Philip Marlowe's Guide to Life

raymond chandler marty asher

Raymond Chandler’s classic gumshoe Philip Marlowe is the quintessential American detective. His effortless masculinity, smoldering sexuality, and verbal fleetness remain the embodiment of cool. He liked liquor, women, and working alone. And, in a world defined by betrayal, mistrust, and double-dealing, Marlowe’s rough exterior belies an unshakable code of honor. Taken together, his observations and witticisms represent some of the most scathing and brilliant writing in crime fiction, and coalesce into a wonderfully alluring worldview: a vision of unswerving righteousness, accountability, and stylish conduct in a sea of turpitude and injustice.

Philip Marlowe’s Guide to Life is an elegant, A–Z compendium of Marlowe’s ever-more-relevant observations about crime, women, work, sex, good, evil, and life in the big city. Chandler’s genius transcended genre; though he seemed to single-handedly invent noir, his work ventured beyond it into an idiom all its own, and he left behind a legacy of grit and disarming beauty. Here is a brilliant and loving tribute to that legacy, sure to delight fans old and new.

Genres noirfiction

96 pages, Hardcover

First published November 1,2005

This edition

Format: 96 pages, Hardcover
Published: November 1, 2005 by Knopf
ISBN: 9781400041589
ASIN: 1400041589
Language: English

About the author

raymond chandler

Raymond Thornton Chandler was an American-British novelist and screenwriter. In 1932, at the age of forty-four, Chandler became a detective fiction writer after losing his job as an oil company executive during the Great Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published seven novels during his lifetime (an eighth, in progress at the time of his death, was completed by Robert B. Parker). All but Playback have been made into motion pictures, some more than once. In the year before his death, he was elected president of the Mystery Writers of America.
Chandler had an immense stylistic influence on American popular literature. He is a founder of the hardboiled school of detective fiction, along with Dashiell Hammett, James M. Cain and other Black Mask writers. The protagonist of his novels, Philip Marlowe, like Hammett's Sam Spade, is considered by some to be synonymous with "private detective". Both were played in films by Humphrey Bogart, whom many consider to be the quintessential Marlowe.
The Big Sleep placed second on the Crime Writers Association poll of the 100 best crime novels; Farewell, My Lovely (1940), The Lady in the Lake (1943) and The Long Goodbye (1953) also made the list. The latter novel was praised in an anthology of American crime stories as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery". Chandler was also a perceptive critic of detective fiction; his "The Simple Art of Murder" is the canonical essay in the field. In it he wrote: "Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world."
Parker wrote that, with Marlowe, "Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious—an innocent who knows better, a Romantic who is tough enough to sustain Romanticism in a world that has seen the eternal footman hold its coat and snicker. Living at the end of the Far West, where the American dream ran out of room, no hero has ever been more congruent with his landscape. Chandler had the right hero in the right place, and engaged him in the consideration of good and evil at precisely the time when our central certainty of good no longer held."