Book of Haikus

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Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his ‘American’ haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In this edition, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haikus, from both published and unpublished sources. The result is a compact collection of more than five hundred poems that reveal a lesser known but important side of Jack Kerouac’s literary legacy.

200 pages, Paperback

First published January 1,2003

About the author

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Jean-Louis Lebris de Kérouac, known as Jack Kerouac, was an American novelist and poet who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.
Of French-Canadian ancestry, Kerouac was raised in a French-speaking home in Lowell, Massachusetts. He "learned English at age six and spoke with a marked accent into his late teens." During World War II, he served in the United States Merchant Marine; he completed his first novel at the time, which was published more than 40 years after his death. His first published book was The Town and the City (1950), and he achieved widespread fame and notoriety with his second, On the Road, in 1957. It made him a beat icon, and he went on to publish 12 more novels and numerous poetry volumes.
Kerouac is recognized for his style of stream of consciousness spontaneous prose. Thematically, his work covers topics such as his Catholic spirituality, jazz, travel, promiscuity, life in New York City, Buddhism, drugs, and poverty. He became an underground celebrity and, with other Beats, a progenitor of the hippie movement, although he remained antagonistic toward some of its politically radical elements. He has a lasting legacy, greatly influencing many of the cultural icons of the 1960s, including Bob Dylan, The Beatles, Jerry Garcia and The Doors.
In 1969, at the age of 47, Kerouac died from an abdominal hemorrhage caused by a lifetime of heavy drinking. Since then, his literary prestige has grown, and several previously unseen works have been published.

Community Reviews

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April 17,2025
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Loved this.

I was only familiar with some of Kerouac's poetry before, but never knew he was so adept at writing haiku until discovering this book.

The haiku here are written in Kerouac's own inimitable style - that is to say he bends the traditional rules just a tad, ha. But what a result, or should I say results.

What this book offers is a treasure of vividly sketched vignettes of nature and life, more emotionally arresting than they first seem. In the past few weeks since I got this book, I've carried it with me while traveling (it's almost pocket-size) as a kind of Zen handbook, each individual haiku offering a sip of meditative revelation. I enjoyed them immensely; more so than ordinary haiku which I always find get a bit boring after a few. But Kerouac's style of writing is so infused with energy and free-spiritism that it's hard not to feel affected by them. I just love how these haiku (or haikus as Jack liked to say) seem so casual and off-the-cuff, but as we see from some images of Kerouac's notebooks in the introduction, are actually a result of self-imposed strict editing.

I should also add that there is a great introduction to this book by an enthusiastic Kerouac scholar, which was very insightful and really added to the collection.

Yep it's safe to say that this collection makes me love Kerouac even more than ever.
Just some of my favourites include:

The sky is still empty,
the rose is still
on the typewriter

One flower
on the cliffside
nodding at the canyon

Quietly pouring coffee
in the afternoon
How pleasant!

