Orient Express

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As the Orient Express hurtles across Europe on its three-day journey from Ostend to Constantinople, the driven lives of several of its passengers become bound together in a fateful interlock. The menagerie of characters include Coral Musker, a beautiful chorus girl; Carleton Myatt, a rich Jewish businessman; Richard John, a mysterious and kind doctor returning to his native Belgrade; the spiteful journalist Mabel Warren; and Josef Grunlich, a cunning, murderous burglar.

What happens to these strangers as they put on and take off their masks of identity and passion, all the while confessing, prevaricating, and reaching out to one another in the "veracious air" of the onrushing train, makes for one of Graham Greene's most exciting and suspenseful stories. Originally published in 1933, Orient Express was Greene's first major success. This Graham Greene Centennial Edition, originally titled "Stamboul Train," features a new introductory essay by Christopher Hitchens.

197 pages, Paperback

First published January 1,1932

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About the author

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Henry Graham Greene was an English writer and journalist regarded by many as one of the leading novelists of the 20th century.
Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted for the Nobel Prize in Literature several times. Through 67 years of writing, which included over 25 novels, he explored the conflicting moral and political issues of the modern world. The Power and the Glory won the 1941 Hawthornden Prize and The Heart of the Matter won the 1948 James Tait Black Memorial Prize and was shortlisted for the Best of the James Tait Black. Greene was awarded the 1968 Shakespeare Prize and the 1981 Jerusalem Prize. Several of his stories have been filmed, some more than once, and he collaborated with filmmaker Carol Reed on The Fallen Idol (1948) and The Third Man (1949).
He converted to Catholicism in 1926 after meeting his future wife, Vivienne Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He died in 1991, aged 86, of leukemia, and was buried in Corseaux cemetery in Switzerland. William Golding called Greene "the ultimate chronicler of twentieth-century man's consciousness and anxiety".

Community Reviews

Rating(4.1 / 5.0, 100 votes)
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100 reviews All reviews
April 25,2025
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I much prefer “Stamboul Train” the original UK title. I picked this short book up out of curiosity mainly. I count The Quiet American as one of the best books I have read ever and I have a real soft spot for Greene as a result.

The back of the Bantam paperback I read (as well as its risqué cover) would have had me believe that this was a spy novel along the lines of Ian Fleming. But it wasn’t that at all, although there was some sex and intrigue. But it also had characters pondering morals and their place in the world, which is more of what I have come to expect from Greene.

The story is about a disparate group of people traveling on the Orient Express, which in the book runs from Paris to Istanbul with major stops in Belgium, Germany, Austria, Hungary and Serbia. As the train winds its way on the three day and night journey, disparate train passengers get mixed up in each other’s lives. In particular, there is a young Jewish businessman and a chorus girl both traveling to Turkey for professional reasons who meet up when the girl falls ill and a former doctor traveling on a British passport who clearly is not English. In Germany, they pick up a beautiful woman and her journalist companion who recognizes the doctor’s true identity.

There was so much anti-Semitism present in this book, which was first published in 1933. This is not only shown overtly by the author in making the more boorish characters clearly prejudiced and small minded but also inadvertently with Greene adhering to what he probably felt were “positive” yet stereotypical portrayals. This kind of attitude isn’t totally unfamiliar to me because I read a fair amount of older books but YIKES it bugged me. Interestingly enough there is also a clearly lesbian character who receives kinder (though still often stereotypical) treatment.
April 25,2025
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Not GG's best outing but very entertaining all the same. His fourth novel. I really liked the Mabel Warren character, she reminded me of Beryl Reid in 'The Killing of Sister George', I do love it when older posh people swear, so elegant.

Was confused about Myatt, the Jewish currant seller who is subject to anti-semitism. He's a knight in shining armour, a spoiler of maidens and happy to marry for money and convenience. His recollections of Spaniards Road were bizarre, drunken girls offering themselves to men in carriages for gin and cigarettes. I live not far from there, it's bit more genteel these days, posh women in their Chelsea tractors who swear at cyclists, very elegant.
April 25,2025
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With themes of sacrifice and betrayal Greene's Stamboul Train/Orient Express/Stamboul Express is able to provide a moving bio-dome of the human experience on this train headed to Constantinople. There is a definite reason trains are so often used in literature and film. The sealed quality, the movement, the modernity gives the writer room to experiment with characters and themes in a way that others settings would make difficult.

This isn't a major Greene novel. Greene definitely wrote better as he matured. But, for those who love Graham Greene's approach to literature and story-telling, this book is a must. Greene's characters are amazing in their capacity for love, sacfrice, betrayal and tragedy. That is what makes Greene's novels so compelling and his characters so believable.
April 25,2025
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When initially picking up this book, I thought it was some sort of attribution to Agatha Christie's murder on the Orient express, however, I came to realize that Graham Green's Stambaul Express was renamed the Orient Express when it was published in the US. Anyway, in terms of the story line, I was thoroughly disappointed with the characters in this book as they consisted of power-hungry men, sexual assaulters, ditsy women, crazed lesbians, and an anti-Semitic description on Jews traveling Europe in the early 1900s. this book is also another prime example of a man writing about and describing women in a degrading and body-oriented way- not my fav. I think that words like "figure", "breast", and "slim" we’re used on practically every page when describing a female character. While this book is a time period piece and I understand that the views expressed were not necessarily an issue in 1933, the same ideas have not crossed over gracefully into the modern era. However, for all the negative I just spewed about this book- I did rather enjoy the suspense, the transition of storylines between characters and POV( i think it was clean and tied together very nicely) and i enjoyed the language when describing the plot. dialogue was rather lengthy and hard-to-follow but overall i did enjoy the story itself.
April 25,2025
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Greene’s first three published novels were failures. He was desperate for this one to succeed.

