushing the mother. Characters enter and exit the novel constantly, but one of the most poorly named character of all-time was the middle-school girl named Terri Glenn. Perhaps she outgrew this novel and started at wide receiver for the New England Patriots, I guess we'll never know. I'll close this review with a few of Eggers own words:
t"Every story, Hand, is sadder than ours."
***
tDespite reading two horrific fictive pieces, I may give Eggers another shot with regards to his non-fiction. Although, after digging briefly, I've found he was behind several lackluster screenplays: Away We Go and Where the Wild Things Are. So that's awful.