Straining at the padlock
the garage doors
at noon

The other man, just as
lonesome as I am
In this empty universe

The tree looks
like a dog
barking at Heaven

But there are so many more! If you are a fan of Kerouac's prose then you have to try his poetry side. It's, as to be expected, pretty darn cool.
April 17,2025
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See Susan Budd's review. I think Jack's best work is as a haiku poet. The form suited him and he suited the form. Many of these are excellent, and many of the ones I think just don't work were the careful result of experimenting with craft and content. The collection is a little bit worse for the inclusion of too many of these failures, in my view. Nevertheless, even Jack's failures are interesting and instructive and potentially fruitful.
April 17,2025
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هایکو یه سبک شعری ژاپنیه؛ مثل شعر نوی فارسی. توی هایکو هجاها خیلی مهمن. البته که این هجاها توی زبان ژاپنی تعریف میشن و اگه کسی بخواد هایکوی فارسی، انگلیسی و... بگه، اون هجاهای ژاپنی کاربردی ندارن.
جک کرواک اومده و هایکوی ژاپنی رو با زبان انگلیسی تطبیق داده و از دلش سبک شعری پیدا شده که هم با زبان انگلیسی همخوانی داره هم از نظر ادبی با نسخه‌ی ژاپنیش فرق داره.
موقع خوندن کتاب بیشتر از اینکه با شعری شرقی یا غربی مواجه باشیم، کلماتی غربی رو میخونیم که به شدت شیفته‌ی فرهنگ شرقن. حالت صورت کرواک رو میتونم موقع گفتن این هایکوها تصور کنم:)
April 17,2025
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Kerouac’s haikus have personalities, they’re so simple, yet they can tell a whole story. They’re full of originality, wit, and imagination. It’s such an enjoyable and light read. The book also gives historical literary info about Kerouac’s literary style/genre/movement (beatnik generation) and categorizes the haikus in recurring themes, which I appreciated. It’s also cool to read some of his haikus that have similar motifs, but are used differently.
April 17,2025
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The beauty of haiku--I suppose the beauty particularly of the haiku found in this volume, coming as it does from a prosaic Western perspective and being transmitted to a prosaic Western mind/reader--is that there is simultaneously a a degree of specificity and universality to the images (or, if you like, symbols) evoked. I have observed images so similar to some described in this book, that it is almost as though Kerouac's shade were what I'd mistaken for that cast by the tall birch in a park once sat beneath--him with with a ghostly notebook, scribbling my unconsciously dharmic doings unbeknownst to me.

Attention is love,
and

love and hate are
almost one
--mostly in

choosing
their object
and that

(object of)
one can
so easily

become the other

--contingency
April 17,2025
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Questi gli Haiku che più mi son piaciuti


Un fiore
sull’orlo di un dirupo
Ammicca al canyon

Ape, perché continui
a fissarmi?
Non sono un fiore!

Mao Tse-tung si è preso
troppi Funghi Magici
Siberiani quest’autunno

Una tartaruga s’arrampica
sopra una trave,
A testa alta

La vacca si fa una grande
favolosa cacata, e si volta
A guardarmi

La mia farfalla è venuta
a posarsi sul mio fiore,
Me Signore

Il sogno di Dio,
È soltanto
Un sogno


ma soprattutto questa

Gengis Khan guarda fiero
verso est, con occhi rossi,
Bramando la vendetta d’autunno


quando leggo nelle note, da un taccuino di Kerouac del 1965:
"Una sequenza su Gengis Khan deve cominciare con lui che vaga per la steppa solo e ubriaco, e quando giunge all’accampamento mongolo entra in una tenda e si siede – poi scopre che è la sua tenda (Le guardie e le guide l’hanno seguito per tutta la notte sul suo pony ubriaco)"
April 17,2025
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As much as I enjoy Kerouac, especially his esoteric/unconventional approach to poetics, I have enjoyed other collections of his poetry/haiku a little better than this one, which achieved its intention of being a comprehensive overview of his approach to the haiku form at the expense of a lighter/less selective editorial hand that resulted in a somewhat unbalanced, meandering straight-through read. Depending on what you're looking for, this may be a bad or a good thing.

I can generally recommend both Scripture of the Golden Eternity and Pomes All Sizes as being better representations (to my taste, at any rate) of Kerouac as poet and spiritual aspirant.

However, as a late entrant to the Kerouac canon, I do appreciate this volume for its chronological structure and the depth of its insight into Kerouac's pursuit of form.
April 17,2025
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"Calcio mancato
allo sportello del frigo,
ad ogni modo si è chiuso." (Pag.14)

"La Luna nuova
è l'unghia di un dito
del piede di Dio" (Pag.38)

"Sesso-sbattersi per procreare
laddove
la Provvidenza lo permette" (Pag. 67)

"Due nubi si baciano e
si sostengono guardandosi
l'un l'altra." (Pag. 122)

Kerouac mi piace proprio. E' riuscito a manipolare la struttura base dell'haiku classico, lo ha rivoltato e lo ha adeguato al suo tempo e alla sua parlata. E in tutto questo non ha comunque stravolto il senso poetico e intimistico che l'haiku deve conservare per essere definito tale. Bravo, bravo e ancora bravo.
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