Greene later labeled it one of his “entertainments” but, as Christopher Hitchens says in his Introduction, it doesn’t fit with the other books Greene classifies thus.

It’s certainly not an entertainment in the style of Murder on the Orient Express

His main weakness in this book, as others have observed, is that, unlike most of his best books, he’s inclined to stereotypes, but agree with Hitchens that the author expresses no anti-Semitism, though some characters are outed for it.

His cast of characters are as follows.

Coral Musker, a sickly chorus girl

Carleton Myatt, a rich Jewish businessman

A lesbian journalist Mabel Warren traveling with her partner Janet Pardoe

Josef Grunlich, a cunning, murderous burglar.

Dr. Richard Czinner, an escaped communist leader and a mysterious school teacher, traveling on a forged British passport to his native Belgrade.

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Carleton Myatt was my favorite character. He’s extremely kind, with no hint of ingratiation. Most of the others have a bit of a nasty streak.

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"Everything is lyrical in its ideal essence; tragic in its fate and comic in its existence"

(epigraph of George Santayana added by Greene to convey Greene's sense of ambivalence about people)

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The book is beautifully written and astutely observant of detail. I felt as if I were a passenger on the train for the entire book.

No one write likes this any more…..

“Richard John, with his mackintosh turned up above his ears, leant from the corridor window and saw the sheds begin to move backwards towards the slow wash of the sea. It was the end, he thought, and the beginning. Faces streamed away. A man with a pickaxe on his shoulder swung a red lamp; the smoke from the engine blew round him and obscured his light. The brakes ground, the clouds parted, and the setting sun flashed on the line, the window, and his eyes.

The fire-hole door opened and the blaze and the heat of the furnace for a moment emerged. The driver turned the regulator full open, and the footplate shook with the weight of the coaches. Presently the engine settled smoothly to its work and the last of the sun came out as the train passed through Bruges.

The sparks from the express then became visible, like hordes of scarlet beetles tempted into the air by night, they fell and smouldered by the track, touched leaves and twigs and cabbage-stalks and turned to soot.

As the darkness fell outside, the passengers through the glass could see only the transparent reflection of their own features. In the rushing reverberating express, the noise was so regular that it was the equivalent of silence, movement was so continuous that after a while the mind accepted it as stillness.”
April 25,2025
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I know that this is supposed to be a classic written by a noted author, but, I can't get excited by this book. While the story was interesting and had some memorable characters, the style of the prose left me confused on a number of occasions. Since this was my first Graham Greene novel, I will have to think hard and long before I pick up another to read.
April 25,2025
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Where did I pick up the notion that it was a good idea to at least try to read an author’s books from beginning to end – even if they’re not connected, just so you can get an impression of the author’s growth? I think it was Gun With Occasional Music, though that was mostly just because I liked the sound of it. Most writers, naturally, take a while to grow into their style, and don’t produce their best works until later in their career. Graham Greene, in any case, doesn’t make it easy for the modern reader working back over the English canon: not only were his books divided into “serious” novels and “entertainments,” but he was apparently not particularly fond of his debut, The Man Within, and hated his next two (The Name of Action and Rumour at Nightfall) so much that he refused to allow them to be republished. So we begin with Stamboul Train, his fourth novel but the first to gain any real traction; the faintest hint of a mention in his bibliography.

It’s not particularly good – or at least, I didn’t enjoy it. It follows the fortunes of a mixed bag of travellers (a journalist, a dancer, a novelist, a Jewish business magnate, a Serbian communist revolutionary) as they travel by express train from Ostend in the Netherlands to Istanbul in Turkey. Really, that should have been right up my alley: political intrigue, a train journey, Europe in interwar period, shades of the hugely underrated video game The Last Express. (Which, obviously, horse before the cart.)

But I found myself unenthused by it, and halfway through it became one of those novels where I was no longer waiting for it to grab me, and instead counting the number of pages left until it was finished. But does that matter, really, when Greene is considered one of the greatest writers of the 20th century and I’ve never heard anybody mention Stamboul Train as one of his better novels? Probably not. It may be time to stop trying a new author with their first works, unless they sound particularly compelling.
April 25,2025
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3.5 ⭐
My first Greene.
Although he himself called this one to be an "entertainment" as compared to his other works, The Stamboul Train was anything but that. This is a thriller set during 1930s infused with themes of anti-semitism, communism, love, lust, homosexuality, crime & punishment (justified?).
To me more than the story, it was Greene's writing that left a lasting impression. Definitely going to add his other books to my TBR pile.
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